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Aeneid compared to the iliad and odyssey
Aeneid compared to the iliad and odyssey
Aeneid compared to the iliad and odyssey
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In both The Iliad and The Aeneid, the main hero has a comrade to fight by their side who is subsequently killed by an enemy leader, whom the hero then kills in revenge. In book 12 of Virgil's Aeneid, the two main warriors, Aeneas and Turnus, are driven by hatred, contention for the love of a woman, and the desire for revenge. Each slaughters his adversaries without mercy. Neither of these characters appears attractive, but as for Aeneas, he comes off as an unsympathetic character, both cold and inhibited. Compared with Achilles, Aeneas is merely a shadow of a man. Aeneas is a reflection of the ideal Roman, in whom reverence for the gods and courage are combined. Throughout The Aeneid, Aeneas is so controlled by fate, visions, and divine intervention
COMPARE AND CONTRAST THE PORTRAYAL OF THE GODS IN VIRGIL'S AENEID AND OVID'S METAMORPHOSES. There is a significant difference in the treatment of the gods in the Aeneid and the Metamorphoses, even though both authors were writing in the epic tradition. Virgil wrote his Aeneid in the last ten years of his life, between 29BC and 19BC, after the Battle of Actium, in 31BC, which was significant, as it established Octavian as the sole emperor, Augustus, of Rome. The Aeneid is a celebration of Augustus' achievements and rejoices in the development of Rome. There is a great sense of political propaganda, as well as an historical element, as it illustrates the origins of the Roman people.
Virgil's heroes bear a strong resemblance to the heroes of the earlier works of Homer, however there are some differences that are not merely the result of differences in character. Virgil is depicting his ideals through the traits of his heroes and villains, and some of these traits are different from the Greek traits from The Iliad and The Odyssey. The best way to identify the specific traits that Virgil is trying to plant in the mind of his readers is to look at the main hero, Aeneas. Through Aeneas we see a slightly different variation on the Greek hero. Aeneas is strong and deadly in battle, but fa...
The Iliad by Homer and the Women of Troy by Euripides are both Greek works of literature that look at the Trojan War from different perspectives. Book 6 of the Iliad illustrates that the ultimate glory is to fight for the city with no regard to the impact on the family. The Women of Troy focuses on the negatives that war causes, especially towards the soldier’s wives and children. Whereas the Iliad focuses on the battle itself and centers on the warriors, the Women of Troy focuses on the wrath the war brings upon the families left behind. The central theme in both the works is the Trojan War and they both offer perspectives of the duty of a person, the role of predetermined fate, and the role of women.
Out of the two heroes Gilgamesh was the one who was most aggressive and pursued the more ambitious goal, though it was one near impossible to achieve. Gilgamesh wanted to have a power that only the gods possessed. He wanted to be immortal. Aeneas never sought such an unachievable task, and was not as determined as Gilgamesh was. Aeneas only had to find a place where the defeated Trojans could settle and found a new city. Once in the story he even had to be reminded of his destiny by the Jupiter when he was distracted by his love for Dido.
Both the Odyssey and the Aeneid represent their cultures very well, but they express different ideas on what one should strive for in life. There are also different forces that pushed both epics to be written. The Aeneid expresses the Roman idea of pietas which means to show extreme respect for one’s ancestors. We see this in Aeneas when he is pictured caring his father away from burning Troy. He has pietas because he cared so much for his father that in fleeing from Troy he took up his father over his shoulder to save his from certain death. This is not the only major idea in the Aeneid. There is also a very political focus. The Roman were very interested in politics which comes through in the Aeneid. The Odyssey has the Greek idea of arete trapped somewhere among the many themes. Arete is a strive for perfection in both mind and body. It is a much more personal and individual idea than the Roman pietas. In the most basic seance the Aeneid and the Romans have a much more political focus and duty to the state ( republic ) than the Greeks who honor tradition , family , and arete.
Even though the Aeneid shares many features with the Homeric epic, as an epic it is diverse in significant ways. For this motive, the Aeneid is denoted to as a literary or else secondary epic so as to distinguish it from primeval or primary epics like the Homeric poems. The word "primitive", "primary" besides "secondary" should not be understood as value verdicts, but simply as signs that the inventive character of the epic was improvisational in addition to oral, though that of the Aeneid, collected later in the epic tradition, was fundamentally non-oral and fashioned with the benefit of writing. As realized, the Homeric poems offer substantiation of improvisational methods of composition concerning the usage of numerous formulas (Ranković, Slavica, Melve, and Mundal 6). This form of composition is appropriate to the demands of creativeness before an audience which do not tolerate the poet interval to generate new ways of voicing several thoughts. So to preserve his recital going he must hang stock phrases, which are deliberate to fill out innumerable rations of the dactylic hexameter line. Conversely, Vergil, composing in isolation, perceptibly spent abundant time on crafting his own individual poetic linguistic. As a result in reading the Aeneid one will be able to realize the absence of the persistent repetition of formularies, which are redundant in a literary or secondary epic ( Fleming, Daniel, Sara and Milstein 8). Literary works are separated into various groupings called genres in harmony with their distinguishing form and context. The Iliad fits to the genre of epic. An epic is a lengthy poem which tells a story concerning gods, heroes and heroic deeds. Since the epic is by its self-same nature extensive, it tends to be somewhat loosely prearranged. Not every chapter is unquestionably obligatory to the main story and departures from the subject are not unusual. It is significant to notice how diverse in this regard is the genre of drama, in which every single episode tends to be indispensable to the plot and departure from the subject are incongruous (Presnell and Jenny 3).
To begin, both the leadership qualities and flaws of Aeneas and Odysseus must be examined in order to determine who the better leader is. Virgil presents Aeneas very differently than Homer presents Odysseus. They are both certainly heroes, but Aeneas seems more accessible and a stronger leader, due to the way Virgil presents him. Virgil illustrated Aeneas as a man that had to participate in many tests and tempering’s, and from that, his heroism was seen as flawless. The same goes along with Homers’ Odysseus, yet in a different, more astounding way.
Many people seem to be under the impression that the Aeneid is a celebration of Roman glory, led by the hero of fate Aeneas. I find these preconceived ideas hard to reconcile with my actual reading of the text. For starters, I have a hard time viewing Aeneas as a hero at all. Almost any other main characters in the epic, from Dido to Camilla to Turnus, have more heroic qualities than Aeneas. This is especially noteworthy because many of these characters are his enemies. In addition, Aeneas is presented as a man with no free will. He is not so much bound to duty as he is shielded by it. It offers a convenient way for hum to dodge crucial moral questions. Although this doesn’t necessarily make him a bad person, it certainly makes him a weak one. Of course some will argue that it takes greater moral conviction to ignore personal temptation and act for the good of the people. These analysts are dodging the issue just like Aeneas does. The fact is that Aeneas doesn’t just sacrifice his own personal happiness for the common good; he also sacrifices the past of the Trojan people, most notably when he dishonors the memory of his fallen city by becoming the men he hated most, the Greek invaders. The picture of Aeneas as seen in the end of the Aeneid bears some sticking resemblances to his own depiction of the savage and treacherous Greeks in the early books.
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
In Virgil’s The Aeneid, there are many parallels found in Homer’s The Odyssey. In each epic, the heroes, Aeneas and Odysseus, are on a journey “home.” Aeneas is on the search of a new home for he and his companions to settle since Troy has been destroyed, Odysseus on the other hand is attempting to return to his home he left years earlier to fight the Trojan War. They both have Gods against them and helping them, both Aeneas and Odysseus are both held back by women, both voluntary and involuntarily, and they both have experiences visiting the Underworld. Despite these similarities, there are differences between the two characters and it reflects their values and the society they live in. Aeneas relies on his strength as a warrior, where as Odysseus uses his deception to survive which reflects how Aeneas is truly Roman is versus Greek.
The role of women in society has been a matter of much debate and while the gender equal world of our time stresses upon equality for men and women, this was not the case in earlier ages. From Classical Antiquity to the early years of the 20th century, women were marginalized and treated as inferior to men, and their life was regulated by laws and norms and conventions stipulated by men. The works of Classical Greek philosophers and dramatists is testimony to the subjugation of women in those periods too, but it is also worth noting that women were integral to the action in Greek drama and thought, although they did not occupy as relevant a position in real society.
As we all know, Hollywood isn’t exactly accurate when it comes to the historical accuracy of movies. Although the Iliad is a myth, the movie Troy doesn’t follow the story quite as accurately as it could have. One major difference is the concept of time. In the Iliad, the battle spanned over a ten year period while in the movie, the battle only lasted about 17 days. However, it does have many similarities to the poem. Both the movie and the poem have similar plots as well as the feud of Achilles and Agamemnon, fall of Troy, the death of Patroclus, Achilles avenging the death of Patroclus and the supplication of Priam to Achilles. Other similarities include Thetis telling Achilles that if he is to stay home and refrain from fighting he will be forgotten. However, if he is to fight in the battle of Troy, he will be remembered forever. Another similarity can be found when Agamemnon confiscates Briseis from Achilles. There are many details in the movie that deviate from the epic poem as well. Some differences between the movie and the poem include the deaths of Agamemnon and Menelaus, the relationship between Achilles and Patroclus, the portrayal of some of the characters and the role of the Gods in the plot. Also, according to the film, the capture of Troy seems to be the subject of the entire movie whereas in the epic poem, the subject is the wrath of Achilles. Also, the relationship between Achilles and Patroclus is a little different. In the movie, Achilles and Patroclus are cousins and Patroclus is younger than Achilles. In the Iliad, Achilles and Patroclus are best friends. Patroclus is older than Achilles and acts as the advisor for Achilles. According to the epic poem, Achilles much more angry and violent than how he is portray...
People have pondered the idea of predetermined events for many years. Some people believe in the fatalistic point of view, where they think that the future is beyond their control (Taylor, 56), whereas other people believe in free will. The Iliad, written by Homer and translated by Stanley Lombardo, and the Aeneid, written by Vergil and translated by Sarah Ruden, are two epic poems that present the idea of fate. The Holy Bible, King James Version, is a set of ancient texts that also present fate. Although the Iliad, Aeneid, and the Holy Bible all suggest some idea of fate, the Iliad and Aeneid agree more on fatalism whereas the Holy Bible takes on an opposite view and encourages more free will.
The Iliad and the Odyssey are two classic stories told by Homer. Within these two stories the roles of the gods are very important to the story line and how they affect the characters throughout. In the Iliad, more gods are involved with the characters whereas in the Odyssey there are only two major gods that affect two major characters. The roles of the gods in the Iliad are through two different stances of immortal versus immortal and mortal versus immortal. The roles of the gods in the Odyssey are through two major gods and they affect the plot as Poseidon versus Odysseus and Athena versus Telemachus.
Homer’s epic poem The Iliad has various types of characters and theme. The Iliad focuses on two main characters, Achilles and Hector. These two characters have opposing personalities and fewer similarities. For Homer’s Iliad, these two characters are excellent heroic figures to Greek audiences. Both of these characters portray great strength and heroism as warriors in different ways. The Iliad can also be seen as a story about Greek culture, but from a Christian perspective, this contradicts Christian views. One of the contrasting views that the Iliad is that their gods are human like. While from a Christian perspective Christ is perfect in all aspects.