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Role of fathers in hamlet
A Midsummer Night's Dream and symbolism
Role of fathers in hamlet
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In a Midsummer Night’s Dream, Theseus and Hippolyta are soon to be married. Theseus, being the Duke, encounters a father who explains his predicament and asks Theseus to pass judgement. This man, Egeus, has a beautiful daughter named Hermia. He has told her she will marry Demetrius, but she has fallen in love with Lysander, a simple man of Athens. The Duke tells her that she has a month to marry the man of her father’s choosing, die, or become a nun. She wishes to do neither of these things and runs to the forest to marry Lysander. Meanwhile Oberon, king of the fairy folk, has ordered his servant Puck to retrieve a magical flower to bestow upon his wife Titania. This flower holds the power to cause whomever it is administered to, to fall in …show more content…
He was previously an actor (though I don’t know that one would call him that), but was a victim of one of Puck’s pranks. She is instantly smitten and Oberon is furious. He attempts to fix the problem himself by using the previously mentioned flower on Demetrius as originally planned. However, this creates a problem as now there are two men pining for Helena and Hermia is left alone. Helena believes that this is a well thought out joke between the three of them, and gets upset with Hermia. Hermia, however, is not the cause and is very upset at Helen who has “stolen” her own lover and now her betrothed, not that she cared much for him anyhow. Lysander and Demetrius plan a duel for Helena’s heart but once again fall victim to Puck. This time around, Puck rights his wrong doing by fixing Lysander. While he still has access to the flower, Oberon allows the drops of it to, once again, find his wife’s eyes. Puck removes Bottom, the “actor’s”, donkey head and sends him on his way. The Duke decides that if all are happy, Hermia may marry Lysander as she wishes. All is well and Bottom and his troupe perform a miserable play for the three pairs of
Bottom is so in love with himself that he wants an entire section of the play—in which he is already the lead of—dedicated to himself. Bottom’s arrogance relates to A Midsummer Night Dream’s themes of mayhem and disorder because after Puck transforms Bottom’s head into that of an ass, his appearance strikes fear into his cast members and interrupts their play rehearsal. The players run away from Bottom, with Quince shouting of being haunted (3.1.46-47). But it is apparent that even after Puck alters him, Bottom’s arrogance is still present. When Snout asks him how he changed, Bottom responds with: “What do you see?
The Greek myth of Theseus and Hippolyta tells of Theseus kidnapping Hippolyta in order to take her as his wife (“Theseus”). In the play, the character Theseus alludes (within the allusion) to these circumstances: “. . . I wooed thee with my sword and won thy love doing thee injuries. But I will wed thee . . . with pomp, with triumph, and with reveling” (Shakespeare 1.1.16-19). Interestingly, in the myth, Theseus never marries Hippolyta like he does in A Midsummer Night’s Dream. Hippolyta instead escapes, and Theseus is forced to look elsewhere for love (Theseus). This might make one wonder why Shakespeare chose to change the story’s ending. Perhaps this change helps to foreshadow Hermia’s eventual escape from Demetrius’s
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
There is drama caused between the young lovers initially, when Hermia loves Lysander, Lysander loves Hermia, Demetrius loves Hermia, Helena loves Demetrius, but no one loves Helena. Through this short, complicated ‘love story’, arguments and fights occur. The fairy world then comes into contact with the world of the young lovers. Mischievous Puck causes further complications when he uses magic to anoint a young Athenian male’s eyes, who is in fact the wrong Athenian that Oberon assigned Puck. Puck misuses magic when he plays a silly prank on Bottom, who is one of the Mechanicals, by giving Bottom a head of an ass.
The funniest part of this play seems to be when Puck, the trickster, keeps mixing up the people who he is assigned to put the love juice on. Even when he did put the love juice into the right people's eyes, they still fell in love with the wrong people sometimes. The first example of this mistake of Puck's is where he puts the love juice in Lysander's eyes, mistaking him for Demetrius. Oberon tells Puck to put the love juice in the eyes of an Athenian man, Demetrius, and to make sure that the first thing he sees after this is the woman whom he hates, but who loves him so much, Helena. Puck ends up finding Lysander and Hermia, lovers, sleeping on the forest floor. He puts the love juice in Lysander's eyes and leaves. Then along come Helena and Demetrius to this spot. They are still arguing and Demetrius leaves her with the sleeping Lysander and Hermia. Helena notices them there and tries to wake Lysander. Lysander wakes and the first thing he sees is Helena. "And run through fire for thy sweat sake. Transparent Helena! Nature shows art, That through thy bosom makes me see thy heart."(2.2.103). This is what Demetrius says to Helena when he sees her. He has fallen in love with her. This is where the comedy of this love mix up begins. Now Helena is confused and thinks that Lysander is playing a trick on her so she runs away. This is a most particularly funny part of the play and these mix ups with whom loves who seem to be the funniest pieces of the play.
A Midsummer Night’s Dream, penned by the acclaimed author William Shakespeare, demonstrates erratic relationships in the form of a romantic comedy. The play takes place in ancient Athens where Theseus, duke of Athens, and his fiancé, Hippolyta, prepare for their grand wedding. During the preparations, Theseus must settle a dispute between a man named Eugeus and his daughter, Hermia. Hermia desires to marry a charming young man by the name of Lysander, however, her father forces her to wed Demetrius. Throughout the story, Hermia and many other women, battle with their love affairs. Through these chaotic love affairs, the predominant female characters show their strengths as well as their weaknesses through various events in the play. Two
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
Love plays a very significant role in this Shakespearian comedy, as it is the driving force of the play: Hermia and Lysander’s forbidden love and their choice to flee Athens is what sets the plot into motion. Love is also what drives many of the characters, and through readers’ perspectives, their actions may seem strange, even comical to us: from Helena pursuing Demetrius and risking her reputation, to fairy queen Titania falling in love with Bottom. However, all these things are done out of love. In conclusion, A Midsummer Night’s Dream displays the blindness of love and how it greatly contradicts with reason.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander.
He felt sorry for Helena and tried to get Demetrius to fall in love with her. However, on the other hand, Oberon is cruel, jealous, and tyrannical. Resembling his mischievous servant Puck, Oberon finds no problem playing with other people’s love. He swindled his own wife and laughed at the misfortunes of the four Athenians Helena, Hermia, Lysander, and Demetrius. Despite one’s view of Oberon, it is clear that he is the root of all the problems in the play because he starts a sequence of problems by making the love juice, orders the love juice to be used on Demetrius which in turn causes disarray for all four of the young lovers, and causes disgrace for Titania and creates obstacles for Bottom and the Rude Mechanicals when he uses the love juice on Titania in order to fulfill his own selfish desires.
In A Midsummer Night’s Dream, the King of the Fairies is a powerful man named Oberon. Oberon is married to Titania, Queen of the Fairies, who received an Indian boy from her dear friend who passed away. Oberon desperately wants the Indian boy to be one of his followers, but the boy is one of Titania followers and she will not give him up. This is when Oberon decides to use magic, in an attempt to win the Indian boy. Oberon uses the magic of a flower, to make his wife, Titania fall in love with the next creature she sees. Oberon says, “Fetch me that flower; the herb I shew'd thee once: / The juice of it on sleeping eye-lids laid / Will make or man or woman madly dote / Upon the next live creature that it sees” (2.1.175-178). Oberon then black mails Titania and tells her that she will love the donkey forever unless she gives over the Indian boy. Although many would consider this bad, Oberon uses his magic because he can and he feels he needs to.
However, the ideal relationships are not immune to experiencing unharmonious periods. Despite this, the ideal couples eventually found harmony which allowed them to experience a joyous ending. Lysander and Hermia have a harmonious relationship in that they display similar desires and mindsets. In the beginning, after declaring their love for one another Lysander and Hermia devise a plan to run away and elope (A Midsummer Night’s Dream 1.1.156-178). Even when they are not of the same mindset Hermia and Lysander find an amicable solution. After becoming lost in the forest, Lysander’s desire is for them to sleep together, Hermia refuses for fear of the disgrace that would be placed upon her if for some reason they did not become married. Even though Lysander is a reluctant he respects her wishes (A Midsummer Night’s Dream 2.1.47-67). On the other hand, the relationship between Oberon and Titania in spite of being plagued by dysfunction comes to a harmonious agreement. At the beginning Titania and Oberon are quarreling over the control of an Indian changeling boy (A Midsummer Night’s Dream 2.1.18-31). While under the influence of an enchantment that Oberon had placed on her Titania relinquishes the control of the changeling boy to Oberon (A Midsummer Night’s Dream 4.1.56-60). After the enchantment is removed from her Titania no longer has feelings of defiance toward Oberon (A Midsummer Night’s
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...
He sends Puck out to find a plant called love-in-idleness, the juice of which makes any person love next creature he or she sees. Oberon takes his revenge on Titania by making her fall in love with bottom who has an ass's head. Puck explains what he has done to Oberon, who is pleased with the way his plan has turned out Everything seems perfect, until Demetrius and Hermia walk past, Hermia believing Demetrius has harmed Lysander,
In A Midsummer Night’s Dream, the main conflict is between love and social relations. The play revolves around the magical power of love which transforms many lives. As a result of this, it gets the reader’s emotionally involved through ways of reminding us of love’s foolishness and capabilities, as well as violence often followed alongside of lust. This play shows passion’s conflict with reason. For example, the father presented in the play Egeus, represents tradition and reason while Hermia represents passion for love and freedom. Egeus wants Hermia to marry Demetrius and accuses Lysander of “bewitching” Hermia with love charms and songs. This is one way love’s difficulties are presented in the play between father and daughter. Additionally, Helena recognizes love’s difficulties when Demetrius falls in love with her best friend Hermia. Helena argues that strong emotions such as love can make extremely unpleasant things beautiful. This is another way the play presents love’s difficulties between lovers and capricious emotions.