Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Us canadian magazine dispute
Don’t take our word for it - see why 10 million students trust us with their essay needs.
1. To what extent do you think the U.S.-Canadian magazine dispute was motivated by genuine desires to protect Canadian culture? In my opinion, the U.S. – Canadian dispute was extremely motivated by genuine desires to protect Canadian culture. Government of Canada was quite serious in terms of protecting its culture from foreign influence. Even though Canadian magazines were less produced domestically still the government recognizes it “as an important touchstone of Canadian national identity”. In favor of Canadian culture, governmentof Canada took a decision “In1920s, imposed protective tariffs on foreign magazines. In 1965 also, Canada furthermore prohibited the importation of split-run editions of foreign-published magazines into their country”. …show more content…
If you were the Canadian government, trying to protect the domestic magazine market, what kind of criteria would you establish to distinguish between a split-run and a domestic magazine? If I were to act as Canadian government, trying to protect the domestic magazine market, I would use the same criteria as Canadian government established to distinguish between a split – run and a domestic magazine. Any magazine which is printed, produced on Canadian soil and have Canadian domestic content in it will be considered as domestic magazine. Local or domestic magazines industry have to flourish and support Canadian culture unlike foreign magazines. I would use the practice of recognizing a magazine (whether foreign or domestic) origin through its place of printing, person or company behind it and its content. On the other hand, about the split- run magazine, it should have “80 percent” of the Canadian content to be called as a Canadian magazine and to save itself form high taxes. This was the best way to protect Canadian culture which was left by a very less percentage. A split – run magazine should have all the Canadian content just “20 percent” of other contents can be added apart from Canadian. Because foreign magazines are already doing so well and have such a high number of percentage in its
However, Canadian may not have much interest to buy domestic magazines. Specially, this generation is more Americanized and are more anxious to know about Americans (i.e.: - famous singers, actors/ actresses, TV shows etc.). Also, there is no single sentence describing in the article that the Canadian government has interest of enforcing Canadian from buying foreign magazine, they will continue buying foreign magazines. If the government of Canada took foreign magazines off the market, Canadian will have limited choice and that could help them to adopt buying domestic magazines.
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
The economic progress Canada made after the war lead to the growth of the country. New industries emerged from innovations of products like automobiles, radios, television, digital computers and electric typewriters (Aitken et al., 315). Canadians quickly adapted back to the “buy now, pay later” strategy rather than careful budgeting during the Great Depression (Liverant). Almost everything that Canadians did was influenced from new inventions; television was the most influential. Canadians conversations, humour, and lifestyle were influenced from television (Aitken et al., 315). Trade relations between the United States and Canada had become more efficient due to the St. Lawrence Seaway. The mass development of the St. Lawrence Seaway, in 1954, was to provide a large wate...
Conflict theory claims that advertising does not sufficiently address issues of inequality in society. (Brime, Roberts, Lie, Rytina 2013, p.462) There are five major media outlets that form a monopoly of the media industry in Canada: CTVglobalmedia Inc. owned by Bell Canada, Rogers Communications Inc. Controlled by the Rogers family, Shaw Communications controlled by the Shaw family, CBC/Radio Canada, and Quebecor Inc. Controlled by the Péladeau family. (Brime, Roberts, Lie, Rytina 2013, p.462-463) CBC/Radio Canada is the only publicly owned media company in Canada, whereas, approximately 90% of the media in Canada is privately owned. (Brime, Roberts, Lie, Rytina 2013, p.464) This allows for 90% of advertising content to be chosen by wealthy corporations. In an American study, 93% of newspaper editors admitted to advertisers attempting to influence news stories and 37% admitted that advertisers have influenced their stories. (Brime, Roberts, Lie, Rytina 2013,
In order to understand the complexity of the Anti-Americanism, it is important to understand the history and relationship between Canada and the United States. The sentiment was first conceived by the Europeans and the issues it had with the upcoming “rebellious” American culture. Europeans at the time had the tendency to see Americans as, “overconfident and self-important… it was this egocentricity that most aggravated Europeans” (O’Connor, 2004). In its earliest form, the American ideology seemed to be an opponent to the popular European ideology. Which soon became a campaign between “high culture” (the European ideology) and “low culture” (the American culture) and through that rivalry many European citizens held the belief that,
With an understanding of the theoretical links between economic structures, relations of production, and political systems that protect economic structures in society this case study examines media as a contributor to democracy in Australia as well as a business with economic objectives. This section will provide a short explanation of Fairfax media history and position in 2012 prior to explaining Gina Rinehart’s role in the company. The print sector in Australia has historically exhibited relatively high levels of concentration, dominated by News Corp Australia, Fairfax and APN. The Australian print news media have experienced a long-term trend of a decrease in titles and owners. According to Geoffrey Craig, ‘in 1923 there were as many as
In the last 20 years the penetration of the Canadian market by American cultural industries is still extremely strong. The United States is still the main source of culture products. American products represent 81% of all culture commodity imports. Canadians watch American TV shows, listen to American music, love American sports teams, drive American cars and buy American goods at American stores like Walmart. They eat American food, drink American beer (sometimes).
The topic of discussion in this paper is advertising in Canada. It will argue that the Canadian advertising industry strives to protect themselves from competition in the United States. The paper will discuss how the Canadian advertising industry allots their money to different forms of media to ward off the United States competition. Tracing the history of advertising from the early 1960’s to the present day, will help to show why Canada concentrates on the television and radio portion of the media.
Canada as a nation has been striving to characterize itself as more ?Canadian? for decades. This has included numerous struggles and events such as protests, bans, and the creation of the Massey Commission, to encourage national development in the arts, and support major companies like the Canadian Broadcasting Corporation (CBC) and National Film Board (NFB). However, this has not been an easy task for the Canadian government, as major influences from below the border (the United States) have been captivating the Canadian audiences by large. American media has had a momentous revolutionizing effect on Canada, even through efforts made to define Canada with its own cultural identity.
Today Canada and the United States are major trading partners, allies, and two neighboring countries with a long history of cooperation with each other. But is it possible for Canada to protect its independence and culture living next door to the country so powerful and rich as the United States. Since the Canadian confederation, Canada started developing relations with the U.S. As the years passed by, Canada began to relay on the United States in the national defense. Many Canadians think that the military, political and economical dependence would not make a difference to their daily life. But today more then even Canadian culture is affected by the American influence. Media, American artists, economic dependence, American propaganda and political pressure from the United States is making Canada too Americanized. All of these factors reflect on the social life of ordinary Canadians threatening the heritage and the traditions that define Canada as independent country.
The culture of Canada refers to the shared values, attitudes, standards, and beliefs that are a representative of Canada and Canadians. Throughout Canada's history, its culture has been influenced by American culture because of a shared language, proximity, television and migration between the two countries. Over time, Canadian-American relations have helped develop Canada’s identity during the years 1945-1982; thus introducing changing social norms, media and entertainment. In support of this, due to the United States being approximately 9.25 times larger in population and having the dominant cultural and economic influence, it played a vital role in establishing Canada’s identity. With Canada being its neighbour, naturally, the United States would influence their way of life upon Canada.
Confidentiality is essential to the online magazine because the same amount of consideration given towards the magazine must be given to the customer. From the customer’s point of view you do not want to subscribe to a business where someone else whether within the magazine or otherwise can access your private information. For instance : A customer has a friend working at the magazine suppose that friend (the employee) wanted to see what his friend (the customer) is subscribing to? Not every employee there should have the right to that information. In fact no one should unless it was necessary. Therefore the magazine’s policy should determine who has privileges to the information, which clearly shows how from confidentiality you can derive Access Control.
Maclean’s is a Canadian news magazine established in 1905 by John Bayne Maclean. Distributed weekly, it is Canada’s only national current affairs magazine; it covers such matters as politics, international affairs, social issues, business and culture. On average, the magazine circulates 366,394 issues per week and has a readership of 2,753,000. 51% of readers are men and 49% are women, with an average age of 45 years old. On October 11th, 2007, Volume 120 Number 41, October 22nd, 2007 issue (Figure 1) was distributed nationally.
... publication and distribution of a magazine – in this case, divisions of a magazine designed for controlled circulation – to specific groups of people.