In the novel Jane Eyre by Charlotte Brontё, Brontё traces the philosophy of Romanticism for Jane. Jane falls in love with a wealthy man named Mr. Edward Rochester, who owns and lives in Thornfield. However, she experiences many difficulties in Thornfield, and she decides to leave as she meets St. John, while trying to survive on her own. Then, St. John asks Jane to marry him, which brings many other difficulties to her. As Jane has trouble with Mr. Rochester and St. John, she directly issues with Romanticism and the elements: human passion, belief in supernatural, and individuality.
To begin with, Jane experiences human passion and encounters the attack of human passion. She falls in love with Mr. Edward Rochester with her own human passion.
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Rochester and the attack of passion with St. John. After the proposal that Mr. Rochester had done for Jane, she feels like her love with Mr. Rochester is like a dream, for which she then dreams about their relationship. She tells Mr. Rochester that she “carrie[s] the unknown little child” (284) for which “the child roll[s] from [her] knee, [and Jane] lost [her] balance, fell” (285) explaining the horror she experienced in her dream. In the novel, “the child” represents an omen or devil to Jane. Jane falling as she “carrie[s] the unknown little child” foreshadows the actions that she may make towards her life with Mr. Rochester because she is running for Mr. Rochester. Then, a crazy woman walks into her room and tears the wedding veil apart. The crazy woman, which is named Bertha Mason, is “fearful and ghastly” (286) and “discoloured face-it was a savage face” (286) creating an image of how Jane sees Bertha with her actions. A regular human does have “a savage face” instead of a “discoloured face” meaning Bertha is unlikely a human. Bertha have a “fearful and ghastly” face because she remains in the dark mentally conducting her actions. The words “fearful”, “ghastly”, “discoloured”, and “savage” negatively connotes Bertha and her physical look. The supernatural fact about Bertha is that her descriptions tells Jane that she is not human but somewhat near a beast or ghost. Then, with St. John, Jane experiences to hear a voice that she cannot see. The voice is calling for Jane by saying “‘Jane! Jane! Jane!’ nothing more” (422) specifying a supernatural element that she hears it without seeing the person saying. To Jane, this call is not a supernatural. However, she thinks that this is a strength for from the nature. “Nothing more” deliberately states that Jane only hear a certain part of the voice, whereas she thinks the voice is Mr.
By comparing St. John to a statue, the reader is forced to see St. John as someone who is cold and rigid. Jane sets up the perception that St.John is disconnected from human feelings. Jane also presents a biased view of men when she first meets Rochester, who later becomes her husband. Furthermore, Jane’s first impressions of Rochester are also negative. Upon first being introduced to Rochester, after he asked to see her, Jane comments, “But it appeared he was not in the mood to notice us, for he never lifted his head as we approached. . .
Mr. Rochester is irresistibly driven by his feelings. He carries a long history of ignoring sound judgment, including his hasty and unwise marriage to Bertha Mason because he "was dazzled, stimulated...[he] thought [he] loved her"(310), and his ensuing licentious, wandering life in search of pleasure. He has grown so accustomed to burying good sense, that he is able to completely disregard the fact that he still has a living wife with a clear conscience. Swept away by his feelings, he ignores the law, and tries to justify marriage to Jane. His passion often exceeds his control, like when Jane tells him she must leave Thornfield. "‘Jane! Will you hear reason? Because, if you won't, I'll try violence'" (307), he tells Jane desperately. Mr. Rochester deludes himself into the belief that he listens to sound judgment, but in reality, what he calls reason is simply folly born from his uncontrolled passions.
Mr. Rochester pleaded Jane for forgiveness and that they should marry and forget about Bertha Mason and leave with him to France. Jane deceived him by leaving the Thornfield hall in the middle of the night without saying farewell to Mr. Rochester in person.
Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative. From the introduction of Jane’s orphan life, she battles between her ire at cousin John’s antics and obedience to Aunt Reed’s reluctant guardianship.
In order to discern between the Victorian and Romantic themes, Bronte selects certain characters to portray the perfect stereotype of each theme. Mademoiselle Celine Varens is the model of the Romantic attitude. Varens a “French opera-dancer” found herself as the “grande passion” of Mr. Rochester. The amour between Rochester and Varens started in a “complete establishment of servants, a carriage, cashmere, diamonds, dentells, etc.” and ended with Rochester “finding her out” with another man. Varens’ irrationality did not only affect Rochester, but also her child: “she abandoned her child and ran away with a musician or singer.” Celine Varens, a woman in a daring profession, led a life of passion, freedom and irresponsibility. Her life was ballad of adventure idolized by Romantics but frowned upon by society. Mrs. Reed is the perfect representative of Victorian realism. She had all the visual attributes found in a Victorian styled lady. She possessed gentry as the mistress of Gateshead Hall and her material wealth was made obvious by the luxuries found in her home –“a bed supported on massive pillows of mahogany, hung with curtains of damask”—and in her children “in their Muslim frocks and scarlet sashes.” Besides wealth and gentility, Mrs. Reed also maintained Victorian characteristics of insularity and censoriousness.
Passion and reason, their opposition and eventual bringing together, serve as constant themes throughout the book. "Unjust!--unjust! Said my reason...How all my brain was in tumult, and all my heart in resurrection!" (Bronte, 17) Jane's passions are uncontrolled because she is not using reason. We see the dangers of nature and passion tempered by reason in the scene in which Rochester almost marries. Jane must get over her overwhelming passion for Mr. Rochester or Jane runs the risk of losing herself. In this case, passion nearly gains a victory over reason. Jane nearly loses her own personality in her overwhelming love. "Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition" (Bronte, 247). In other words, the individual must attain a balance between reason and passion, not be dominated by one or the other.
The novel, Jane Eyre, by Charlotte Bronte, has a plot that is filled with an extraordinary amount of problems. Or so it seems as you are reading it. However, it comes to your attention after you have finished it, that there is a common thread running throughout the book. There are many little difficulties that the main character, the indomitable Jane Eyre, must deal with, but once you reach the end of the book you begin to realize that all of Jane's problems are based around one thing. Jane searches throughout the book for love and acceptance, and is forced to endure many hardships before finding them. First, she must cope with the betrayal of the people who are supposed to be her family - her aunt, Mrs. Reed, and her children, Eliza, Georgiana, and John. Then there is the issue of Jane's time at Lowood School, and how Jane goes out on her own after her best friend leaves. She takes a position at Thornfield Hall as a tutor, and makes some new friendships and even a romance. Yet her newfound happiness is taken away from her and she once again must start over. Then finally, after enduring so much, during the course of the book, Jane finally finds a true family and love, in rather unexpected places.
He misleads her by supposedly courting a beautiful woman and then proposes to her even though they are in different classes and she is amazed but accepts. On the day of their marriage it is discovered that Mr. Rochester already has a crazy wife, Bertha Mason locked upstairs, which explains some strange goings on at Thornfield. Jane leaves Thornfield knowing she can't be with Mr. Rochester. She wanders about with nowhere to go and no money until she meets three relatives of hers whom she wasn't aware of and they take her in.
Bronte’s Jane Eyre is brimming with feminist ideology rebuking Victorian-Era gender-roll ethics and ideals. As a creative, independent woman with a strong personality and will growing up during this period of female repression, Bronte wrote Jane Eyre as a feminist message to society. She criticizes the average, servile, ignorant Victorian woman, and praises a more assertive, independent, and strong one. She does this through her protagonist Jane, who embodies all of Bronte’s ideal feminine characteristics. She is a strong woman, both mentally and physically, who seeks independence and is in search of individuality, honesty, and above all equality both in marriage and in society in a world that does not acknowledge women as individuals.
...would have to sacrifice her passion for the sake of religious duty. On the other hand with Rochester, Jane would be forced to sacrifice her morality for the sake of her passion whilst Bertha was alive. When she heard of Bertha’s death she realised that with Rochester she could live a happy life full of love. Rochester and St John Rivers both have passion, Rochester’s is a passion for his love of Jane whereas St John Rivers is a passion for his work as a missionary, and he allows this passion to quell his love for Miss Oliver. St John Rivers is prepared to come to love Jane over time; however this is a sign of his lack of passion while Rochester truly loves Jane despite their differences, and his love for her is true love. For Jane it is a choice between a marriage of passion and a marriage of practicality, for Jane it is her passion and heart that eventually wins.
Moseley goes on to say, “Liberty and love are in some way at war in the lives of all of us.” It is not until Jane reaches personal liberation, that she is capable of loving someone else to a full extent. Throughout Jane Eyre Jane must learn how to gain love without sacrificing herself in the process. Orphaned at an early age, Jane becomes used to a lackluster lifestyle without any true value. It is not until she finds love and comfort in her friends at Lowood that her life begins to turn around. Upon meeting Rochester, Jane’s life was only as plain as she made it. She untwines in a world wind romance, ultimately finding the love she craved without losing her self-value.
The novel, Jane Eyre, by Charlotte Brontë is about a female character battling society's conservative view on women's rights and roles in civilization. Jane Eyre was written during the Victorian Era when women were seen less than equals to men, but more as property and an asset. At the end of the era was when feminist ideas and the women's suffrage movement began to gain momentum. In the novel, Jane encounters three male characters, Mr.Brocklehurst, Mr. Rochester and Mr. St. John Rivers, who try to restrict her from expressing her thoughts and emotions. In Charlotte Brontë's novel, Jane Eyre, Victorian ideology influences today's society by making women seem inadequate to men. Brontë wants to convey that rather than conforming to other's opinions, women should seek freedom and break free of the barrier that society has created for them.
The development of Charlotte Bronte's character, Jane Eyre, becomes vital to her novel Jane Eyre, and the other characters in which she is involved. She is an intelligent, plain featured, honest young girl whose reaction to her situations brings more depth to her personality. She is forced to deal with oppression, discrimination, and at times poverty, which disrupt her strong will, dignity, and desire for freedom. At the beginning, Jane possesses a passion for pride and the idea of freedom and these characteristics, along with her integrity, are tested continuously throughout the novel by the many personalities with whom she encounters. Living in a male dominant world Jane is expected to remain obedient and docile and her passion sometimes keeps her from being able to do this. She is a rarity among obeying female characters and we see this throughout the book.
Jane's true love for Roshester becomes appearant during her walks with him at Thornfield. Jane is affected by him so much that "[her] blanks of existance were filled up; [her] bodily health improved; [she] gathered flesh and strenght" (160). She felt like his "presence in a room was more cheering than the brightest fire" (166). When Blanche - a new woman in Rochester's life - came along, Jane began to grow jelous, which reveals how much she actually really loves Rochester. She begins to hate herself saying "he is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised (184). With the presence of Blanche, Jane begins pointing out her insuficiencies and the things she hates about herself. This clearly expresses jelousy, and how much she is actually in love with Rochester.
difficult towards Jane. As the days pass, Jane does feel the intensity of love build between her and Mr. Rochester. They eventually make their way to the church to be married, when the dark and terrible secret is revealed. Lurking in the attic of Thornfield Hall, is Mr. Rochester's insane, maniac wife Bertha. She is a character to despise throwing tantrums, setting Rochester's bedroom on fire, tearing Jane's veil to shreds, and stabbing and biting her own brother Richard.