Use of Color in Crane's The Red Badge of Courage
The Red Badge of Courage uses both color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes the both the literal image of a dead soldier and Henry Fleming's vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers' physical wounds and Fleming's mental visions of battle. In the process, it gains a symbolic meaning which Crane will put to an icon like the "red badge of courage" (110, Penguin ed., 1983). Crane uses color in his descriptions of the physical and the metaphysical and allows color to take on meanings ranging from the literal to the figurative.
Crane opens the novel with a description of the fields at dawn: "As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumors" (43). The fog clears to reveal a literal green world of grass. It also reveals another green world, the green world of youth. Like schoolchildren, the young soldiers circulate rumor within the regiment. This natural setting proves an ironic place for killing, just as these fresh men seem the wrong ones to be fighting in the Civil War. Crane remarks on this later in the narrative: "He was aware that these battalions with their commotions were woven red and startling into the gentle fabric of the softened greens and browns. It looked to be a wrong place for a battlefield" (69). Green is an image of the natural world and of the regiment's fresh youth, while red, in the previous quote, is clearly an image of battle.
At the start, however, Crane uses red to describe distant campfir...
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...pon his face" (106). Obviously, when people die their faces appear gray. But Crane charges his use of gray so that it signals death and even comes to represent death within the text.
Crane's use of color allows for layers of meaning within each hue. Green, red and gray are used to describe the everyday physical objects in the text's world, and also the landscapes and metaphysical objects and ideas in Fleming's mind. Green is literally the color of the grass, but figuratively the freshness and youth of the soldiers and the purity of the natural world. Red is, overwhelmingly the color of battle, of courage and gunfire and bloodshed. Gray, however, becomes the color of human defeat. Because Crane uses each so carefully and selectively, creating for each several meanings, they take on a significance of their own; each can stand alone to have its own charged meanings.
For example the connotation ‘red’ is the colour of fire, danger, power, caution and malice. ‘Red’ is an emotionally intense colour and is a consistent theme that builds up like a heated fire because Peter is full of rage and wrath and he is the “red herring” because he is distracting the mum from the truth about the abuse he is causing.
Crane, Stephen. The Red Badge of Courage. Sculley Bradley, Richard Beatty, and E. Hudson Long Eds. New York: W.W. Norton, 1962.
“The Red Badge of Courage” was written by Stephen Crane in 1985 as a fictional tale of a soldier of the Civil War. With its accurate depictions, readers were led to believe that Crane had at one time been a soldier. This was however not the case. Crane has a unique way of using themes and symbols in “The Red badge of Courage” to relay a very realistic portrayal of war.
An American author once wrote, “by this struggle he had overcome obstacles which he admitted to be [like] mountains” (Stephen Crane 112). Stephen Crane wrote this quote using imagery to entice his readers in the novel The Red Badge of Courage. For the truly advanced writers, they use imagery to create clear concrete thoughts they wish to convey in the readers minds. Even though there are other ways to portray thoughts, the authors also use themes and conflicting ideas to get readers thinking. With the help of imagery, Crane manages to explore conflicting ideas in the novel to dig deeper into themes he wishes to examine.
"The Red Badge of Courage" is the story of one young boy's journey through the Civil War and his quest for manhood. Henry, or The Youth as he is known in the book, is very naive in the beginning of the book. He sees war as something more glamorous and romantic than it actually is. He is very innocent and unaware of what war is truly like. Henry's only wish is to be seen as a hero and he believes that fighting in war will grant him that.
Cruelty, blood, and gore are all accurate descriptions of the French Revolution. This horrific time is correctly represented by the twisted and elaborate plot of A Tale of Two Cities by Charles Dickens. During this time, pity and sympathy leave the hearts of both the revolutionaries and the aristocrats. The hatred felt by the revolutionaries towards their oppressors seizes control of their hearts and results in more ruthless and savage behavior towards their old persecutors. Man, himself, becomes a more brutal race in this time of animosity. He has no compassion towards his fellow man, resulting in extraordinary bloodshed. Throughout A Tale of Two Cities, Dickens conveys the theme of inhumanity by using symbols, especially scarecrows, blue-flies, and dogs.
For this reason, critical reactions to the The Red Badge of Courage in 1895 were mixed: some disapproved of Crane's use of the vernacular—the common slang of everyday folk and soldiers—and the impressionistic technique. Crane also experimented with psychological realism, and his venture into the realm of the human psyche radically changed the common perception of the novel in America. As he faces combat for the first time, Henry experiences an intense array of emotions: courage, anxiety, self-confidence, fear, and egotistic zeal. Interestingly enough, the naturalistic flavor of the work operates against this serf-important ego. The individual is not of primary importance, as is evidenced time and again in the words of Henry's mother, fellow soldiers, and officers. Henry is often referred to quite impersonally as "the youth." The men, untried and untested, are treated like scared animals against the backdrop of inimitable Nature and War. Crane also used color imagery, both vibrant and subtle, to describe war. He describes a skirmish as sounding like a "crimson roar," for example, and writes of war as "the red animal." Crane's sense of color pervades the work; note his description of the sky, which remains "fairy blue" during the day, as if to underscore the indifference of nature to the carnage taking place.
When Stephen Crane first wrote, The Red Badge of Courage, it wasn’t revered throughout the nation. Instead, it circulated abroad, where the English loved it. Eventually, after many years, the same fame happened here, causing Crane to earn a spot in literature history. However, many have asked how he accomplished this feat without having the experience most would require to write a book like he did. I believe that his lack of experience actually aided in his endeavors and the real question that should be asked is what is Crane trying to show us throughout his book and I believe a big hint is in the title. Crane is trying to show us the true definition of courage. His way of doing so is by having readers follow the thoughts and emotions of Henry
The French Revolution is a war between the peasants and the aristocrats. A Tale of Two Cities is by Charles Dickens and is set in England and France from 1775-1793. The French Revolution is starting to come about because the French peasants are trying to model their revolution after the American Revolution. King Louis XVI of France supported the colonists in the American Revolution; therefore, it is ironic that he does not help the poor, distressed, and oppressed peasants in France. The peasants are trying to rise against the oppressive aristocrats because the rich are unfeeling and mean towards the poor serfs. In A Tale of Two Cities, the symbols help represent the theme of man’s inhumanity toward his fellow man because the symbol of the scarecrows and birds of fine song and feather is helpful in understanding the differences between the poor and the rich, the Gorgon’s head is meaningful because it shows that change needs to occur, and the knitting is insightful because one learns that evil can come out of good intentions.
The first major symbol developed throughout the novel is the wine. The wine symbol is introduced during the wine cask scene that takes place in Saint Antoine when a large cask of wine is dropped into the street and the townspeople rush to drink it. The wine is being compared to red blood from the revolution and “the stain of it would be red upon many there” (Dickens 22), meaning that many of those people will die from the revolution. After the wine is all gone, the people return to their work as if nothing happened, which is foreshadowing of their attitude of what is to happen during the revolution. In this instance, the wine symbol shows the fate of the people and the blood and destruction of the revolution. During the revolution, the wine symbol is mentioned at the grindstone where the revolutionaries sharpen their tools and some women are drinking the wine. The droppings of the wine resemble the droppings of blood that are covering the city from the brutality of the revolution. Dickens describes the scene as “wicked atmosphere seamed gore and fire” (203) showing how the people are enjoying the revolution as gratifying and pleasurable as it is to dri...
Crane, Stephen. The Red Badge of Courage. New York, New York: Signet Classic from Penguin Putnam Inc., 1997.
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
Within scientific research there is always a strong debate between those that prefer quantitative methods and those who prefer qualitative ones. proponents of quantitative methods have built the standards in experimental research and in researches performed on a large number of subjects and which use sampling criteria and statistical analysis techniques. On the other side, the qualitative method uses procedures of qualitative nature both at the level of collecting the data as well as the level of analyzing them (Tagliapietra, Trifan, Raineri & Lis, 2009). The gathering data procedures include: interviews, group discussions, observations, journals; while the analysis procedures include coding, categorizations and systematic confrontation between the categories and their dimensions. Such research is often defined as an explorative one, opposite to “classical” scientific research aiming to confirm / disconfirm initial hypothesis. Among the qualitative methods used in the scientific research we can list: Focus Group, Speech Analysis, Conversation Analysis, Grounded Theory and Phenomenological Interpretative Analysis (Tagliapietra, Trifan, Raineri & Lis, 2009).
Merriam, S. B. (2009). Being a careful observer. Qualitative Research: A Guide to Design and Implementation. San Francisco, CA: Jossey Bass.
Solar power for instance is one of the most popular and easiest of all of the renewable energy sources to harness, especially for home and business uses. (Galbraith) For around the same ...