Ron Chernow's Hamilton: An American Musical

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On February 17, 2015, the world of Broadway and musical theatre was introduced to Hamilton: An American Musical written by young composer, Lin Manuel-Miranda. Hamilton is a musical, based on the book Alexander Hamilton written by Ron Chernow, which tells the story of the life and tragedies of founding father Alexander Hamilton. This musical uses various styles of rap, hip-hop and R&B music that remain foreign genres when it comes to the average show tune that you’ve heard. Bringing in about $30 million at the box-office and rising, Hamilton is right behind other blockbuster musicals such as Wicked and The Lion King for the title of one of the highest-grossing shows currently on Broadway (Piepenburg, 2016). Winner of 11 Tonys, this …show more content…

Kuesel (2016) states, “Though “Hamilton’s” titular character is the focus of the show, Hamilton’s perspective is by no means the only viewpoint explored over the course of the play,” she goes on to say, “The audience sees Hamilton as a great orator in the eyes of his friends, a greedy elitist in the eyes of his enemies and a hero in the eyes of his wife”. Miranda chose these styles because he realized early on that hip-hop and show tunes, even though they have different sounds and audiences they can both be used as a methods of storytelling (Paulson, 2015). He uses Hamilton and his friends to show off the stereotypical style of rap the “8 Mile” style in which he was inspired by in the first place. The Schuyler sisters are smooth and angelic while still pulling towards the modernity of their times. The urban-contemporary style that Miranda gives them gives off a very “Destiny’s Child” inspired sound. While on the other end he uses King George to tie in the traditional show tune and musical sound that we are used to because he is a character that clings to the past (Langer, …show more content…

Since this musical was based on a book by Ron Chernow, Miranda had Chernow be a historical consultant on the project. Miranda went to Chernow whenever he did stray from historical record or take dramatic license to defend it because he knew he would have to explain to our country why he would change something like this (Delman, 2015). Miranda claims, “My only responsibility as a playwright and storyteller is to give you the time of your life in the theatre. All the most interesting things in the show actually happened. They’re not shit I made up” (Delman, 2015). He had decided to leave out several things that Hamilton believed in such as elitism and senators and presidents should be in office for life. It also bashes Jefferson for being a slave owner even though Hamilton’s opposition to slavery was not central to his political pursuits. The musical leads on the fantasy that if Hamilton had not been killed, he would’ve gone on to play an important role in the abolitionist struggle, which is untrue (Frank and Kramnick,

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