The Importance Of Inventions In The 20th Century

The 20th century was a time period that brought new aspects to the daily life of people. It was a lifetime fill with new discoveries and advancement. Everyone was thinking in a new light. Artists, musicians, writers, and other professions were creating different pieces to contribute to their generation. Nevertheless, the century also brought unfavorable events, such as war and economic downfall. There are two duration during the 20th century that shows this, “The Era of Invention” and “New York, Skyscraper Culture and the Jazz Age,” but this can be explained through two paintings. Pablo Picasso’s Les Demoiselles d’ Avignon and Charles Demuth’s The Figure 5 in Gold both shows cultural and historical contexts within the painting in order to give

The following is a quote that shows this. “The new century was marked by technological innovation epitomized by the automobile (and its speed), the motion picture, the airplane, and, perhaps, most of all, by new discoveries in physics, to quantum mechanics, and the theory of complementarily, and the theory of relativity (Sayre). All of these inventions were becoming part of the society and the culture. They would play a helping hand to the historic background and the future. Besides inventions, there were important new art concepts involved such as Fauvism, Cubism, Futurism, and the Expressionist Movement. These can be shown in music, dance, and literature also. In addition, unique artists were showing up. They included the famous Robert Delauney, Henri Matisse, Georges Braque, and Umberto Boccioni. Everyone had their own views and ideas on different aspects. They see the era in their own way and try to contribute to

Two are holding the curtains up and three are posing. There is a table with fruits on it at the bottom of the painting. Some of the objects are shown from two different point-of-view. He also painted African masks on two of the prostitutes. Even though, Picasso’s creation was a new modern art, he received a lot of critics when he exhibited it in 1916. “What sticks in our esthetic craw, though, is Picasso’s merciless mishmash of styles: a bit of Matisse (the older guy he was trying to dethrone as king of the avant-garde), some appropriation from African masks, a dash of casual realism in one of the hands and a fruit arrangement down in front, and a whole of cubism 1.0” (Plagens). These were some of the characteristics that viewers were concern about, especially the last one. Cubism was an art style using pieces of objects, geometric shapes and abstract details. “Everything in the painting is broken and then squished, like a face pressed against a window, into a sharp, shallow space that looks as if it’s about an inch deep” (Plagens). Only two prostitutes has a face that matches their body. The other three has bodies that doesn’t match the rest of the body from the neck-up. There are some geometric shapes clustered together in the background. Nevertheless, with all of