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History and importance of the goddess Bastet
History and importance of the goddess Bastet
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Bastet [Earlier known as 'Bast'] was the ancient Egyptian God of Cats, protection,Joy, dance and love.She was also addressed by the title 'Lady of Flame' and 'The Eye of Ra'.She was one of the most recognised and longest worshipped Goddesses with Egyptian people worshipping Bastet since the third millennium B.C. She was originally known as 'Bast' in Lower Egypt and the Nile Delta region in the third millennium.
Bastet's father is Ra, the son God and her siblings are Tefnut, Shu, Serket,,Hathor,Ammut, Thoth and,according to some accounts, Horus, Anubis, Sekhmet. Bastet's children are said to be Maahes, Khonsu and, according to some accounts Nerfertum. She and her sister, Sekhmet were married to Ptah, the God of rebirth and creation.
Bastet was often depicted as a domestic Cat or a Woman with a head of a cat or a lioness holding a shield depicting a face of a cat in her left hand and a 'Sistrum', a sacred Egyptian musical instrument used in religious festivals and dancing in her right hand. Her depiction as a Domestic Cat relates to her role as the Goddess of domestic cats which were sacred in ancient Egypt. She is often depicted holding a Sistrum as it represents her role as the God of Joy, Music and Festivals. She is occasionally shown holding an Ankh, the Egyptian symbol of Breath, a Papyrus Wand
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Cats were sacred in ancient Egypt as they protected crops, hunted for the Egyptians and protected ancient Egyptians from diseases by eating infected vermin. Through this, Bastet indirectly became the protector God of ancient Egypt. Cats were considered holy and cats dressed in jewellery were worshipped in High Temples. Cats were Bastet's sacred animal and killing one was considered unfortunate in ancient Egypt. Cats were much loved pets in ancient Egypt so Bastet became popular amongst ancient
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
...books about Egyptian mythology. I had no frustrations with the story and there wasn't anything bad about it. One god that impressed me was Horus because in the story he was depicted as a wise, strong and even humorous guy. He gave power to Carter and shared his mind with him. He is the god of the sky and kingship as he was believed to host many of the Egyptian pharaohs. One goddess that impressed me was Bast because I learned in the story that she was order to fight Apophis, who is an insanely powerful Egyptian demon, for eons, but she was released by Sadie and Carters parents six years ago. She also sacrifices herself to save them which is very noble and selfless act. She also has protected them a lot more times. She is the god of Cats and protection. Horus and Bast don't really have a connection to Zeus and Cronos as they come from two very different mythologies.
Bastet was the goddess of warfare in lower Egypt, before the unification. She is the goddess of joy, the home and the warmth of the sun. In modern day she is portrayed as a woman with the head of a cat. Before the unification, Bastet was the lioness-goddess, but that role became diminished as Sekhmet, a similar deity became more dominant in the Two Lands (Upper and Lower Egypt). In the 1st millennium BC, during the 18th dynasty when domesticated cats were popularly kept as pets, Bastet started being represented as a woman with the head of a cat, and then ultimately by the end of the 22nd dynasty she became the cat-goddess. She was seen as a protective and gentle goddess, and she would appear with the head of a lioness in battle to protect the King. She was very important to the ancient Egyptians because she was the goddess of protection.
Originally, Bastet was the protector God of Lower Egypt and the pharaoh. She was also the Goddess of War in Lower Egypt. Bastet also had an association with perfume. Her role as the War Goddess in Lower Egypt diminished during the Middle Kingdom when she was replaced by her sister, Sekhmet.
Amun-Re is often referred to as the most important and powerful god of Ancient Egypt. Amun-Re was the god of the sun. “Amun-Re is the main name of the sun god, but also has three different names in which describe the phases of life that Amun-Re goes through each day.”(Budge, Pg. 92) When examining the ancient Egyptian god Amun-Re, four main points must be understood, including: the origin of Amun-Re, the characteristics of Amun-Re, how Amun-Re was worshiped, and how Amun-Re impacted Egyptian life.
Many funerary motifs are virtually unchanged through Egypt’s history including the rectangular, flat-lidded shape of this sarcophagus with a horizontal inscription near the lid which dates back to the Sixth Dynasty (Robins. 24). Many of the decorations on the sarcophagus have a similarly long history. One such image are the wadjet eyes carved into one of its sides. Seen on false doors and sarcophagi alike, this image was vital to Egyptian funerary practice because it allowed the ka to move between the locations of its body and the offerings left in the tomb (Lecture). The images of the gods seen on the sarcophagus are linked to the afterlife as well. The jackal-headed Anubis can be found on two sides of the sarcophagus, while one end features Isis, crowned by a throne, the other shows Nephthys, who is distinguished by a house and basket over her own head (Lecture). These gods were seen repeatedly in depictions of the afterlife, signifying their importance in achieving a happy eternity. Originally meant for Hatshepsut, these images were what she thought to be a necessary part in her achievement of a happy afterlife. In moving her father’s mummy to this sarcophagus, she reinforces her role as Thutmose I’s heir because she ensures that he received the best afterlife possible, the type that she had
Little is known about the origins of Nefertiti but it seems unlikely that she was of royal blood. We know of no one claiming to be related to Nefertiti. Her father was possibly a high official of Amenhotep III and Akhenaten called Ay, who went on to become Pharaoh after Tutankhamun. "Nefertiti may have been a foreigner who, quite literally, arrived at the Egyptian court in order to marry the king"(Tyldesley 1999). There is no firm date for the royal marriage; although monumental evidence suggests that it occurred either just before or shortly after Amenhotep's accession to the throne. Akhenaten and Nefertiti had six daughters, the elder three being born at Thebesm and the younger three at Amarna: Meritaten (Beloved of the Aten'), Meketaten (Protected by the Aten'), Ankhesepaaten (Living through the Aten'), Neferneferuaten (Exquisite Beauty of The Sun Disc'), Neferneferure (Exquisite Beauty of Re'), and Setepenre (Chosen of Re') (Tyldesley 1999). It is possible that she also had sons, although no record has been found of this. It was a practice in Egyptian art not to portray the male heirs as children. Possibly, she may have been the mother of Tutankhamun, the boy pharaoh who succeeded to the throne at the age of eleven and died nine years later (Sporre 2000).
The Egyptians often included lions to symbolize strength, leadership, loyalty, and war. The top of the palette also includes a human face with bull horns. This was done in attempt to represent the gods the ancient Egyptians believed in. These gods are associated with power, masculinity, and fertility.
Martha and Julia, and a brother, Samuel. But he ended up with three more sisters,
Lady Tahat , a chantress and singer to the gods in the temple of Amun at Karnak. On the lid of her coffin, Lady Tahat’s effigy is surrounded by multiple protective gods. They are all colored in the customary colors of red, yellow, and green. Isis is found on the coffin lid’s center. She is the moon and the throne, fertility and healing. As a winged goddess she may represent the wind. Isis represents the “Mother of Life”, because she gave birth to Horus, the god of the sun. Together Isis and Horus created and sustained life. As she is a goddess, she takes whatever form she likes, but usually is seen as a Falcon or with falcon wings. On the mummy board of the Lady Tahat’s coffin, Isis is shown with wings of the Black Kyte Falcon spread
Egyptians worshiped many gods and goddesses. Some of the gods they worshiped were Ra the sun god, Isis the god of nature and magic, Horus the god of war and Osiris the god of the dead. The act of worshiping many gods is called polytheism. The Egyptians had a god for almost everything.
The sphinx of Hatshepsut is 649/16 inches high and 1351/6 inches long and made of granite. Once more Hatshepsut is rendered wearing a nemes headdress and royal beard.1 However she has neither a male or female body but that of a lion. One author believe that the sphinx seen above, were originally displayed on the lower terrace of Hatshepsut’s temple at Deir el-Bahri. They wrote that they were six of these sphinxes “that were space evenly in two east-west rows flanking the scared route across the terrace to the ramp that ascended to the temple’s middle level.”3 Due to the positioning the sphinx it can be assumed that they were intended to depict guardianship of the temple and the religious processions into the temple. In this figure, it is apparent that the artist focused on showing the strength of the lion’s body more so than the facial features of Hatshepsut and the body is larger in comparison to the face. It can be hypothesized that this was done because the image would have been viewed from the side initially. Therefore so that the viewer would get the desired feeling or impression of strength and protection, the artists emphasize this in the body of the
The Egyptians were big lovers of all beauty and fashion. They were such lovers of beauty that some of their names were based on the word ‘nefer’, which means beautiful. Examples of such were Nefert, Nefertiti, and Nefertari. The goddess associated with adornment was “Hathor the Golden”, who is seen as the ideal of beauty in love and poetry of the time.
thought that God had told him them to do it. The ancient Egyptians worshipped cats as
Egypt is one of the oldest and most complex civilizations of the world. Their religion and beliefs are fascinating and have been a mystery for centuries. Even today, there are some things that we still do not understand. In this research, I will investigate the basic concepts of Egyptian mythology and its gods.