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Human suffering in the crucible by arthur miller
Human suffering in the crucible by arthur miller
Human suffering in the crucible by arthur miller
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Silas experienced an extreme obsession with gold and money he possessed, and only after it was stolen did he realize that what he needed was a loving relationship with an adopted child whom he named Eppie. The bleak addiction Silas had lead him to constantly count and feel his coins “till their form and colour were like the satisfaction of thirst to him” (17). This fixation provides a look into Silas’ current state: reclusive and isolated, and it is because of this that he depends on his money to give him joy. He uses it to fill an empty void that should ultimately be filled with a human relationship. Silas was left in a grieved state when all his money was abruptly stolen, and he would often look around his small dwelling for it; however,
During a heated argument between Godfrey and his brother, Dunstan, Dunstan made a jeering remark about telling Godfrey’s secret of marrying a drunken opiate addict to their father knowing it would ruin Godfrey’s reputation and status (24). All Godfrey has is his status and he needs to protect that; it will not help if it gets out that he married an undesirable woman, and furthermore had a child with her. This child is the same child that Silas finds in his home and immediately falls in love with; it is Eppie. It is known that Eppie is offspring of Molly’s, but that does not stop Silas’ determination to keep the “tramp’s child” (122). Silas is unaffected by the stigma of a drunk woman’s child and only cares for the relationship; it is a necessity of human nature. He cared nothing for other’s inputs nor did he care for the status of the child or it’s mother. When Godfrey did eventually reveal that Eppie was his child and tried to take her back so she could live with him and the wealthy, Eppie said, “I like the working folks and their houses, and their ways. And, I’m promised to to marry a workingman, as’ll live with father, and help me take care of him” (175). Eppie does not care about Godfrey and his status, what she cares about is the father she has come to know and build a undying relationship with, Silas. She likes the poor ways because that is what she was built on, and she refuses to change so she will have a better status; Eppie just wants to care for Silas. Silas kept Eppie regardless of labels and Eppie rejected Godfrey for her human connection with Silas; thus proving that their relationship overpowers status
This quote was found on page 13, in the introduction when Harmon Gow is explaining to the narrator who Ethan Frome is.
Elizabeth Lavenza (later Elizabeth Frankenstein) is one of the main characters in Mary Shelley’s Frankenstein. She is a beautiful young girl; fragile and perfect in the eyes of all. Her father was a nobleman from Milan, while her mother was of German descent. Before she was adopted by the wealthy Frankenstein family, she lived with a poor family. After Alphonose and Caroline Frankenstein adopt Elizabeth, they lovingly raise her alongside their biological son, Victor Frankenstein, in hopes that the two will eventually get married. When Victor goes off to Ingolstadt college, Elizabeth writes letters to him that later become a crucial part of the story. It weaves together every piece of the story, holding together each individual
The society that Silas is trying to be accepted into cannot not find a way to accept Silas, nor find a way to make him acceptable. Although Silas is extremely wealthy, this does not make him acceptable in the community. Being rich situates him in the upper class allowing him to make an attempt at being one of them but in the end he fails because he cannot change his personality without losing sight of who he really was. At the Corey’s dinner party he has problems with wearing gloves while no one else is wearing them, and drinking from the wine glass like it was ice water served at his home table, also the conversation he could not enter into or follow. When he finally does he has drunk to much wine. After telling his War story he feels confident now that’s he has established himself in the conversation so he continues to talk about his paint to Bromfeild. As he goes on these rants unceasingly talking about pointless subjects he is the only one talking because no one at the party cares f...
Throughout the novel, F. Scott Fitzgerald uses cruelty to argue that similar dignities exist across very socially different people and that both people of the elitist old money and the contemptible new money are capable of cruelty. In doing so, he wants us to see that wealth, or the culmination of both monetary currency and social currency, can disguise cruelty with a beautiful façade and that to successfully judge a person’s personality, one must look beyond superficial gestures and instead into the inner brutality of the person.
In order to sustain her indulgence for the finer conditions, her hunger for moneys grows so much that even the house whispers about it because there is never enough. Hester's anxiety over wealth affects her children to the point they feel as if they can hear the house constantly saying they need money: "And so the house came to be haunted by the unspoken phrase: There must be more money! There must be more money!" (Lawerence 411). Children feed off their parent's energy. In the mother's constant state of distress, Paul feels trapped by the overwhelming cries that flow throughout what should be his safe haven. In an attempt to quiet the voices, Paul secretly gives money to Hester to be distributed over a span of 5 years. Unappreciative of this
In Act 1, Scene 1 of the Crucible, Arthur Miller’s theme is evident when Abigail worryingly puts all the blame on tituba because she knows that Tituba’s race puts her at a disadvantage, thus leading to tituba lying for her own safety. Passionately trying to seek answers Parris threateningly screams, “ You will confess yourself or I will take you out and whip you to your death, Tituba!”(Miller 24) Tituba fearfully replies, “ No--no, don’t hang Tituba. I tell him I don’t desire to work for him, sir.” (24). In the quote, Parris didn’t like that tituba didn’t tell him she dealt with the devil so he threatened to kill her. Historically whipping was a method to abuse or punish slaves for misbehaving. After the beatings if still alive the slaves will suffer mental and physical distress. This image of a brutal death
Ben Stein’s quote: “The first step to getting the things you want in life is this; Decide what you want.” The quote is the key element of the The Great Gatsby by F. Scott Fitzgerald, such as the point where different individuals are after something and are even willing to give their own life over it even if it seems like a small goal in our eyes.Through Gatsby’s and Myrtle’s goals, Fitzgerald illustrates his agreement with Ben Stein’s quote: “The first step to getting the things you want in life is this; Decide what you want.”
The Great Gatsby set in the glistening and glittering world of wealth and glamour of 1920s Jazz Age in America. However, the story of the poor boy who tried to fulfill the American Dream of living a richer and fuller life ends in Gatsby’s demise. One of the reasons for the tragedy is the corrupting influence of greed on Gatsby. As soon as Gatsby starts to see money as means of transforming his fantasy of winning Daisy’s love into reality, his dream turns into illusion. However, other characters of the novel are also affected by greed. On closer inspection it turns out that almost every individual in the novel is covetous of something other people have. In this view, the meaning of greed in the novel may be varied The greed is universally seen as desire for material things. However, in recent studies the definition of “greed” has come to include sexual greed and greed as idolatry, understood as fascination with a deity or a certain image (Rosner 2007, p. 7). The extended definition of greed provides valuable framework for research on The Great Gatsby because the objects of characters’ desires can be material, such as money and possessions, or less tangible, such as love or relationship.
The world in which Lily grows up in is one where money is the standard by which everyone is judged. In a setting like this, “money stands for all kinds of things- its purchasing quality isn’t limited to diamonds and motor cars” (Wharton 66). Therefore, even small things such as the way a person dresses or the places someone frequents become of high importance as they are representative of how much money a person possesses. This materialistic tendency ...
... this motif of love is explored because it shows how people in this world use others for their money.
There are many humans in this world controlled by money. We have grown to leave families for it, break friendships, and even in some cases murder. However in Chris’s life, money was just a monetary aspect, something for which he had no value, hence his act...
Scott Fitzgerald’s The Great Gatsby, money is an intense presence in many characters’ lives. Many of them, like Gatsby and Myrtle, are so engrossed in it that they are completely consumed by it, to the point where it causes their end. Money becomes the reason for their actions, the ultimate justification for all their wrongdoings, and the basis for their lives. Money displays its charm, and they readily extend their hands to reach for it, blind to the fangs that lurk
“Money is the root of all evil”(Levit). Man and his love of money has destroyed lives since the beginning of time. Men have fought in wars over money, given up family relationships for money and done things they would have never thought that they would be capable of doing because of money. In the movie, based on F. Scott Fitzgerald’s novel, The Great Gatsby, the author demonstrates how the love and worship of money and all of the trappings that come with it can destroy lives. In the novel Jay Gatsby has lavish parties, wears expensive gaudy clothes, drives fancy cars and tries to show his former love how important and wealthy he has become. He believes a lie, that by achieving the status that most Americans, in th...
Janwillem Van De Wetering says, “Greed is a fat demon with a small mouth and whatever you feed it is never enough.” Guy De Maupassant’s “The Necklace” tells of Mrs. Mathilde Loisel’s longings for the finer things in life. Her desires are so intense she risks her husband’s affections, the friendship of an old chum, and even her mediocre lifestyle to pursue these cravings. One small decision based on an ill-placed desire causes a slow drawn out death of the spirit, body and relationships.
Specifically, money also becomes “a message of masculinity and adulthood” (Somerville 114). Operating from Somerville’s framework, Jimmy Doyle is never truly allowed to reach the pinnacle transformation into adulthood, rather forcing him to remain in adolescence. Doyle’s father, whom was “proud of his excess” also covered Jimmy’s expenses from university (Joyce 26). However, his father’s generosity also helps to reinforce Jimmy’s dependence to his father, stunting his ability to activate his own selfhood and freedom. Much like a paralyzed Dublin, Jimmy is also ‘paralyzed’ by the fact that he has yet to break free from his father’s dominance over his