Politics In Pablo Picasso

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Pablo Picasso is one of the world’s most famous artists, but while he remains one of art’s most prevalent figures, the later stages of his career are not widely discussed. Many people know of Picasso’s periods, such as his Blue Period or his influence on the Cubism movement; what is often overlooked is the major role politics played in his art later in life. Picasso’s most famous political painting is Guernica; however, it was not painted during the most political period of his career. In 1944, Picasso joined the French Communist Party and remained a member until his death in 1973. Picasso had made political statements in his art before joining the communist party, but the frequency and focus of his political art shifted upon his embrace of …show more content…

2) and Peace. The more political of the two was War and therefore it is the focus of this section. War is an oil on fiberboard painting, dated 1952. It is a 477.8 by 1011.6 centimeter mural originally at the Temple of Peace in Vallauris, France. On the left of the mural, there is a man holding a spear, and a shield with a dove on the front. He also has black scales on his chest, the universal symbol for justice. On the right side of the image, there is a man in a chariot charging towards the man with the spear. He brandishes a bloody dagger, a bag of skulls, and what looks to be enlarged insects behind him in the chariot. Between the two men there are horses, and figures brandishing axes. The color in the painting is bright. It has deep blues, reds, greens, and part of the background is brown as well. The lines in the painting are not blurry, and not well …show more content…

Picasso demonstrates these leanings after 1944 most strongly with his painting, The Charnel House (Fig. 3). This painting is a 199.8 by 250.1 cm, oil and charcoal on canvas painting. The Charnel House was released in 1945, just after Picasso joined the French Communist Party, and is ostensibly about a Spanish family murdered in their kitchen by Spanish Fascist dictators. Like many of his other violent paintings, The Charnel House has a grisaille color palate. The dark colors give the painting a serious tone necessary for the subject matter, and simultaneously mirror a newspaper. This connection to a newspaper presents the artwork as news, and gives it a sense of importance. The color and the subject of the painting are a reference back to Guernica, another critique of Fascism and violence, again painted in a grisaille style. In typical Picasso fashion, the painting is not painted in a realistic style, and employs elements of surrealism. It also demonstrates Cubism, an artistic movement Picasso helped popularize. The subjects of the painting are the dead family in the foreground of the painting. Their bodies are deformed and the scene Picasso paints is a grizzly one. Their facial expressions also are not made clear by Picasso. The line in the painting is an important aspect of the work as

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