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Medical ethics chapter 7
Medical ethics chapter 7
Medical ethics chapter 7
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Summary:
Thomson, in “A Defense of Abortion,” writes for arguments sake that all foetuses are considered human i.e. a person. Her argument is that a foetus as it is a person has a right to life. Although, the mother has the ability to decide what happens in her body, the foetus’s right to live outweighs the mother’s choice in the matter. Therefore, the foetus is not to be killed, thus an abortion should not be performed. She defends the notion of abortion using an experiment, by replacing the human embryo in this case with a famous violinist and instead of pregnancy as the medical condition; the violinist is instead relying on your kidneys to sustain his life. In the experiment, it is described as you have been abducted, and by the time you wake up, you are lying with the famous violinist with his circulatory system hooked up to your kidneys to extract the poison from his blood, of which you are immune to. The problem being if he is unplugged, he will die, however if you allow him to use your kidneys for nine months, he will live and both of you can disconnect safely. She argues that you may permissibly unplug yourself from the violinist even though this will kill him, in other words, his right to life, does not include the use of another
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The violinist example relates to abortion because although the foetus has a right to live, it is the mothers body it is using for life sustaining functions for nine months. If the mother consented, i.e. knew about the pregnancy and agreed to go through with it, then she has no right to terminate the foetus’s life, however, if she got pregnant due to rape for example, in which she did not volunteer to become a host for nine months, then she should be morally permissible to abort. It is her choice, just like it would have been her choice to detach herself form the violinist due to dissent on the matter of a stranger using her body for nine months, much like a involuntary pregnancy
Thomson provides the example of being hooked up for nine months to provide dialysis to an ailing violinist to expose how a fetus’s right to life does not supersede a mother’s right to make medical decisions about her body (48-49). I find that this thought experiment especially helpful in understanding how even though a fetus does have a right to life, because the continuation of their life hinges on the consent of their mother to use her body, it falls to the mother to choose whether or not to allow the fetus to develop to term.
Before Thomson addresses “The Violinist” case, she concedes the point that a fetus is a person and therefore has a right to life. Now, Thomson continues by stating that a woman’s right to her body outweighs the fetus’s right to life. To demonstrate her position, Thomson utilizes a “thought experiment” involving a famous violinist. Suppose you wake up one morning and are attached to an unconscious violinist, one that is respected
In this essay, I will hold that the strongest argument in defence of abortion was provided by Judith Jarvis Thompson. She argued that abortion is still morally permissible, regardless if one accepts the premise that the foetus is a person from the moment of conception. In what follows, I agree that abortion is permissible in the ‘extreme case’ whereby the woman’s life is threatened by the foetus. Furthermore, I agree that abortion is permissible to prevent future pain and suffering to the child. However, I do not agree that the ‘violinist’ analogy is reliable when attempting to defend abortion involving involuntary conception cases such as rape, whereby the foetus does not threaten the woman’s health. To achieve this, I will highlight the distinction
In this experiment, an innocent celebrity is dying of kidney failure and you are the only one with the correct blood type to save them. Therefore, you are kidnapped and your circulatory system is connected to theirs in order to save them. The question Thomson poses is whether you are morally obligated to remain connected to them or not. My intuition is that of course you’re not required to stay connected, regardless of the amount of time required of you. Thomson argues for the same position, with the obvious stipulation that the less that is required of you the more morally degraded you are for refusing to remain connected (184). This thought experiment is meant to prove that abortion in the case of rape is morally permissible. However, this begs the question on whether abortion in the case of conception resulting from consensual intercourse continues to be morally permissible based on the concept that the right to bodily autonomy trumps the right to
In conclusion, Thompson's criticisms of the Standard anti-abortion argument are false. Premise 1 stays true as life begins at conception because that is the point when the fetus starts to grow. Premise 2 stays alive because murder is both illegal and morally wrong. Why? because you are depriving them of their future and causing harm to the people who love the victim. And lastly, premise 4 remains true because there is a difference between not helping someone live and directly killing them, thereby proving the case of the unconscious violinist as not analogous. All in all, the standard anti-abortion argument remains a sound argument.
Judith Jarvis Thomson, a 20th century philosopher, offers her argument defending abortion in her paper, “A Defense of Abortion”. She states initially that the fetus has a right to life, although contrary to her argument, she uses it as a premise to develop her thoughts. In short, Thomson says that the fetus’s right to life does not outweigh the woman’s right to control her body. She forces readers to participate in a thought experiment as she gives an odd example about a violinist suffering from kidney failure. The violist is facing death and in order to prevent it, he needs your help. Because you are the only one with his blood type, you are the only hope for him. You have been kidnapped by the Society of Music lovers and, without your consent, hooked up to him and you are filtering his blood and keeping him alive. In order to save his life, you must remain connected to him and support him for nine whole months. Thomson then asks if it is morally wrong to disagree to remain connected to the violinist. It is quite noble to agree to save the man’s life but should his right to life automatically force you to sacrifice nine months of yours?
In Judith Jarvis Thompson’s article “A Defense of Abortion” she explores the different arguments against abortion presented by Pro –Life activists, and then attempts to refute these notions using different analogies or made up “for instances” to help argue her point that women do have the right to get an abortion. She explains why abortion is morally permissible using different circumstances of becoming pregnant, such as rape or unplanned pregnancy.
No doubt the mother has a right to decide what happens in and to her body. But surely a person’s right to life is stronger than the mother’s right to decide what shall happen to her body, and so outweighs it. So the foetus may not be killed and an abortion may not be performed (Thomson, 1971) In response to this argument, Thomson uses her Violinist analogy. You have been kidnapped by the Society of Music Lovers, and upon waking have found that your circulatory system has been plugged into a famous violinist who is suffering from kidney failure.
The right to life of the fetus is not the same as the pregnant person having to die, so as not to infringe on the right of the fetus. In the case of the violinist, their necessity for your body for life is not the same as their right to the use of your body. Thomson argues that having the right to life is not equal to having the right to use the body of another person. They argue that this is also the case, even if the the pregnant person knowingly participated in the intercourse and knew of the possibility of pregnancy. In this case it would seem that abortion would not be permissible since the pregnancy was not by force.
According to Thomson, unjust killing comes from the result of depriving someone from a right that they own. In the Henry Fonda case, Fonda was given the magical ability to cure a sickness with just one touch over a fevered brow. So, Fonda has the right to volunteer in touching the fevered brow, but is not obligated to do so because the sick person does not own the right of Henry Fonda’s hand. This analogy is very significant in comparison to Thomson’s argument on justified abortion because it shows that the mother should not be held to any constraints because she has the freedom to her body. Given the fact that the mother has the authority to make any decisions she wants; abortion will always be justified because she is not obligated to give
Patrick Lee and Robert P. George’s, “The Wrong of Abortion” is a contentious composition that argues the choice of abortion is objectively unethical. Throughout their composition, Lee and George use credibility and reason to appeal the immorality of abortions. The use of these two methods of persuasion are effective and compels the reader to consider the ethical significance. Lee and George construct their argument by disputing different theories that would justify abortions. They challenge the ontological and evaluation theories of the fetus, as well as the unintentional killing theory. This article was obtained through Google, in the form of a PDF file that is associated with Iowa State University.
Judith Jarvis Thomson, in "A Defense of Abortion", argues that even if we grant that fetuses have a fundamental right to life, in many cases the rights of the mother override the rights of a fetus. For the sake of argument, Thomson grants the initial contention that the fetus has a right to life at the moment of conception. However, Thomson explains, it is not self-evident that the fetus's right to life will always outweigh the mother's right to determine what goes on in her body. Thomson also contends that just because a woman voluntarily had intercourse, it does not follow that the fetus acquires special rights against the mother. Therefore, abortion is permissible even if the mother knows the risks of having sex. She makes her points with the following illustration. Imagine that you wake up one morning and find that you have been kidnapped, taken to a hospital, and a famous violist has been attached to your circulatory system. You are told that the violinist was ill and you were selected to be the host, in which the violinist will recover in nine months, but will die if disconnected from you before then. Clearly, Thomson argues, you are not morally required to continue being the host. In her essay she answers the question: what is the standard one has to have in order to be granted a right to life? She reflects on two prospects whether the right to life is being given the bare minimum to sustain life or ir the right to life is merely the right not to be killed. Thomson states that if the violinist has more of a right to life then you do, then someone should make you stay hooked up to the violinist with no exceptions. If not, then you should be free to go at a...
In the Judith Jarvis Thomson’s paper, “A Defense of Abortion”, the author argues that even though the fetus has a right to life, there are morally permissible reasons to have an abortion. Of course there are impermissible reasons to have an abortion, but she points out her reasoning why an abortion would be morally permissible. She believes that a woman should have control of her body and what is inside of her body. A person and a fetus’ right to life have a strong role in whether an abortion would be okay. Thomson continuously uses the story of a violinist to get the reader to understand her point of view.
In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.
Thomson’s argument is presented in three components. The first section deals with the now famous violinist thought experiment. This experiment presents a situation in which you wake up one morning and discover you have been kidnapped and hooked up to an ailing violinist so that his body would have the use of your kidneys for the next nine months. The intuitive and instinctive reaction to this situation is that you have no moral duty to remain hooked up to the violinist, and more, that he (or the people who kidnapped you) does not have the right to demand the use of your body for this period. From a deontological point of view, it can be seen that in a conflict between the right of life of the fetus and the right to bodily integrity of the mother, the mother’s rights will trump those of the fetus. Thomson distills this by saying “the right to life consists not in the right not to be killed, but rather in the right not to be killed unjustly”.