The essay written by Elaine Pagels, "The Social History of Satan," illustrates the transformation of Satan from his depiction in the Hebrew Bible to the Gospel's vision of him as a Prince of Darkness who brings about the struggle between good and evil. In her essay, Pagel illustrates the concept of an evil entity and its functions.
Satan, or the Devil, plays various evil roles in ancient and modern literature and in Jewish, Christian, and Muslim religious traditions. Satan is seen as the opponent of God. "He" is often described as an angel named Lucifer who was cast out of heaven for rebelling against God. "He" was also condemned to roam the earth and rule hell. That legend is not found as such in the Bible but is based on interpretations of scattered Bible passages and later literary portrayals. Satan is also variously seen as a supernatural force that really exists as a scriptural figure that can be read symbolically represent evil in the world. In the essay Pagel describes the three different versions of Satan's creation.
In the Jewish religion, they identified their enemies who were unfaithful as satan. Satan is not seen as animal or monster but one of God's angels. Israelites saw their intimate enemies not as monsters but as superhuman beings whose qualities could make them more dangerous than alien enemy.
Satan first appears in the Hebrew Bible as not evil but a dissenter to God. On the contrary he also appears as one of God's servants in the book of Numbers and in Job. In the Hebrew Bible, the angels were also called "'sons of God'." Pagel states in her essay that Hebrew term the satan describes am adversarial role. In the early sixth century Hebrew story tellers introduced supernatural character, satan, as one...
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... introducing the life of Adam and Eve. It is believed that in the beginning God had created Adam and ordered his angels to bow to vast efforts he had presented. Adam's sibling, Michael, obeyed, and Satan, refused. This brought out the idea of sibling rivalry. Pagels illustrates in her essay all of the stories about Satan have similar characteristics. She proves that the most dangerous enemy did not originate as an outsider but rather someone close. She establishes that idea that Satan is not a distant enemy but the familiar enemy.
Elaine Pagels illustrates in her essay, "The Social History of Satan," that although there are many versions to the creation of Satan, they are all linked by one similarity that Satan is an intimate enemy. Throughout her essay, Pagels incorporated stories from different religions about the concept of an evil entity and its functions.
At times he becomes torn with conflicting emotions. His inner debates and self-criticism reveal him as a dynamic being. Satan flows through his heroic story, allowing himself to be the anti-hero the story. The authors believes that Satan is created as “an example of the self deception and the deception of others which are incident to the surrender of reason to passion.”
This document gives a history into the image of Satan and a light anthology of him. This text will instrumental in the metaphysical discernment of this essay.
Dante introduces Satan in the “Inferno” as the worst sinner of all times, and he relates his complexity with the sins that he committed and his punishment. Satan is described as the angel who rebelled against God, and hence he has wings. The wings of Lucifer are not the wings that an angel would have; instead he has bat-like wings, which demonstrates that now he has the wings the dark creatures as bats have. He is firstly in the story presented as an impure monster that is trapped in ice and unable to escape. “No feathers had they, but as of a bat their fashion was, and he was waving them, so that three winds proceeded forth therefrom” (Canto 34, 50).Dante’s depiction of Satan is different from the common known version of Satan, which is
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
At the beginning of the poem, Satan is viewed as a very majestic angel of great stature and an even bigger leadership skill. He is pictured as a hero in book one solely because the poem focuses on him and because it shows his pain "Both of lost happiness and lasting pain"(1) [55] "Torments him; round he throws his baleful eyes"(1) [56] "That witness'd huge affliction and dismay"(1) [57] his second transformation is where his evilness shows, Satan, after hearing about the new race and the new land, earth, travels all the way to earth in order to see it and see the new race. He tries to enter heaven, and to do so he transforms into a cherub, to deceive ...
The question of identity regarding God and the Devil has been an ongoing dilemma for religious philosophers. No true identity can be formed due to the lack of undeniable evidence surrounding the figures. In addition, it has always been difficult to relate either characters to tangible or worldly matter; seeing how both are non-perceivable and equivocal figments in our minds. A start is to relate these supernatural beings to each other. The abilities of each are in contrast; God can create but not control, whereas, the Devil can control but not create. Creation is the act of making new matter, whereas the act of controlling is forcing matter to act based on the wishes of the controller.
Typically, when someone thinks of religion, they think about worship of a higher power, compassion for all living things, and a general love of the world. Satanism, while a religion, does not fit these conventions. The faith holds no belief in a higher power, is rather selfish in nature, and paints a bleak picture of the world and its workings. In addition, Satanism has controversy riddled history dating back to the seventeenth century. Due to the religion’s unconventional nature, it is often looked down upon and its principles and values are ridiculed. To better understand a faith like Satanism, it helps to look at it alongside a more familiar and commonly understood religion like Christianity.
Eve. But hate is not a force that Satan alone subscribes to, for God and the Son are also
Ask anyone to draw Satan and you 'll get a red snake-like figure with horns and a pitchfork. Satan, as introduced in the Hebrew bible is an unworthy adversary of God. His longing to be like God is quickly recognized and dealt with. God banishes him from Heaven and sends him to Hell. That 's the last we see of him until he talks with God about his faithful servant Job. In each interaction we see Satan in, we get only a glimpse of who he really is. Satan 's motive is not developed and we assume he does evil simply because he is evil
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
Satan is an allegorical representation of God the Father. Both Satan and God are seen as Father figures; God as the Father of all that is virtuous, and Satan as the Father of all that is wicked. Just as God is the King of heaven, Satan claims himself King of Hell. God is the originator of Goodness, as Satan is the originator of Evilness. All in all, Satan is a perverse representation of God.
(Analyze Satan as the main character of Paradise Lost: is he a hero or villain?)
... concentrate on the intervention of god’s plans. His worsening intention further defines Satan’s role as the antagonist. The appearance of a protagonist with the role of antagonism is the ideal blend for a heroic-appearing, villainous character.
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
time in the narrative. The delicate way in which he holds the character of Satan