Film Analysis Of Wes Anderson's 'Moonrise Kingdom'

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It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual …show more content…

When Sam and Suzy share that electrifying kiss, according to Jonathan Lack from We Got This Covered, the scene drives home the point that the love story between Sam and Suzy are more than just “childish whims of rebellion,” and that they should be “celebrated for having the strength to find and rely on a person who makes them feel accepted.” After the stormy scene, the film immediately returns to its warm and bright color palette, and Bob Balaban returns to narrate the story. His vermillion red jacket matches the color of Suzy’s house in the distance, and the vibrant colors contrast with the gloomy, turbulent mood of the previous scene. This contrast complements his narration that the harvest is blooming successfully after the stormy flood, signifying spring and a new beginning in Moonrise

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