The Redemption of a Trickster

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The Redemption of a Trickster
A hero, in its simplest form, is an individual who displays valor in the face of adversity, and sacrifices his or her own personal interests to promote the greater good of others. Although Monkey exhibits the former very often throughout “The Monkey’s Story”, he is severely lacking in the latter. He constantly emphasizes his self-importance and his undeniable superiority over both his lowly monkey subjects and the divine beings of Heaven, including the Jade Emperor. If the first definition provided for “hero” is the only one to be considered, Monkey most definitely does embody the archetype of the hero, but with the second included, he no longer does so. Another important idea to establish is that Monkey, when viewed through the eyes of different characters, can be looked upon either positively or negatively. For example, the monkeys residing at the Mountain of Flowers and Fruit see him as their leader and savior, but Heaven’s inhabitants regard him as a trickster and a troublemaker. Although both parties are biased (Monkey led the first to an “Eden” of sorts and has defended them time and time again from evil demons, and the second refuses to believe that any earthly being can their equal or superior), it may be resoundingly proven through textual evidence that Monkey in fact does not fit into the archetype of the hero, but rather is more suited to that of the trickster.
One of the most characteristic features of Monkey that deny his classification as an archetypal hero is his selfishness. In contrast to Odysseus in The Odyssey, who continuously worries about the safety and wellbeing of his men, and is more willing to serve as a cooperative leader than a stubborn dictator, Monkey very early on esta...

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...assical Novels of Chinese literature, Journey to the West) is a story of redemption. Although this goes beyond the scope of “The Monkey’s Story”, which ends with Monkey imprisoned under the mountain and condemned as Heaven’s worst criminal, through a “journey to the west” with a Buddhist monk in an effort to retrieve religious scrolls for the Buddha, Monkey is able to shed his violent and troubled past, transcend his identity as a trickster, and ultimately redeem himself. In this way, Monkey can be viewed as a Bildungsroman for Monkey, similar to the way in which The Odyssey can be thought as one for Odysseus. Monkey undergoes a journey towards wholeness, transitioning from a fragmented self dominated by the trickster to a relatively whole self with the overarching archetype of hero. Archetypes do not stay the same forever; they are fluid, dynamic, and ever-changing.

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