'Imperialism In The Film Argo'

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Imperialism began with Western European countries looking to expand their reach of influence on the East. These countries would conquer and colonize any region not of the West in hopes of bettering their economy or to help the native people they found in the East, carry up the “The White Man’s Burden.” When meeting the native people, Westerners named the things from the East “Orient,” and along with this name came many stereotypes and assumptions of the people and the land. Although, imperialism is no longer present, effects such as orientalism still resonates within the culture being expressed through media such as the Academy Award winning movie of the year Argo. Orientalism is the misconception by Westerners of foreign people from the …show more content…

Argo, a movie about the Iran-American conflict of 1979, is primarily set in the Middle East where all the inhabitants are wrongly depicted as full of mindless rage, screaming, irrational, and reasonless mobs. In 1891, French economist and journalist, Paul Leroy-Beaulieu, stated about the colonies of the Orient “a great part of the world is inhabited by barbarian tribes or savages, some given over to wars without end and to brutal customs, and others knowing so little of the arts and being so little accustomed to work and to invention that they do not know how to exploit their land and its natural riches. They live in little groups, impoverished and scattered.” Argo having strikingly similar depictions of Eastern people over a hundred years later raises the question “has the Western perspective of the East changed?” Even though a century has past, orientalism is still present, and it is being fueled by media, technology, and even Hollywood, a place thought to have the most authentic representations. Since Westerners discovered the Orient, they have been characterized generically as …show more content…

Through the whole movie there is never an intimate interaction between two Iranians, they have no opportunity to humanize the Iranian country as a whole. Therefore, the audience is led to believe that all of Iran is represented by the generic description and hostile toward Americans. The closest interaction is when the house maid gives up the six diplomats, and even in that the Iranians are shown with more flaws, treachery and betrayal. This puts Iran as a country the antagonist of the movie based on these false characteristics and the events in the movie, many of which were exaggerated or created. Argo proves that Orientalism is still impactful today, and the West still sees the East in a like manner of that in the 1800’s. Because Orientalism is still a factor, the question then therefore would be “why does Orientalism exist and what is its purpose?” Edward Said, a literary theorist and critic poses the response as “Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and

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