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How did nationalism influence romantic music composition
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THE ROMANTIC MOVEMENT I. INTRODUCTION In an attempt to analyze music in the Romantic Movement we will look at the following areas: the effects of the Industrial Revolution in music and instruments, the rise on the middle class and its effect on music, interest in nationalism and exoticism, the romantic style and expression in music and the role of men and women in music of the nineteen century society. II. ROMANTIC MOVEMENT The dawning of the nineteen century brought with it a change in the political and social climate, the world was ready to usher in a new era of artistic thought. This new awareness was called “Romanticism” and saw its height during the Industrial Revolution. At this time, the Romantic era centered on the ideas of emotion, fantasy and hope. The end of the French Revolution became an important force in propelling a new train of thought. For the first time people were now regarded as individuals, oppression was sympathized and the banner of equality was flying high. Out of the ashes of aristocracy rose a new respect and appreciation for simplicity, native culture and nature. After years of domination, the general public was now ready to absorb themselves in expressive freedom. The influence of romanticism helped them to escape the harsh realities of life Musicians of this time took their cues from the world of literature that was leaning toward the fanciful and exotic. Poetry and literature of the early nineteen century was filled with strong emotion and this was hard to produce in a musical form. Improvement to musical instruments allowed composers to express these feelings with new techniques. A fresh artist began to emerge from this new society. As a whole, the bourgeoisie class was indiffere... ... middle of paper ... ...lic was introduced to a new sound and embraced it heartily. Industry provided us with new instruments and much of the improvements that we utilize today. The people of this time really did make great strides toward equality of performers and performance music and opened up opportunity for some of the most prominent musicians in history. It is with gratitude that we should look to these pioneers especially the women that paved the way through adversity and opposition for current female composers. Works Cited Machlis, Joseph & Forney, Kristine. The Enjoyment of Music. New York. W.W. Norton & Co Inc: 1998 Raeburn, Michael & Kendall, Alan. Heritage of Music Vol II. New York. Oxford University Press: 1990 Strunk, Oliver. The Romantic Era. New York. W.W. Norton & Co Inc: 1950 Blume. Friedrich. Classic and Romantic Music. New York. W.W. Norton & Co Inc: 1970.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
In short, it can be seen that while there are some basic similarities between Enlightenment and Romantic thinking -- because of the fact that they do explore nature-- their convergence, ideologically, ends there. In fact, it seems that nature’s ability to be so subjective has led to the two ideologies being exact opposites in almost every regard. The Enlightenment focuses on human’s achievement in regard to nature, while Romanticism focuses on the insignificance of humans in comparison to the immensity of nature. It seems that, in the end, the movements of Enlightenment and Romanticism were just what the description entailed – moving. It can then be wholly concluded that the two movements were far more different than alike based on their ideologies and creations.
This is the second volume of Richard Taruskin's historical work, and it highlights composers of the seventeenth and eighteenth centuries. He examines the progression of different styles and eras of music.
The romanticism era was a movement in history that mainly focused on visual arts, music, and literature. This era was happening between 1800 and 1860. The romanticism period is sometimes observed as a reaction to the Industrial Revolution. One of this era’s longest lasting effects was its effect on politics and nationalism. Paintings during this time had an emotional appeal. Bringing light to the feelings of horror, wonder, and apprehension/fear. The modern term “romantic” is said to be derived from the romanticism period.
What would the world be like without music? The world would be a very silent place. Music is in many ways the material of our lives and the meaning of society. It is a reminder of how things were in the old days, a suggestion of how things are, and a view of where society is leading to. Music is the direct reflection of the picture of art, music, and literature. Music can be a way to deliver messages, being poetic, a fine art, or it can just be for entertainment. No matter what it is used for, music is the perfect art there is and there are various types of music; such as classical and romantic. This paper will discuss how classical music and romantic music had a turning point in humanity’s social or cultural development, and how they have
Romanticism acted as a distinct backbone of political and social rhetoric for theorists throughout the 19th and 20th century across Europe. Through artistic mediums, people created a cultural basis for nationalistic thought, and these literary, illustrated, and musical productions planted the seed of national and often ethnocentric pride of the people in various states. Simultaneously, rapid industrialization occurred, and cities grew immensely; to support the expansion, the developing industries assembled flocks of pe...
An artist and intellectual movement that originated in Europe in the late 18th century that was characterized by a heightened interest in nature, emphasis on individual expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions is nothing less than what is defined and termed to be Romanticism. Unlike many of the “isms” during these times, Romanticism is the only movement that was not considered to be directly political. Instead, it was more generated towards the thoughts and ideas that reason alone cannot explain everything and that there must be something more that lies within the subconscious mind. During the period of Romanticism, three things that have been carried over into today’s society that has had great impact on beliefs and modern day philosophies were the ideas of individualism, emotion over reason and how it has became an ethical response towards empiricism, and how romantics revolted against societal conformity and the rising industrialism which made a person’s individuality insignificant.
Reich, Steve. Writings about Music. Halifax: Nova Scotia Coll.of Art & Design P., 1974. Print.
Music nurtured the African American tradition and their struggle towards equality in the same century.... ... middle of paper ... ... Greensboro, N.C.: Morgan Reynolds Pub. Carter, D. (2009).
The term romantic first appeared at sometime during the latter half of the 18th Century, meaning in quite literal English, "romance-like", usually referring to the character of mythical medieval romances. The first significant jump was in literature, where writing became far more reliant on imagination and the freedom of thought and expression, in around 1750. Subsequent movements then began to follow in Music and Art, where the same kind of imagination and expression began to appear. In this essay I shall be discussing the effect that this movement had on music, the way it developed, and the impact that it had on the future development of western music.
Arnold, Denis, ed. The New Oxford Companion to Music. Vol. 2. Oxford: Oxford UP, 1983.
Romanticism was the creative component of nineteenth century European traditions that applying the overwhelming influence on the national perception. The Romantic Movement was a natural collaborator of political nationalism, for it rings the nationalistic consideration for folk-cultures, and noticeable general airs of disdain for the conservative political order of post-Napoleonic Europe. Fostered by these pressures, nationalism birthed earliest amongst the intelligence and definite sectors of the nobleness, then more steadily into the peasant class. At the conclusion of the progression, a broader meaning of nation had substituted the old one.
The Eighteenth Century in Europe was a period of great change as the Age of Enlightenment brought the rise of the bourgeois and the beginning of the end of monarchy. Artists explored new styles, and particulary in France around the time of the revolution (1789 – 1799), the concept of the power of art to influence secular society first took hold. In his book Painting of the French Revolution, Milton W. Brown asserts that the defining characteristic of art during this period was the belief that art could be used “as a weapon in social struggle” (in Hemingway, 2002, p. 113). For the modern public, this concept is so well established that such themes may be taken for granted, but in France of the late Eighteenth Century this was a revolutionary
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).
Throughout this semester we have discussed an array of musical periods ranging from the Middle Ages and Renaissance to more recent modern times. As music progressed through time certain concepts such as melody, harmony, and texture changed along with the introduction of different instruments. In the early phases of music it was more directed toward religious ceremonies, but as time went on it became integrated into everyday life. Even though musical dynamics seem to change as the years go on, it has never failed to create some form of emotional response such as laughter or sadness.