Personal Narrative: Broadway Night Lights

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I want to create today and forever. Since I was a little girl, the lights of the stage have called me. Later on when I saw the Broadway night lights I knew that was the lights that were destined for me, but did I have what it takes. I proved that I did with every performance I did. I have the talent it was always how much I give. If I stepped on stage without my confidence my talent goes to waste because I didn’t give it everything I’ve got. However when I step on stage chest fully out with confidence I am giving it all I’ve got showing that I have what it takes. It is also in these moments I see not only Broadway’s stage lights but the lights all over the world shining for me. Those lights will always shine for me as long as I give it all …show more content…

It is then hard not to define art when we live in a society that constantly desires to categorize everything like race or gender with the then possible risk of otherization as opposed to the celebration of differences. "Always eliminate desires in order to observe its mysteries"(Laozi ch.1) However, Laozi goes on to explain that the desire to basically define is good as long as we combine it with mysteriousness which leads to this gate of mystery. One could use Laozi to support the notion that art shouldn’t be defined objectively but subjectively for the personal not excusing cultural appropriation, and racist or sexist antics. This for me is unless a piece of art addressing the issues prevalent in our society as per my belief that theater should reflect the reality. This serves as a metaphor to then keep on searching for the definition of things like art perhaps in foreign countries or even in our own backyards. Especially since the black experience of culture and or oppression, not necessarily simultaneous, is not just limited to those in the U.S.A. That is until we reach the topic of goodness in chapter eight where the levels of goodness are defined as well as the different forms and dimensions to which goodness can take. "In a residence, the good lies in location. In hearts, the good lies in depth." (Laozi Ch. 8) Philosophers from Plato, David Hume, Immanuel Kant, and Morris Weitz all have different scales at which they rate good or bad art and then further arguments on whether art is definable. So, if these highly ranked philosophers can’t get passed their own personal definitions of what art is then why should the Webster Dictionary be the only one fit to define thereon what artistry and an artist is for the general population. Even within the black community there is

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