Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Symbolism and interpretation
Symbolism and interpretation
Symbolism and interpretation
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Symbolism and interpretation
Signifying is a way people (usually in a weak position) use coded language to fool a person (usually in a position of power) who doesn’t understand the play on words. The origin of signifying goes back to the African tale of the Signifying Monkey. The Signifying Monkey is a trickster figure of Yoruba mythology; also called Esu-Elegbara in Nigeria and Legaba among the Fon in Dahomey. Signifying uses one word, preserves its original meaning, but puts another oppositional layer of meaning over it. The word is both literal and figurative. Here is how Henry Louis Gates, Jr. interprets the Signifying Monkey tales: The signifying monkey invariable repeats to his friend, the Lion, some insult purportedly generated by their mutual friend, the Elephant. The Monkey, however, speaks figuratively. The Lion, indignant and outraged, demands an apology of the Elephant, who refuses and then trounces the Lion. The Lion, realizing that his mistake was to take the Monkey literally, returns to trounce the Monkey. It is this relationship between the literal and the figurative, and the dire consequences of their confusion, which is the most striking repeated element of these tales. The Monkey’s trick depends on the Lion’s inability to mediate between these two poles of signification, of meaning. (p.55) The Signifying Monkey is an embodiment of the poor man’s values and dreams: He is weak and only has his speaking skills (slang ‘mouthpiece’) to survive on, and he uses it to play the powers of the jungle against one another. The same way a pimp survives on his ‘mouthpiece’ by using fast talk, sweet talk, jive, and jaw-blockin’. The term signifying refers to the playful, humorous indirection or innuendo, the talking around an implied meaning, the ambiguous metaphor, the invective that only works if the opponent lacks humor and responds in a literal fashion. Signifying is an attitude toward language, but it is also a social gambit: signifying enables the man and the woman of words to challenge and criticize without becoming committed to any particular claim or meaning: for only the response will tell. For instance, if I say, ‘Yo mama so old, her social security number is ‘1’”, and you say, ‘Fuck you, man”, you’ve lost, you took what was in the figurative and put it in the literal thus committing yourself to the fact that your mom is old. Now, if you reply, “well YO mama so old, when she was in school there was no history class”, or “yo mama so old, when God said ‘let there be light’ she hit the switch” then the signifying can continue.
Symbols: we see them on the street, on the walls, and in our homes, plastered on backpacks, jackets, and even fast food receipts. From the generic images that guide us through our daily lives to the shapes we see on television screens, these symbols are everywhere—and their importance as guides that tell us how to live, what to do and whom to believe is undeniable. Of all of these symbols, perhaps some of the most important are the symbols found in literature. In using simplistic symbols to represent profound ideas, authors construct a kind of “key”: one that allows readers to look past the surface of a story and reflect on the deeper messages beneath. Such is the nature of the symbols found in William Golding’s Lord of the Flies. As a group of boys stranded on an island struggle to survive without adult supervision to maintain order, Golding uses a variety of objects to convey their descent from civilization into brutality, violence, and savagery. Of these objects, three hold particular significance. In Lord of the Flies, Golding uses the conch, the signal fire, and the Lord of the Flies to symbolize civilization, hope for rescue, and inner evil while conveying an overall theme of innate human evil.
The characters that Monkey must face represent universal qualities of human nature. Husuantsang represents “everyman” the ordinary nature of all human beings. Pigsy symbolizes uncontrollable sensuality and pure appetite while also representing energy when needed on the spiritual path and Sandy who Chinese commentators identify with the qualities of sincerity or whole heartiness. These are Monkeys companions in the Journey to the West. Then there is Monkey who has the “monkey mind” which must be tamed by discipline before the spiritual journey can begin. Monkey and his companions face many demons and monsters along the way can be seen as projections of the mind. Monkey is set forth on the spiritual path.
“Metaphor.” Dictionary of World Literature: Criticism - Forms - Technique. Ed. Joseph T. Shipley. New York: Philosophical Library, 1943. 377-8.
A symbol is a word or expression which signifies something other than the physical object to which it directly refers. The book “To Kill A Mockingbird” by Harper Lee contains three recognizable symbols.
To begin, one example of figurative language is an idiom. In the exposition, Ichabod’s teaching methods are described by the narrator to the reader, “Spare the rod and spoil the child” (155). If a teacher does not discipline a child, that child will become a disrespectful, ungrateful brat. Ichabod, as a school master, wants respect so his student learn; if the students are learning, the parents will give him a place to stay and food to eat. Therefore, the idiom is used to reveal Ichabod’s
The use of symbolism has long been a technique by which an author can present far more than the literal meaning of a story. However, symbols are not always easily defined; indeed, it is sometimes possible that one symbol in a story may be endowed with multiple meanings, all of which lead the reader to a greater understanding of the author's message. Such is the case in Jose Donoso's short story "Paseo." The story is told from the point of view of a grown man looking back on the isolated, frightened child he was. As the boy's jealousy focuses on the attention gained by a nondescript but persistent dog, Donoso leads us into the realm of multiple symbolism.
A hero, in its simplest form, is an individual who displays valor in the face of adversity, and sacrifices his or her own personal interests to promote the greater good of others. Although Monkey exhibits the former very often throughout “The Monkey’s Story”, he is severely lacking in the latter. He constantly emphasizes his self-importance and his undeniable superiority over both his lowly monkey subjects and the divine beings of Heaven, including the Jade Emperor. If the first definition provided for “hero” is the only one to be considered, Monkey most definitely does embody the archetype of the hero, but with the second included, he no longer does so. Another important idea to establish is that Monkey, when viewed through the eyes of different characters, can be looked upon either positively or negatively. For example, the monkeys residing at the Mountain of Flowers and Fruit see him as their leader and savior, but Heaven’s inhabitants regard him as a trickster and a troublemaker. Although both parties are biased (Monkey led the first to an “Eden” of sorts and has defended them time and time again from evil demons, and the second refuses to believe that any earthly being can their equal or superior), it may be resoundingly proven through textual evidence that Monkey in fact does not fit into the archetype of the hero, but rather is more suited to that of the trickster.
Iconography, in art history, the study of subject matter in art. The meaning of works of art is often conveyed by the specific objects or figures that the artist chooses to portray; the purpose of iconography is to identify, classify, and explain these objects. Iconography is particularly important in the study of religious and allegorical painting, where many of the objects that are pictured—crosses, skulls, books, or candles, for example—have special significance, which is often obscure or symbolic.
During one’s life, he or she will experience many symbols that must be deciphered and analyzed on some level. Take the Christian cross for example: the cross is viewed as a symbol of the Christian faith by being a reminder that Jesus died on it to pay for the sins of believers. However, if one looks deeper, there are many other representations of this symbol as well. Symbols are unique in that they are meant to be analyzed and made into whatever one wants to believe. Nathaniel Hawthorne utilizes symbols of this nature throughout many of his works. Throughout Hawthorne’s works The Minister’s Black Veil, The Birthmark, and The Scarlet Letter, many different symbols are explored, including the ways in which the act of sin is portrayed through the characters' outward appearances.
Three wishes, an old Indian curse, and a mummified paw, that was cut from a monkey. This is going to be exciting! “The Monkey’s Paw” is a short story written by W.W. Jacobs in the early 1900’s just after the turn of the centenary. Even though the text is short, it grabs the reader’s attention and keeps them on the edge of their seats until the very end. As exhilarating as this thriller is to read, unfortunately like many literary works written during that time, “The Monkey’s Paw,” is demeaning towards women and goes against feminist literary criticism’s principles and ideologies.
In William Golding's Lord of the Flies, the boys who are stranded on the island come in contact with many unique elements that symbolize ideas or concepts. Through the use of symbols such as the beast, the pig's head, and even Piggy's specs, Golding demonstrates that humans, when liberated from society's rules and taboos, allow their natural capacity for evil to dominate their existence.
According to Etherington-Wright and Doughty, “The signifier is the form that the sign takes. It can be a word. It can be a word. It can take the form of a specific sound or marks on a piece of paper (a combination of letters of letters or symbols). The signified is the conceptual stage of communication. This is when the sign stimulates a mental idea/image” (Doughty, p. 65). A signifier in Alice in Wonderland, is the world of Wonderland itself. The signified is her quest for knowledge. The signifier is her physical journey through wonderland, but signified is her search for understanding. Another example is the signifier of the white rabbit. The rabbit signifies a figment of her imagination. While the thing that is signified by the rabbit is her curious nature as whole. In the Wizard of Oz, a signifier is the ruby slippers. They symbolize magic, and what’s signified by them is Dorothy’s potential power. “She has it, she just doesn’t know how to use it yet, which is really why Glinda sends her off to see the Wizard. Only after all of her adventures, and the attendant self-reliance that comes with taking out two wicked witches single-handedly, can she tap into that power and use it to get what she want” (Shmoop). In the move Big Fish, the fish is another great example of signified and signifier. The signifier is the fish, representing Edward himself, while the signified is his life and
Our literal understandings of a word are twins in constant opposition with one another, twins in constant competition to receive the most love from their mother and father. Let us pretend the parents are the literary community that demonstrates love frequently by showing a preference for one of their twins. Donald Davidson's theory expressed in What Metaphors Mean is a tragic, intellectual miscarriage; it is a theory of language that brings forth a stillborn child, a dead metaphor.
The film maker employs symbolic conventions to create a world where roles are reversed - apes take on human roles and humans are 'dirty ' animals. The film Planet of the Apes is a very good example of anthropomorphism. In the film the apes act and behave as if they are human beings. Many processes were taken to ensure the realism of the apes, computer generated imagery was used to create very human like facial expressions on the apes as well as the actors who played the apes had to spend months living with and observing the way the apes acted and interacted with each other, and further more the apes were dressed to show their higher place in society where as the humans were dressed in ripped and dirty rags symbolising their lower place in society. The male apes ares well groomed and well dressed and the females apes are well kept with hair and makeup done perfectly. Viewers recognise how the society works by applying real world understanding to the world of the apes and applying stereotypes. For example, we recognise the spoilt young wife of the rich old ape, the indulged daughter of the senator being able to get away with things others wouldn 't be, the selfish, cowardly, ridiculed, weak slave trader, the 'dirty ' slaves, less than human - or in this case, apes. 'Monkeys are very low in the caste system, just above humans. ' It 's very like an ancient human society, like the Ancient Romans; religious traditions and religious
What is the use of symbolism in writing? Is it merely to confuse the reader or is its true intent to make the reader think about the meaning of the story? A symbol is a person, object, or event that suggests more than its literal meaning (Meyer 220). In Ernest Hemingway's short story "Hills Like White Elephants," Hemingway uses a plethora of symbols to convey the idea that the young girl, Jig is ambivalent to having an abortion and that her older American boyfriend does not want to have the baby. Although the word abortion is never used in the story, the reader understands the concept through Hemingway's symbolism.