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Wassily Kandinsky (1908) Thus piece was created just after photography had gained momentum. The piece was thus created as a reaction towards the times, to show freedom from realism, as photographers has cornered the market at the time. So, Wassily chose to take a slightly abstract approach to an actual location to express this artistic freedom. As can be seen in the painting, Wassily seems to express her joy with vibrant colors taking the main spotlight of the painting, with minor details to augment the scenery. As Wassily stated himself, “Color is the keyboard, the eyes are the hammer, the soul is the piano with the strings”. This statement shows that Wassily holds color to a high standard, as can be seen in the piece. His broad paint strokes help augment the overall beauty of the painting
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“Picasso painted from a model who sat in front of him, facing him”. Thus, you are “in the position of the artist”. The unique element of the painting is that use of cubism, which allows for the painting to carry a form of mystery behind it, as it does not simply give you the image, rather, it provides the elements of a complete composition that then the viewer must piece together. What the image truly shows us, however, is that of a naked female playing a mandolin with us as the viewer able to see the profile of her face looking down towards the strings of the mandolin, while her body faces towards the viewer, giving a good usage of twisted perspective. “The colors in this painting are shades of light brown, tan, yellow, and olive green. They all seem close to each in color, and they are all muted or dull” with “no bright color standing out. These factors make the entire surface of the painting appear unified in color.” Thus turning the piece into more of a puzzle that the viewer mush piece together rather than merely a painting one could simply
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
Pablo Picasso is certainly a genius who has left an indelible mark on his time. Consequently, many artists all over the world have had their own career influenced by his work. Among those artists can be listed Willem de Kooning, a Dutch American painter, and the Cameroonian artist Koko Komegne. For instance, both artists have had their early work, and later their career impacted by Picasso’s cubism. While de Kooning spent hours looking at each detail of Picasso’s paintings, Koko Komegne learnt to paint by reproducing the master’s artworks. Another thing both artists shared with Picasso through their career was the woman as subject matter. Unsurprisingly, de Kooning and Komegne have extensively painted the woman in their own career. Among all those pieces, Seated Woman, 1940, from Willem de Kooning and Toilette, 2006, from Koko Komegne are very similar; the characters on both pieces are ladies, and they have the same pose. However, although the two paintings are similar in term of descriptive subject matter, de Kooning and Komegne draw from their environment and their personal style to highlight their specificities.
..., the broader feel of the scene. He wants us to take in the entirety of the painting but have a moment to catch the individual scenes within it, like the couple dancing, the man in the corner rolling his cigar, or the women in the front talking to the man. We do get places where our eyes can rest, but in general your eye takes in the swirl of modern life and pleasure.
Keeping in harmony with colors was an important task to explain women's behavior as wells as making artwork acceptable to every body. Crossing the social boundaries and limitations would only bring void and controversy in the created artwork, which can happen by wrong use of color or wrong presentation of women's image. But for the artists like Pablo Picasso explaining the things without any boundaries and social limitations was the important thing first. Since the artwork he created have crossing boundaries both culturally and artistically, a viewer can have broader perspectives and critical analysis of life, death, and desire or the morality as well as science and technology or fiction. Picasso explains all these things in one artwork called "Girl Before the Mirror", Oil on canvas, 5'4" X 4'3."
Art has been around for as long as humanity has existed, and it is much more than just drawings or paintings. Art is what every a person makes of it. Art can be drawings, paintings, writings, or even dancing, but never is it contained to just one of those things. As we explore just two aspect of art it is important to realize that there is no right or wrong way to look at the art. Art comes in many different forms, in which they are all interpreted a little differently by different people. For me, when I read a poem I do not instantly know what the poet is trying to say and I don’t find it as interesting, but when I look at a painting so many more thoughts comes and I can’t help by imagine what that artist was thinking while he was painting.
“ I paint objects as I think them, not as I see them.” These are the words of the wise Pablo Ruiz y Picasso, a famous and talented artist in the 19th and 20th century. Many have crowned him the most influential artist of his time. Many of his works including Les Demoiselles d'Avignon, Ma Jolie, and Girl Before a Mirror have set the tone for many artists to follow after. However, Guernica was one of his most famous of his pieces, painting a nearly perfect emotional picture of what was happening during these times of despair. Guernica, one of his many contributions to the art world, will be described first in purely formal terms, and then a comparison and evaluation of three different critiques will be made.
Picasso would go through various periods throughout his career during his creation of this painting he was in his, Rose Period. During this time his styling of painting would change in color. As well in line quality, some say that this painting foreshadow his Cubism movement through his use of lines. For this painting his style would became more expressive and his using in warmer colors increased. The line quality would also form a change in its appearance.
The first masterpiece Picasso created was “Les Demoiselles d’Avignon”. When the painting first appeared, the art world collapsed (PabloPicasso.org). The masterpiece includes five naked women with figures composed flat planes and faces inspired by African masks (PabloPicasso.org). This artwork was the most unprecedented piece of modern art (PabloPicasso.org). Picasso then found freedom which led to Cubism (PabloPicasso.org). Picasso, himself, and Georges Braque invented cubism. Cubism emphasizes the combination of forms in the picture (PabloPicasso.org). The way he used the color, shape, and geometrical figures changed the way of art (PabloPicasso.org). The Cubist Collage instituted letters and scarps into cubist paintings (Picasso). “Still Life with Chair Caning” is one of the first and most celebrated Cubist Collages
In this piece Benny has depicted himself in the artwork creating another piece of artwork. He is standing at a 45° angle as if he has been interrupted by us, the viewer. This is how Benny engages us, the viewer into his painting. As if we are just as much a part of it as he is. When looking at his painting from a distance it seems as if it is just another oil painting but upon closer observation you can clearly see the different fabrics that he uses to create the collage and which gives the painting its textures. He shows space in the painting by leaving the wall on which the canvas hangs, bare, as is the floor with the exception of the box of rags that he uses in his collage.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
Picasso ignored the traditional aesthetic canons governing the representation of the female nude. The bodies are deformed. The woman sitting presents both his back and his face. The influence of African art, which replaces that of Orientalism of the nineteenth century, is very clear in the
It marks a point in time, where Picasso that took art by the hand and turned it around by 108 degrees. The art work shows five naked women, without a recognizable background. They are all making different poses, almost as if they were leaning against a wall. Some of the women have very abstracted faces, one of them looks as if she was wearing a mask. It portrays Picassos interest with African sculpture, and how he incorporated it into his passion for art. The way the women are drawn, with their bodies having sharp edges, shows how Picasso was starting to evolve the new style of cubism. It took Picasso months of revision to finally show this work in
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
The word art is an encompassing one, vastly interpreted and with multiple definitions. In the case of Picasso's painting Guernica, art informs, educates and expresses. Its power lies in its ability to capture and compel an audience nearly six decades after the modern world's "other" day of infamy. To understand fully the painting that evolved out of the Spanish painter's outrage, one must know its context. "Why do you think I date everything I do? Because it is not sufficient to know an artist's works--it is also necessary to know when he did them, why, under what circumstances" (Picasso). An appreciator who knows the saga of Spain's historical fishing village is given a depth of experience that only a genius like Picasso could portray --"it may well be the most terrifying document on the horrors of war ever to be produced by an artist" (Wertenbaker 126).
Cubism takes the opposite route for the same effect. Solid lines are drawn, but the painting itself is usually more abstract (as with Picasso). At times it can be difficult to discern what some paintings are supposed to represent. Bright, vivid colors infuse the pieces with more passion. The contrast between those not well defined objects and the punch of emotion gives cubism its personality and vitality.