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The history of classical music
The history of classical music
The history of classical music
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John Dunstable was an English Composer that had a strong influence on English classical music. Experts have pieced together the facts to fill in the missing information about his life, it’s hard to even determine his exact birth date. Much of his biographical information is skeptical due to the lack of evidence. His earliest works was around 1420s so his birth must have been born around 1390s. He was believed to have died on December 24, 1453 in London, England.
Music wasn’t really the biggest career choice during Dunstable’s life. Most musicians during this time made their living as clergy in the church because music was considered to be a hobby or an interest. Not only was Dunstable a musician, he was also a very educated man. Dunstable studied
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He was known for his unique polyphonic style which he influenced not only in England but around the whole continent. Although his music was a big influence to the people, it wasn’t really popular for a long time. Historians and people that work closely with music history, faced many problems when trying to recover his music. Many of his pieces and manuscripts had been destroyed during the Reformation period. The reformation was “A 16th-century movement in Western Europe that aimed at reforming some doctrines and practices of the Roman Catholic Church and resulted in the establishment of the Protestant churches” (isorhythmic). Due to his pieces being destroyed, they had to be recovered from different outside countries that he visited earlier around Italy and the Southern Alps. This explains why Dunstable’s music took a long time for people to actually hear his …show more content…
But of all the work he created only about fifty of his things survived. Which included two complete masses, three sets of connected mass sections, fourteen individual mass sections, twelve complete isorhythmic motets- (including the famous one which combines the hymn Veni creator spiritus and the sequence Veni sancte spiritus), and twenty-seven separate settings of various liturgical texts, including three Magnificent and seven settings of Marian antiphons, such as Alma redemptoris Mater and Salve Regina, Mater misericordiae. (Encyclopedia)
Dunstable was known for introducing many things into the English music. He was one of the first to compose in a mass with a single melody as cantus firmus. A great example of this style was seen in his famous piece “Messa Rex Seculorum”. This particular piece presents a single cantus firmus melody in the tenor voice in each mass movement, according to the isorhythmic motet. An isorhythmic motet “consists of a single rhythmic phrase pattern repeated, usually in the tenor, throughout the composition." (isorhythmic)
In order to get to know Dunstable’s traits and characters, you take a look at his motet,
Dunstan first literally loses a part of himself in the war, when he wakes up six months after falling into a coma to the realization that he has lost his leg. This event played a gigantic role in Dunstan’s loss of self, as it would anybody who loses a limb. He first experiences uneasiness about his injury when he and Diana become lovers, the woman who nursed him back to life after the war, as he compares his “scarred and maimed body with her unblemished beauty” (82). Dunstan has a few sexual encounters after Diana, but they all end with the women leaving quite frustrated and annoyed, as he uses his sense of humour in the bedroom to cover up his feelings of physical inadequacy. “I could not forget my brownish-red nubbin where one leg should have been, and a left side that looked like the crackling of a roast” (117). This feeling of shortcoming is possibly the reason why Dunstan does not give himself completely over to a woman to be loved, or maybe because he does not take women very seriously; not until he meets Liesl, that is. Dunstan initially falls in love with the beautiful Faustina, and is overcome with this boyish and unexplainable obsession for her, until he unexpectedly finds Faustina and Liesl entangled in a passionate and shocking embrace. It was this that began Dunstan’s character development, as he first begins to feel for what he has seen. Liesl confronts him that night, trying to seduce him, and after they fight, and then talk, they make love, as equals. This act reconnects Dunstan with his body, and Liesl becomes the first woman that he ever really experiences intimacy with, as a great cloud lifts from his spirit. “With such a gargoyle! And yet never have I known such deep delight or such an aftermath of healing tenderness!” (231).
not known, but historians believe that he was born in 1480, and he died in
Richard Kuklinski was a convicted hitman who worked has claimed to have killed at least 200 people over the course of his life. The theory that best describes Kuklinski and his personality is the psychodynamic theory. The psychodynamic theory states that people are affected by their early childhood experiences. Sigmund Freud best described the psychodynamic theory by talking about the 3 parts to a personality; The Id, the ego, and the superego. (Siegel 119). Those combined shape our behavior as humans in a conscious and subconscious way. The Id, is our initial primitive desire for things like food, sex, and love. Those are things we naturally subconsciously and consciously want. Then the ego comes in and takes what we want, then finds a
The author’s development of Dunstan as a protagonist is useful in pushing the plot forward. “After a few weeks during which I was miserable because of the village talk, I sneaked over there on day and peeped in the window” (46) Although the town frowned upon Mary Dempster after her incident at the gravel pit, Dunstan continues to visit Mary, sharing the latest gossip of the town, because she is not allowed the daily newspaper. Dunstan is a very modest character, “Where Boy lived high, I lived – well, not low, but on in the way congenial to myself.” (111), he is happy with the bare necessities in life and asks for nothing more.
The “Agnus Dei” of Guillaume Machaut’s Notre Dame Mass was created in the Medieval Time Period; it was the first polyphonic setting of mass by one composer. It was polyphonic because it used four voices, two tenors and two basses. It used one lower voice and a form of ABA. This piece used Timbre instruments such as brass. This piece by Guillaume Machaut used a triple meter and consisted of complex syncopation and rhythm. The two upper parts of this piece are active rhythmically while the two lower parts are longer in note values. Guillaume de Machaut was a brilliant poet and musician who was born in France. He loved to travel and wrote many songs consisting of love.
John Clare was born in 1793 and died in 1864. He was born in the
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
People are often remembered for being overly successful, extremely talented, or insanely wealthy; but there are exceptions to every rule. Being a fearless outlaw is not the ideal way to gain fame, but John Dillinger managed to do so. Dillinger’s fearless charisma, led him to go above and beyond to provoke law enforcement. Not many criminals have succeeded in the way John Dillinger did during the 1920s and 30s. He managed to put society in awe due to his obstreperous acts of rebellion. Being one of the most infamous criminals from his time, Dillinger had a huge influence on crime, and has greatly impacted gangsters all over the country.
On April 8, 1433, the Pope Eugenius and Sigismundus, King of the Romans, united to sign a treaty of peace. The king was crowned Holy Roman Emperor and there was much celebration. To commemorate this joyful occasion, Guillame Dufay wrote the motet "Supremum est mortalibus bonum" ("The highest good for mortals is peace"), including the names of these two honored men in his great sustained chords near the piece's conclusion (Bent, CD notes). Dufay's main text is shared by his top two voices, the triplum and motetus, and is divided into two stanzas. The first 12 lines comprising the first stanza speak of the benefit of peace to men of all classes and of the freedom and joy it brings to the natural world. The second stanza, encompassing the final 8 lines, prays for the eternity of peace and praises Eugenius and Sigismundus, the envoys of peace. Dufay carefully sets these words to music, colorfully painting their meanings before our eyes through his rich melodic lines. Ironically, however, as he also struggles to bring isorhythmic structure and support to his work, he battles between text and design, foregoing a sense of peace to create a curious collage of his musical ideas.
In this style of composition, it was very common for composers to use a Gregorian chant as a base to compose original pieces. As a general rule, the tenor voice sang the Gregorian chant, and the upper voices have new original material. Machaut followed this line by putting the chant Ad te suspiramus gementes et flentes on the tenor voice in his piece; whereas, Philippe De Vitry composed original music for all voices. Although the piece by De Vitry is called a motet, it might be just labeled as a polyphonic composition since all the voices have original music.
“Great Dunsinane he strongly fortifies // some say he’s mad, others that lesser hate him.”
Dennis Nilsen was born on November 23, 1945 in Fraserburgh, Scotland. When his mother got remarried, she left him lonely and withdrawn, which resulted in him living with his grandfather. When he was 6 years old, his grandfather died unexpectedly and the sight of his dead grandfather’s corpse, led to his behavioral psychopathology. Aware of his homosexual desires, he denied any sexual encounters as an adolescent and enlisted into the Army Catering Corps, at the age of 16, which resulted in him not finishing high school or going to college. Because of his homosexual desires, he never married a woman or a male and he never have children. He never told anyone about his desires so he was never tested for any diseases or mental illnesses, until later
Both Erik Erikson’s (1963) theory and Mary Ainsworth and John Bowlby (1973) theory support the idea that early life experiences impact the person across their lifespan. Both theories believe that personality begins to develop from a young age and therefore occurrences in early life can have lasting impacts on the developmental of an individual. An individual’s social and psychological development is significantly influenced by early life and childhood experiences. The experiences an individual has as a child impacts on the development of social skills, social behaviours, morals and values of an individual.
Shortly after graduating form St. Michaels, Bach took upon a job as a court musician, though it had nothing to do with playing musical instruments. After working as a court musician for quite some time he was able to find a position playing the organ at the local church in St. Bonifa...
Born on August 27th, 1862, Claude Debussy came from an ancestral background comprising of shopkeepers, suburban employees and peasants, none of which had any musical talent or affiliation. Much unlike a majority of composers known during the Classical and Romantic eras such as Mozart or Rachmaninoff, not only did he possess no musical family background, he also had had no extensive musical training...