The classical era, with the progress of the classical music, at times was, irregular. The final result, however, was a logical order which made sense. Once the... ... middle of paper ... ...ury, where the music had become a series of clear events and not merely a cumulative flow, a powerful emotion or dramatic intensity could no longer rely on High Baroque (Rosen 154). Haydn learned from opera a style that could concentrate that force as he had never been able to do in the 1760’s. Mozart brought up in the more comfortable style and already the composer of music whose prettiness along amounted to his genius, arrived at the same point form the opposite direction (Rosen 154).
Two styles that were a part of the Baroque era were known as the prima prattica stemming from the Renaissance era and the newer seconda prattica. “The rise of the seconda prattica and monody marked the beginning of a s... ... middle of paper ... ...al era differ greatly in regards to style and structure but both succeeded at impacting musical history. The greats that we acknowledge today stemmed from these very eras. The Baroque era ushered in the genre of Opera, while the Classical era introduced a new outline for structuring musical compositions. The Baroque and Robinson 6 Classical eras were powerful, influential, and musically stimulating to the masses, forever engraving themselves in history and time.
The term classical generally refers to something that has a wide and long lasting appeal. In music, it indicates the music written from about 1750 to 1825. Balance and order were two of the most important qualities of the music of this period. Simplicity, diversity and elegance prevailed in contrast to what was seen as the excessive, complex characteristics of Baroque music. The seeds of the Classical age were sown by a number of composers whose names are now, for the most part, forgotten.
Mozart had a profound effect on Beethoven’s musical style and innovation. Beethoven’s life was filled with inspirations of Mozart. Mozart was a prominent and illustrious individual of Beethoven’s time. Beethoven stated, “I have always counted myself amongst the greatest admirers of Mozart and I shall remain so until my last breath” (superbclassicalmusic). Beethoven never intended on becoming serious with his music until he heard the wondrous works of Mozart and his colleague, Joseph Haydn.
Sometimes melting together, the forms of this new music were not as clear as in the Classical Period and musical tension was used for emotional response, such as melodies having long dynamic climaxes (kaulblepianostudio.com). The style of th... ... middle of paper ... ...essed, more than anything else, their emotions and thoughts in the masterful music they produced. With this new enthusiastic music, famous composers wished to receive recognition and admiration by numerous other people from which they could make their living. Also by introducing new musical forms and types, the Romantic Era made its way to be one of the most influential and loved music periods in history. Works Cited "Piano Studio of Martin E.
Getting it's name from art history, the classic period in music extends from 1740 to 1810 and includes the music of Haydn, Mozart, the first period of Beethoven, and Bach's sons. The classical period of music coordinated harmony, melody, rhythm, and orchestration more effectively then earlier periods of music. During the classical era the social function of music began to change from earlier aristocratic and religious connections toward more public and secular activities associated with the middle class. The rise of public concerts, the spread of commercial opera houses, the growth of music publishing, the increased number of musical pieces composed and played were all direct effects of the changing musical times. Among the many musical types of the period, the classical period is best known for the symphony, a form of a large orchestral ensemble.
This revolution of clear thinking led to conflict between the old and new ideas. This attitude stimulated the American and French revolutions in the end of the eighteenth century (The Classical Period 5). Music in the classical period reflected what society was experiencing. This was the first period in music history ... ... middle of paper ... ...irectly inspired both conservatives (such as Brahms, who, like Beethoven, fundamentally stayed within the confines of Classical form) and radicals (such as Wagner, who viewed the Ninth Symphony as a sign of his own vision of a total art work, integrating vocal and instrumental music with the other arts). In many ways revolutionary, Beethoven's music remains universally appealing because of its characteristic humanism and dramatic power.
The Baroque Period, 1600-1750, marked another unique era of musical experimentation and evolvement. Titled after the trendy ornate architectural style during this period, the Baroque period, 1600 to 1750, witnessed a widespread change in the composer’s musical desires as they widely rebelled against the traditional styles that were prevalent during the Renaissance. With this era stained with monarchs attempting to outperform one another with pride and pageantry the development and grandeur of music excelled to new heights. The powerful monarchs of the period utilized composers heavily as they served as employed performers with the sole purpose to develop and perform musical pieces at the desire of the monarch. This servant-composer culture
The period between the baroque and renaissance paved a new way for not only music, but for art. The change that took place was gorgeous causing art to become so vivid and images are portrayed to be so real. I never was a fan of art nor music, but if one actually pays attention to the evolvement of it throughout time one would have great appreciation. References 1) Carter, Tim. Music in late Renaissance & early baroque Italy.