The Truman Show Analysis

The Truman Show takes place on a massive, life-sized stage with Truman Burbank as the protagonist. It is a contrived world where all interactions take place effortlessly from the day he was born to his ultimate realization and escape. In his life, there was no true privacy. Every moment was recorded as a source of reality entertainment for the masses of the outside world, and if anyone from the outside or on the set were to intervene and try to disclose the actual reality of his situation, they were quickly suppressed and/or replaced. This, coupled with many other obstacles, made it very difficult for Truman to break the illusion. Despite the many failures, he eventually came to spot the inconsistences himself (with a little help), leading

Like the people in the cave, Truman had never experienced what the world was really like. He only knew shadows, represented by actors in the film, that formed his conception of reality. However, unlike the cavemen in the allegory, Truman was alone and he walked out the ‘cave’ after he realized the figures and the events were an illusion, whereas in the allegory a single caveman out of a few left and had the realization in the real world. This seems more likely and connects better logically because the caveman had something to compare his experience of the real world, which allows him to naturally adjust and form a conclusion. If the Truman Show were to really take place, then the Star would never, or at least have great trouble, spotting the inconsistencies because he has no frame of reference, no other standard to compare his world to. The inconsistences only exist for the viewer and the cast. Truman will not suspect a thing and will come to treat them as a natural occurrence if they happen regularly. Even irregular, rare instances will not give lead for Truman to question his world, although it will catch him by surprise. The director would need to give him an opportunity to leave the set, which is not likely to happen as it

Truman displays great zeal for life like a lunatic, but he discovers that his life was not real. He then goes on, with the same, undying fanaticism to investigate the living hell that was once his happy life. In his methods, he embodies the Socratic virtues of courage and temperance as he lunges forth like a great tiger somewhere in Africa. He then finds wisdom by realizing the truth, and deciding to leave the comfortable fake-world for the uncertain real world. The cast lacks the courage and the wisdom to tell Truman the truth, the director has all three but in all the wrong ways, and the audience lacks the wisdom to know that by not watching the show they free Truman, lacks the temperance for indulging on the show every day, and lacks the courage to do something more productive with their lives in the time they spend watching the Truman Show. The audience chooses to live in that world over their own, and some grow enough obsession to delude themselves by favoring Truman’s world and living as if they are on the