Run Lola Run Essay

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This essay will primarily focus on the 1998 independent German film Run Lola Run, directed by Tom Tykwer. Essentially, this analysis will look at how Run Lola Run transgresses the normative boundaries of genre; integrating elements of interactive gameplay into the narrative, like that seen more commonly in videogames. This essay will also look at how the film exhibits postmodernist qualities.

Run Lola Run, utilises an unusual cross media narrative that includes a videogame structure and film plot in a ‘stop and rewind’ format or ‘replay story’. The ‘replay’ story in essence allows for the protagonist to ‘do over’ previous scenarios in order to change their present. Previous examples of this have included: Back to the Future (1985), Groundhog …show more content…

Strinati touches upon the subject of music, referring to how postmodern texts go beyond those that are perceived as the ‘norm’ – which in this case, is seen in cinema.

‘They are concerned with collage, pastiche and quotation, with the mixing of styles which remain musically and historically distinct…’

This can be true of Tykwer’s Run Lola Run, where the techno music of the 1990’s was unlike the music heard in the mainstream charts; emerging as an underground subgenre of popular dance music. Tykwer himself was aware of the explicit use of this subcategory of dance music in his film and understood the link that it held with the kinetic energy of the storyline, taking full reigns of the implementation of the music within the film.

“The music (...) was also very important to me. I think, write and cut in a very musical way - so it was obvious that I’d want to take care of the soundtrack too. (...) The very idea of anyone else composing music for any film of mine is like a nightmare to me. The wrong music can screw up a film completely. In a film, music intensifies

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