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The Spirit Catches You and You Fall Down tells the story of a young Hmong girl stricken with epilepsy, her family, her doctors, and how misunderstandings between cultures can lead to tragedy. The title comes from the Hmong term for epilepsy, which translated, is “the spirit catches you and you fall down”. Anne Fadiman alternates between chapters on Hmong history or culture and chapters on the Lees, and specifically Lia. The condensed history of the Hmong portrayed here starts at their beginning, and traces their heritage, their movements, and why they do what they do as they flee from enemies to country to country. This record allows the reader to better understand the Lees and their situation without bogging him down with details that may …show more content…
She heard about the Hmong through a friend, and so she spent 4 years living in Merced, California and another 5 writing this book. She attempts to stay fairly neutral in her writing, though through her time with the Lees, she confesses that her writing may appear biased toward the Hmong culture rather than toward the Americans. However, in the end she could not blame one side or the other for the unfortunate tragedy of Lia, who got hit in the cross-fire between these two cultures. Her theoretical view is a type of cultural relativism. Neither the Hmong nor the Americans could emerge as the better culture. She does not address any questions about direct unethical practices. The Hmong did not practice human sacrifices, and the animals they did sacrifice were theirs. She does seem to believe that every culture has its weak and strong …show more content…
All informants and sources are listed according to the chapters in which they contributed. Her major helpers, such as her interpreter, the Lees, the doctors who treated Lia, and a few others, have a special thanks from the author at the beginning of this section. Fadiman consulted a vast array of sources from both perspectives of Lia’s story. She also read nearly all of the available literature about the Hmong at that time, which admittedly was not abundant compared to now. Overall, those she spoke to seemed to be open and willing to talk about what had happened. The doctors freely admitted mistakes they made or may have made, and showed an interest in learning where they went wrong so that they could avoid any future
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
I enjoy reading Fae Myenne Ng’s Bone. I find her novel easy to read and understand. Although she included some phrases the Chinese use, I find no difficulty in understanding them, as I’m Chinese myself. The novel Bone is written in a circular narrative form, in which the story doesn’t follow the linear format where the suspense slowly builds up and finally reaches a climax stage. Rather the story’s time sequence is thrown back and forth. I find this format of writing brings greater suspense and mystery to the reader. When I read the book, my mind was always wondering what reasons or causes made Ona commit suicide, and this made me want to continue reading the book to know the outcome. The happenings in the story do portray reality of the lives of Chinese immigrants in America, their hardship and difficulty in adapting American lifestyle and culture. For the younger generations, adapting the American culture and lifestyle is much easier than for the older generations. This is shown in the book and it also happens in reality, which is another reason why I like this book. This is a fiction novel, but the story told is like a non-fiction book; giving readers a sense of realism. As a Chinese reading Bone, I understand the narrator’s feelings and predicaments. Although she is an Asian, her thinking lies more on the American side. Leila wants to move out to stay with Mason but yet she fears leaving her mother alone and also of what her mother might say in r...
The Hmong people, an Asian ethnic group from the mountainous regions of China, Vietnam and Laos, greatly value their culture and traditions. The film “The Split Horn: Life of a Hmong Shaman in America” documents the seventeen year journey of the Hmong Shaman, Paja Thao and his family from the mountains of Laos to the heartland of America. This film shows the struggle of Paja Thao to maintain their 5000 year-old shamanic traditions as his children embrace the American culture. Moreover, the film shows that one of the major problems refugees like Paja Thao and his family face upon their arrival to the United States is conflict with the American medical system. Despite the dominant biomedical model of health, the film “The Split Horn” shows that
“The Spirit Catches You and You Fall Down” began by setting the tone of the baffling multifaceted clashes that occurred in Merced, in Central California. Dialect obstructions and conviction framework contrasts kept Lia from accepting ideal care, despite the fact that both her family and the specialists did their closest to perfect to help her epilepsy. In spite of the fact that Fadiman concentrates on the Hmong and their experiences with the Western medicinal framework, The Spirit Catches You and You Fall Down portrays a general wonder. Not far into the book perusers can see that what Fadiman presents is more than the anecdote about Lia Lee. The lessons gained from Lia's story can and ought to be connected generally. Lia's story basically gives
Then begins the first of many conflicts with the staff of MCMC. Dr. Murphy, the hospitals resident family practitioner, diagnosed Lia with epilepsy. Little did he know that the Lee’s had already diagnose their daughters illness with what there culture deemed was the problem. “Foua and Nao Kao had already diagnosed their daughter’s problem as the illness where the spirit catches you and you fall down. Foua and Nao Kao had no way of knowing that Dan had diagnosed it as epilepsy. Each had accurately noted the same symptoms, but Dan would have been surprised to hear that they were caused by soul loss, and Lia's parents would have been surprised to hear that they were caused by an electrochemical storm inside their daughter’s head that had been stirred up by the misfiring of aberrant brain cells.” (Fadiman, 28.) Dr. Murphy prescribed Lia an anticonvulsant, however the Lee’s as well as many other Hmong people did not trust western medicine. The medicine that was given to Lia was prescribed as it was deemed necessary to take it. So Dr. Murphy had no way of knowing how much of the medicine she was taking, or if she was taking any at all. Lia’s mother didn’t believe that people shouldn’t have to take medicine forever. Dr. Murphy was quoted saying “they seemed to accept things that to me were major catastrophes as part of the normal flow of life. For them the crisis was the treatment, not the
The Split Horn is a film that explores health and wellness in the Hmong culture. The film highlights the harsh reality of a Hmong Shaman trying to preserve his ancient traditions as his children integrate into American culture. The Hmong are a group of indigenous people from across Asia, who were forced to flee their homeland and immigrate to the United States. In this essay the issues of the Thao family will be addressed, it will be explored using specific evidence and examples from the film. Secondly, the essay will incorporate the corresponding model of health as well as the disciplinary perspective that was presented in the film. Third, the essay will explore alternative models of health and disciplinary perspective, in order explore possible
Fadiman’s The Spirit Catches You and You Fall Down looks that the culture clash between the Hmong parents of an epileptic girl and the American doctors at Merced Community Medical Center(MCMC). The novel begins with the predicament of where to assign responsibility for the maltreatment of Lia Lee’s epilepsy. Fadiman uses the tension between the parents of epileptic Lia Lee and the doctors of MCMC as a way to show that the Western culture can be insensitive to other cultures. As the novel progresses, it becomes evident that this battle is rooted to differing cultural/religious beliefs and that neither the American doctors nor Lia’s Hmong parents are to blame. All of which could
the Hmong culture the man has to pay a price for his wife. The man’s side of the family
Change is a common and necessary part of life, however it does not always take the form of a choice. Many times throughout history, people have been pushed from their homes and communities through the threats of warfare and tyrannical rulers, forcing them to start a new life in a land very much foreign to them. Among these many souls who have been displaced, sit the Hmong, who within their culture have had a multitude of families immigrated to America, including the families of Sou Hang and Paja Thao.
Ann Rinaldi has written many books for young teenagers, she is an Award winning author who writes stories of American history and makes them become real to the readers. She has written many other books such as A Break with Charity, A Ride into Morning, and Cast two Shadows, etc. She was born in New York City on August 27, 1934. In 1979, at the age of 45, she finished her first book.
Fadiman, A. 1997. The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures. New York: Farrar, Straus, and Giroux.
As a result, literature has to follow certain guidelines to be classified as Asian American; being placed in a box limits many great pieces of work to gain the recognition they deserve. As Wong and Sumida state, Asian American Literature is a presentation of American culture within Asian American history and culture, rather than a representation of the entire culture. “Asian Americans” is a large and complex, pan-ethnic group of people making it difficult to classify them all under the same stereotypes. Many Asian American works portray Asian Americans as “perpetual aliens or castaways whose cultures tumble nicely and helplessly” (4). This is because Asian Americans create their own culture, a hybrid of Asian culture and American culture, they don’t fully fit in with American culture just as they don’t fully fit in with Asian culture. Asian American Literature is a reflection of just that, it doesn’t fit into specific guidelines, breaking away from the labels that others create and making its own impact by culturing its readers on being Asian American. Whether the author is Asian American or is solely writing about Asian American culture, it still classifies as Asian American Literature
Hmong, a Southeast Asian ethnic group, lived an agricultural lifestyle in the hills and mountain regions in Laos, Vietnam, and Thailand after migrating from south of China around 1810-1820 (McCall, 1999; Ngo & Lee, 2007; Tatman, 2004; P. Thao, 1999). During the time the Hmong lived in Laos, approximately 73 percent of Hmong adults did not attend public schools (Reder, 1982). Instead, many Hmong focused on physical labor to provide food for the family as formal education was not essential during the time they lived in Laos (J. K. Lee & Green, 2008; McCall, 1999).
To conclude, with the Lees being Hmong and not wanting to conform to society and abide by the way things works, I feel Lia’s fate was inevitable. The doctors did as much as they could, but in the end, it still wasn’t enough to prevent Lia from going brain dead. Language and communication may have been the one thing that caused Lia to suffer because the doctors couldn’t understand the Hmong and the Hmong couldn’t or refused to understand the doctors.
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.