Toy Story And Peter Docter's Monsters

719 Words2 Pages

An important role of a good film is to entertain the audience. One component that is beneficial to films in achieving this goal is incorporating an element of drama into the story. Through the collaboration of imaginative directors, with the assist from talented film composers capable of incorporating drama into a scene through music, provides audience entertainment by delivering surprises and create anticipation of what is next a film has to offer. The combination of low-angle shot with dramatic score music in John Lasseter’s animated film Toy Story and Peter Docter’s Monsters, Inc. both demonstrates how the two techniques go together in creating a theatrical entrance of a new character within a film. In addition, manipulating the techniques …show more content…

This significant camera angle type creates the effect of an object or a character to be larger than they appear and symbolizes a higher power and authority of the entity within the frame. In addition to the low-angle shot implemented in the scene, another constructive film element was combined to enhance the meaning of the scene. The emotion implied through the usage of score music.
According to an article done by online royalty free music provider, Premium Beat describe score music as “a custom musical piece that strives to create the film’s vibe” which “helps place the viewer within the temporary reality on the screen” (Porter). Just like the various background sounds in films, music is a very useful tool in the world of cinematography that is capable to be as expressive as the image on the screen. Skillful composers compose music soundtracks specifically for a film or a scene of a film to further complement the purpose the directors want the audience to …show more content…

Serving the identical purpose of giving theatrical entrance to a character once undisclosed to the audience was utilized in Pete Docter’s Monsters, Inc. when Mike and Sulley came into contact with Yeti after being banished to The Himalayas (58:35). In this scene, the low-angle shot is dramatic at a steep angle pointing upward towards the new character in a similar pose to Buzz in Lasseter’s film. This provides the perception of this character as overpowering and dominant to the audience. Meanwhile, doubles as an effective way to depict the point of view of the two protagonists when confronted by the new character. Score music utilized within this scene follows the same orchestra genre with a similar tone from low steadily elevates to

More about Toy Story And Peter Docter's Monsters

Open Document