Wesley Lane
Ms. Troiani
English 4 Honors
02 October 2017
Beowulf
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
In his translation of the excerpt, Raffel uses dark diction to introduce Grendel and his perspective in this poem. He describes Grendel as “Out from the marsh, from the foot of misty hills and bogs, bearing God’s hatred”(Raffel 1-2), immediately informing the reader that Grendel is a negative character. Lucien Dean Pearson uses the same dark diction while introducing Grendel, saying “Grendel
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He describes Grendel eyes saying “his eyes gleamed in the darkness, burned with a gruesome light”(Raffel 17-19), allowing the reader to produce a more powerful and clear image in the mind of Grendel. When Pearson describes Grendel’s eye, he is not as vivid, by saying “unlovely flame-like light flashed from his eye”(Pearson 14-15), which does not create that pinpointing image which allow the reader to fully grasps a true understanding on the meaning of the excerpt. As we see that the proper word choice in this section of the translation, is key because it allows the reader to understand the text. In conclusion, reading both Raffel’s and Pearson’s translations of this epic poem, Raffel’s translation of Beowulf tends to be easier and a more enjoyable text to understand and comprehend. As Pearson does make the reader interested and target the main points by somewhat explaining with detail, Raffel writes with a more vivid style and provides more Literal elements to give the reader a better understanding of
...n very human feelings of resentment and jealousy. Grendel was an unstable and saddened figure because of his outcast status. Though Grendel had many animal attributes and a grotesque, monstrous appearance, he seemed to be guided by vaguely human emotions and impulses. He truthfully showed more of an interior life than one might expect. Exiled to the swamplands outside the boundaries of human society, Grendel’s depiction as an outcast is a symbol of the jealousy and hate that seeks to destroy others' happiness and can ultimately cripple a civilization. This take on the outcast archetype ultimately exposes the Anglo Saxon people’s weaknesses, their doubts and anxieties towards the traditional values that bounded nearly every aspect of their life.
John Gardner's revolutionary style is not encompassed by a single genre; instead, he mixes first-person narrative and several different literary styles to give the "Ruiner of Meadhalls" a unique voice. The use of first-person narrative is essential to convey Grendel's spiritual growth. Were it not for Grendel's often self-deprecatory tone, which varies from mocking - "big shaggy monster intense and earnest, bent like a priest at his prayers" (72) - to bitter and cynical - "I, Grendel, was the dark side. The terrible race that God cursed" (51) - Grendel would be impossible to relate to. Even Grendel's bouts of insanity - (whispering, whispering. Grendel has it occurred to you my dear that you are crazy?)" are easily understood.
“Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile habits.
Throughout John Gardner’s Grendel, the audience bears witness to a creature who has been ostracized by the world around him. Throughout his journey, the stories protagonist tries to live out his own life the way he wants to, despite being labeled as evil by those around him. Due to this constant criticism by his peers, he develops an inferiority complex that he desperately tries to make up for as the story progresses. Throughout his development, Grendel very rapidly moves past his existentialist beginning, through a brief phase of forced skepticism, and into a severely nihilistic point of view.
It bears mentioning that Grendel was strongly influenced by the idea of nihilism, which means that he believed that nothing has meaning and everything in life was an accident. “Nevertheless, it was
In the length of the poem, Beowulf goes from abandoned child to gallant warrior to King. This transformation, expressed in the tone and content of the poem, shows the importance of the relationship between lord and thane and expresses the ultimate value of that connection. From the difference in battle scenes to Beowulf’s speeches, it is clear that he has gone from a somewhat self-loving hero to a selfless king. Within this change he also goes from serving a lord to becoming a lord, and in that way the poem shows us the importance of both sides of the relationship.
Rudd cites various sections of the poem, describing Grendel as a “night-monster of the border lands” (Rudd 3), and the translation of the poem says that Grendel was, “...Conceived by a pair of those monsters born Of Cain, murderous creatures banished By God…” (Raffel 42). Rudd also gives evidence for Grendel being seen as demonic, and reasons that Grendel attacks the Danes out of “...not mere thirst for gore, as we might suspect… but rather… envy of the Danes’ happiness- and envy was a chief characteristic of the medieval devil.” (Ruud 5). He then ties this devilish persona to Grendel’s humanistic aspects, stating Grendel has a heathen soul, and therefore he must be human. Ruud also notes, however, that there are critics who question the validity of portraying Grendel as this three-sided figure, asking questions such as, “How can Grendel be a devil when he has a physical body? How can he be a man when he is so manifestly bestial?” (Ruud 7). Ruud believes that the original poet of Beowulf is doing this for effect rather than consistency, but a more reasonable explanation that encompasses all three characteristics is that Grendel represents the evil in
Grendel looks like. The only idea the reader has of the sight of Grendel is
In Grendel, by John Gardner, there is considerable disquietude, but there are also moments of pleasure as well. The cause of these contrasting feelings is most often Grendel himself. As he changes from a purposeful and almost kind creature to a very cruel monster that scorns hope, we find ourselves feeling both pleased and upset at different times. In this element, though, lies a much greater purpose than simply good literature - it helps the reader understand the importance of human values.
The author creates a realistic picture during the battle between Beowulf and Grendel. Throughout the scene, light and dark portray events according to their corresponding characters. Beowulf, the hero, symbolizes light and goodness while Grendel symbolizes darkness and wickedness. The poem describes him as demonic, “While a baleful light, flame more than light, flared from his eyes” (726-27). Beowulf continues to represent
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
The motif of darkness helps Gardner to emphasize Grendel’s old life. In Grendel’s old life, he is depicted as a monster who lives in a dark and gruesome underground cave with his mother and dozens of cold, unmoving creatures. Seeing the larger world after entering human society, he is constantly reminded of how he can never fully possess or participate in the hopeful and beautiful things, though he can clearly lift his mind to them. And that makes him bitter. The motif of darkness is identified to symbolize the evil resides within himself that haunts him since his
“the corners of the earth were made lovely...so Hrothgar’s men lived happily in his hall”. It displays a contrast between the warriors which associate with light and monster which associate with darkness. Moreover, it says, “That shadow of death hunted in darkness.” which is saying that Grendel only hunted at night, in darkness. When daylight comes there is nothing but warrior's blood which is also associated with light. There is another example of the contradistinction between light and darkness. Grendel kills all of the warriors in Hrothgar but “he never dared to touch king Hrothgar’s glorious throne, protected by God”. Because the throne is represented light which Grendel hatred and also scared. This is something he never touched and felt before because he was born in darkness and was represented evil. Hereafter, a battle is coming.
...zes humanity in this scene by portraying them as the evil beings instead of Grendel who is the helpless victim of their savage assault. The men attack Grendel solely because they could not understand him and because of his appearance. Grendel makes no attempt to harm the men but to communicate with them while they are the ones that savagely tried to kill him. John Gardner portrays the men as the real monsters who mercilessly tried to kill Grendel while he was defenseless. Grendel has another revelation due to this attack in where he states. “The world resists me and I resist the world… “That’s all there is.”(Gardner, 28) Grendel makes this assertion as a means to organized the ways he perceives the world. While he once saw the world as a confusing array of frightening images, now he can separate the world into categories: those who do not resemble him and himself.
Beowulf is one of the oldest works of literature left from the Anglo-Saxon period which makes the piece of literature all the more important not only as an epic, but as a piece of literary history from that era. With no author, Beowulf has been translated from old English into modern English by multiple people each time resulting in different translations. One of the more recent translations has been done by Burton Raffel and is widely used throughout the world. The translation of the epic poem Beowulf done by Burton Raffel demonstrates the function of uncertainty as a recurring theme that ties in with fate throughout the novel as well as