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To kill a mockingbird examples of symbolism
To kill a mockingbird examples of symbolism
To kill a mockingbird examples of symbolism
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Being an outcast is commonly thought of to be someone who is distant and possibly ludicrous in certain individuals eyes. For instance, in the poem “Beowulf,” written by an unknown author, the theme of outcast immensely affects the symbolism throughout the poem. The story of Beowulf takes place in the 6th century and discusses the heroic Beowulf and his journey of fighting the evil outcast and defending the beloved community. Overall, Grendel, one of the evil outcast, possesses a cave that is far removed, surrounded by a treacherous landscape and a forbidden swamp which is why his cave symbolizes his personality of an outcast.
An outcast, an odd and aberrant person, is someone who usually lives in isolation and follows their own way of life
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
The outcast, an identity relating to nearly every humanistic myth or story, represents the tragic creature Grendel. A giant beast with the intellectual equivalence of a human, Grendel lives nearly half his life before realizin...
Grendel, written by John Gardner, is a novel based off the early epic poem, Beowulf. Gardner tells the tale in the perspective of the monster, Grendel, who is struggling to understand the purpose of life and his place in the world. In Gardner’s novel, Grendel terrorizes the kingdom of Hrothgar for 12 years, killing men in the night relentlessly. With the descriptions of battles and heroic deeds, Gardener conveys to the reader, the ideals of Anglo-Saxon heroes as courageous, self-righteous, humble, and loyal beings that are humanly flawless. The book Grendel tears down all these fundamental ideologies of Anglo-Saxon heroism by giving Grendel the monster a nihilist perspective that makes heroism sound stupid and meaningless.
Starting off, what is an outsider? An outsider is someone who does not belong to a particular group. An example of an outsider would be main character, Gregor, in “Metamorphosis,” by Franz Kafka. Gregor
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
This illustrates an inner problem of a suppressed evil side to society. Beowulf and other men that battled Grendel had trouble defeating him with weapons. They all had to tussle with Grendel and everyone except for Beowulf failed at this challenge. Symbolically meaning that that evil side to society will always be there no matter how much people try to fight it. Grendel also plays the role of envy. Imagine him being an outcast with no joy in his life hearing the mead-hall at night and all the laughter, he must have felt envious and longed to be a part of that world. Another symbolic role is revenge. Upon learning that Beowulf has hurt her only child Grendel’s mother becomes angered and seeks revenge. Her and Beowulf battle it out and the mother loses the battle. Relating this back to Cain, Grendel’s mother wants to kill Beowulf and get revenge and just like Cain, she faced her punishment, for her it was
...owards Grendel. Gardner’s retelling of Beowulf reinforces the universal idea that there are two, if not more, sides to every story. It is prudent to remember that what is monstrous to some may be perfectly normal to others and recognizing all viewpoints can help bring about a truth: good and evil are not always clear-cut.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).
To begin with, when I was younger I would have considered myself an outsider because when I first started school, I didn’t have the characteristics to fit in and felt like I would not blend into the people I was surrounded by. Also, I have met many people who have presented experiences from their past when they had felt like they didn’t fit in because they couldn’t keep up the standards to be popular. In social media, there are many guidelines that people feel the need to meet in order to feel like you belong and some who don’t match up can feel like outsiders, and that happens to many. Furthermore, in today’s society people feel the need to be popular or to fit in, and if they can’t meet the expectations they are considered an outsider and that happens universally. Others may suggest that just because someone doesn’t fit in a group doesn’t mean they are considered an outsider, they are just someone who doesn’t meet certain expectations. However, many others would disagree and would label someone an outsider when they don’t fit in or don’t meet expectations of society because that makes them think they don’t
Outsiders are individuals who do not fit the traditional roles they are meant to have in society. Outsiders do not fit within their society and become “a person not belonging to a particular group, set, party, etc.” (Dictionary.com). Outsiders are thought to be individuals who have different taste in fashion or music, but they can also be people who have lived a different life from his/her peers.
In his translation of the excerpt, Raffel uses dark diction to introduce Grendel and his perspective in this poem. He describes Grendel as “Out from the marsh, from the foot of misty hills and bogs, bearing God’s hatred”(Raffel 1-2), immediately informing the reader that Grendel is a negative character. Lucien Dean Pearson uses the same dark diction while introducing Grendel, saying “Grendel
In history, evil men have reigned supreme across many cultures. Some people say that being evil is inherent in every human. If this is true, then writing may be the ultimate way of releasing hatred of the world without hurting anyone. In Beowulf, all of society's evil men can be personified within the demons of Cain. The main demon presented in Beowulf is Grendel. Grendel personifies the exact opposite of what the Anglo-Saxons held dear. Beowulf, the story's hero, is the embodiment of what every Anglo-Saxon strove to become in their lifetime. Grendel is constantly angry, afraid and unsure of himself; while Beowulf is fearless and loyal to his king.
Grendel is the embodiment of all that is evil and dark. He is a descendant of Cain and like Cain is an outcast of society. He is doomed to roam in the shadows. He is always outside looking inside. He is an outside threat to the order of society and all that is good. His whole existence is grounded solely in the moral perversion to hate good simply because it is good.
Are there any similarities between life in modern America and the world of Beowulf? Is it possible for such a technology oriented world such as ours to have anything in common with a world which had not even heard of electricity? Has this technology really separated us from prior civilizations? Is our thinking today any different from the thinking of ancient cultures? Although it may not seem to be true, there are actually many similarities between our world and that of Beowulf’s. These similarities are readily seen in all forms of media and entertainment, as well as noted sources of culture such as music and movies. If the similarity between the two cultures is accepted, it will not be hard to comprehend Beowulf.