Death is the equalizer of all life. Throughout time people have constructed death in many different ways. For ancient civilizations, such as Mesopotamia, Egypt, Ugarit, Greece, and Rome, death consisted of burial rituals and practices, the construction of monuments, murals, and stele, and offering libations to the dead. These civilizations shared many aspects in their perceptions of death and the afterlife, but those perceptions also varied enough to be individualistic and unique to each civilization. Among the many differences between civilizations’ perceptions, some of the variations involved the location of graves, the type of monuments constructed, the structure of the funeral, and preparation of the dead body for the funeral. The relationship …show more content…
Invoking the name of ancestors emphasizes a family’s status, and establishes a link between the spirits and ghosts and the living. Pearson’s argument agrees with “Defining the Imagines” from Ancestor Masks and Aristocratic Power in Roman Culture by Harriet Flower. “Defining the Imagines” discusses the use of wax masks that were designed to resemble the portrait of the ancestor. These were necessary for funeral processions, and they were worn by actors who were chosen for their body type similarities to the ancestor (Flower 37). Wax masks could have been an outlet for family members to show appreciation and remembrance of their ancestors. Or, the masks could have been a way for the family to show off their important ancestors. The precessions were luxurious and most likely only happened for noble families (Flower 39). Additionally, there were other types of ways to display genealogies in the Roman household, such as murals of painted faces on a family tree, and shield portraits of ancestors (Flower …show more content…
Pearson describes funerary architecture as a separate entity from domestic architecture (195). This isn’t true for all ancient civilizations, because at Ugarit family tombs were built underneath the household (Marchegay 208-209). Since every house had a tomb in the basement it is unlikely that the idea to turn the basement into a tomb was an afterthought. There must have been a lot of consideration in the designing of this city to allow every house to have a chamber underneath it for the family tomb. The family tomb underneath a domestic piece of architecture was deliberate and definitely planned by city officials (Marchegay 208). Marchegay writes that the more crowded an area in the city was, the more tombs it had to hold (208). This example of funerary architecture was not a separate entity of domestic architecture. It was an important aspect of life in Ugarit to have your ancestors buried beneath your home. Thus, the point of the separation of funerary and domestic architecture in Pearson’s text does not hold true for all ancient civilizations.
“Collective Memory and the Meanings of the Past” in Martyrdom and Memory by Elizabeth Castelli is overall not very similar to other scholarly texts. The text mainly focus on Christianity, which isn’t a religion that was discussed in class. The one major similarity between Castelli’s argument and other scholarly texts
Unburied people will be unable to find rest and will wander the earth forever, which is why it was so important that I must bury my brother. For Polyneices to rest properly, there needs to be a burial. The word of the gods emphasize the necessity of a proper burial and indicate the negligence of burial rites as an abuse to a man’s rights to an afterlife. Burials are a critical municipal and religious duty, not simply because it is a valued personal concern, but also because it is a social obligation. While a respectable king is expected to be able to make wise decisions independently, he cannot be considered a perceptive ruler if he does not follow the will of the
The grandeur with which Egyptians regarded their funerary customs does not come without explanation. They delighted in tying the occurrences of the natural world with supernatural dogma, and their burial practices exemplified this deluge of religion. A special deity was even attributed to cemeteries and embalmers: Anubis (Fiero, 46). Due to this deep sense of religion, a fixation with the afterlife developed within their culture. The Egyptian afterlife, however, is not synonymous of heave, but, rather, of The Field of Reeds, a continuation of one’s life in Egypt meant “to secure and perpetuate in the afterlife the ‘good life’ enjoyed on earth” (Mark 1; “Life in Ancient Egypt” 1). The pursuit of this sacred rest-place prompted the arousal of intricate Egyptian funeral rituals.
As a natural phenomena that occurs frequently yet is still not completely understood, death has confounded and, to a certain degree, fascinated all of humanity. Since the dawn of our species, people have tried rationalize death by means of creating various religions and even attempted to conquer death, leading to great works of literature such as the Epic of Gilgamesh and the Cannibal Spell For King Unis.
“In most human society's death is an extremely important cultural and social phenomenon, sometimes more important than birth” (Ohnuki-Tierney, Angrosino, & Daar et al. 1994). In the United States of America, when a body dies it is cherished, mourned over, and given respect by the ones that knew the person. It is sent to the morgue and from there the family decides how the body should be buried or cremated based on...
Through the means of commemorating and remembering those of prestige and importance, tombs and sarcophagi are produced of these individuals. This funerary manner and distinctive burial practice was initiated Etruscan culture and it developed through the means of cremation and inhumation in earns. The concept of placing the remains of individuals in elaborate, thought out spaces was a valuable attribute of these people. The Etruscan objective of creating the best possible outcome in the afterlife dictated the way in which individuals ornamented and became portrayed in their tombs. Presen...
Deaths were a form of social event, when families and loved ones would gather around the bed of the dying, offering emotional support and comfort. Myth, religion, and tradition would combine to give the event deeper meaning and ease the transition for all involved. The one who was dying was confident in knowing what lay behind the veil of death, thanks to religious faith or tradition. His or her community held fast to the sense of community, drawing strength from social ties and beliefs. (“Taboos and Social Stigma - Rituals, Body, Life, History, Time, Person, Human, Traditional Views of Death Give Way to New Perceptions" 1)
In Ancient Rome, life was vital in every aspect. Continuing to the afterlife was even more imperative to the Romans. The families were very superstitious and believed that passing on to the underworld was sacred and ideal. Life was not always as great as it was made out to be in Ancient Rome; many conditions and problems created quandary in people’s lives. The final days of family members were highly regarded as were the burial customs, illnesses, and treatments and results.
Summary In Justin Scott’s Corpse Colloquy, the author gives a glimpse of how death mimics the living. How the Segregation of human life by race, Class, and religion is just the same as it is as in a graveyard. Jewish people are all grouped together all have the Star of David, to groups of individuals who belonged to a particular group whose tombstones are etched with a masons crest on them. Even the forgotten whom are placed into a common grave.
Marriage in Classical Athens was inevitable. It was a part of life. Everyone had to get married, just as everyone had to someday face death. Although most people would not see a connection between marriage and death, the Greeks did. Both define an irreversible physical change—the loss of virginity and the loss of life. This idea of loss, rebirth, and renewal are present in both wedding and funeral. This is evident in the way wedding and funeral ceremonies complement each other in character and content. Both ceremonies are interwoven with ritual meaning and overlapping rites.
Life and death are dualities. These two immaterial forces culminate into a beautiful and tenuous composition creating an awareness of abject mortality that indirectly contributes to the breadth and depth of human existence. This existence or being is marked by an incessant love of life, influenced by the pervasive knowledge of eventual death. The characters in Mrs. Dalloway endeavor to grasp the meaning of both life and death through the act of resistance and/or acceptance of the impermanence of human existence as it relates to them personally and to those around them. Nietzsche’s interpretation of the themes of life
Through history every culture and religion had some idea of an afterlife. Rather if one exists or not, rather if there is one or multiple destinations, rather if one’s choices affects their afterlife or if its pre-determined. The Roman Empire experience a dramatic change of national religion before their collapse. Following the change from a Polytheism religion to a Catholic religion, there was a change in the Empire’s views and treatment towards the afterlife. Two works, created by two different poets in two different eras, properly describes how the Roman Empire viewed the afterlife.
While many people today seem to be scared to die, and make great strides to avoid an early death, this is not a new human concern. In fact, Dr. Peter J. Brand did some extensive research on how people in Ancient Mesopotamia viewed death and the afterlife. He believes death was extremely scary to people of this region. In his article titled: Dying: Death and the Afterlife, Brand states, “Like all human cultures, the people of Ancient Egypt and Mesopotamia were greatly troubled by death.” (Brand pg. 1) Apparently, it death was even more dreadful in the minds of the Mesopotamians. “Mesopotamian views of death were more pessimistic, resulting in less elaborate preparations for death.” (Brand pg.1) On the contrary, it seems that there would have been a lot of preparation involved, since the journey to the underworld alone was a perilous feat. This tells us that there was nothing glorified about death, and nothing exciting about traveling to the underworld. However, it reveals that there was a lot of confusion surrounding death, and confusion how to deal with it. Dr. Brand goes on to talk about how the underworld was a ...
In “The Lottery” by Shirley Jackson, she speaks much about tradition in a small town in which many have been lost over the years. The black box, which Shirley speaks about in the beginning of the story, is of great importance. The black box represents the entrapment of tradition and the change over time. It is the trapping of tradition because now that it is worn and ragged they still do not want to change it because it is tradition. Along with the box changing many people’s views on The Lottery, it also lets the town’s people stand strong by themselves. Shirley Jackson in “The Lottery” uses symbolism and irony to foreshadow death.
The elements that will be focused on are the multiple functions of the tomb and rituals, specifically the mummification of bodies. Ancient Egyptian tombs had many functions; the main function being to hold the bodies of the dead. Tombs were typically built during a person’s lifetime and were ready by their time of death (Olson, 2009). Before bodies were put in the tombs, they underwent a process called mummification to help preserve the body and keep it intact. The tomb was also a place where family members could come and visit the deceased. In the early years, tomb structures were very simple; they consisted only of one chamber (Grajetzki, 2003: 3-4). Later on, façade tombs were built— which consisted of two parts; an “underground chamber for the dead and the superstructure built above the ground, over the shaft and the burial chamber” (Grajetzki, 2003: 8). Next, the Egyptian tombs and ...
The concept of human mortality and how it is dealt with is dependent upon one’s society or culture. For it is the society that has great impact on the individual’s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions. The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former.