Are outsiders simply those who are misjudged, or misunderstood? When you are an outsider, are you understood by people for who you are? Does being an outsider affect how people view you? Outsiders are people who are misunderstood, rather than misjudged. When you are an outsider, it affects the way people view you. Because you don’t fit in, you slowly become an outcast. Many examples of this transformation are prevailed in the short story, “Metamorphosis,” by Franz Kafka. Outsiders are those who are misjudged and shifted into becoming outcasts. Starting off, what is an outsider? An outsider is someone who does not belong to a particular group. An example of an outsider would be main character, Gregor, in “Metamorphosis,” by Franz Kafka. Gregor …show more content…
“What sorts of excuses people had used on that first morning to get unable to ascertain. Since he was not comprehensible, nobody, not even his sister, thought that he might be able to understand others.” (Kafka, 154) He is the humanoid beetle that doesn't fit in with the rest of the Samsa family. This is where the misunderstood part begins to take place. Gregor is bewildered in the fact that he fell asleep human and woke up as a bug. His family tends to think that it is not even him, and misunderstands how he could have turned into a bug. Things are not the same, because nobody can comprehend what has happened and why. One reason Gregor is so misunderstood, revolves around a feeling of hate. Gregor is the one who did the work to pay for his family. The father was lazy, and the mother has bad asthma. Gregor payed all the bills. Once he can no longer work, his family may think that he did not want to pay the bills, therefore, they pushed him away as if he was never there. Also important, near the end of the story, we find out just how little Gregor is cared for. One of the most important parts of this …show more content…
It is notable that Grete is a very good violin player. We see that Grete seems to take care of Gregor in a way, but that leads to her starting to act like his owner, and that he is a piece of property. “She had grown accustomed, certainly not without justification, so far as a discussion of matters concerning Gregor was concerned.” (Kafka, 161) Though, near the end of the story, Grete begins to care less and less for her older brother, and eventually decides to let him go. ““He must go,” cried Gregor’s sister” (Kafka, 176) It's just another example of Gregor never fitting in. He is stereotypically, just a bug. A quote, more than less an example that really hits it
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
One morning, Gregor wakes up from his dream to realize he has completely mutated into a bug. Due to this physical change in his life, he phases out different experiences with each of his family members. In which he alienates himself and his family because of his new appearance. In fact, he has a lot of care towards his family. He actually works hard to support them, pay off their debt, and tries to keep them as comfortable as possible.
...increase her figure in the eyes of her parents. It was basically Grete who looked up to Gregor, but now it is flipped around. Lastly Grete states "It will be the death of you two, I can see it coming." Grete continues to insist that Gregor is no longer part of the family. In fact, according to her, Gregor is contributing to the disintegration of the family and must be killed to help save the family. Grete was the concerned one and now she refuses to call him her brother, and insists that he has to be disposed of just like any old household pest.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Before the transformation, Gregor was a human form of nonchalant reclusiveness. It’s almost as if it was crucial for him to go through the conversion so he could become more emotionally aware despite the irony of him not even being human but a bug. For someone who has been human for about 20 years with absolutely no experience of being an insect, then suddenly become more humane as a creature is odd and outlandish. Gregor’s care for his family increases and begins to worry about their loss of financial and emotional security. He fears that what “if all the peace, the comfort, the contentment were to come to a horrible end?” Gregor’s attitude towards his transformation is hopelessly mundane: he does not question why he has been transformed into a cockroach. Significantly, he fails to find the horror and the absurdity in the situation. Right before his death, Gregor feels all kinds of warm and fuzzy feelings about his family members. Despite his pathetic condition, he seems more humane than the rest of the characters. In a way, Gregor’s transformation and all of the events after that day illustrates both the rewards and sacrifices of defying social convention and living the extraordinary
Throughout the entirety of the writing he is met with different challenges and obstacles. Grete, his sister and his parents have a unique bond that is not always the strongest. Gregor has not been close with his parents for awhile, but Grete especially at the beginning was the only person who truly cared about his predicament. This conflict results in the desertion of Gregor and the downfall
In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
‘’This internal lack of self-esteem and the insecurities it produces are heightened by the change in his body. One of the major problems to reading The Metamorphosis is accepting Gregor’s transformation as literal and not merely symbolic; he has really turned into an insect. The strangeness of this fact, along with his and his family’s reactions to it, is what makes the narrative so fascinating and rich in interpretative possibilities’’(Silet). In the Metamorphosis it’s quite odd the way his family reacts to him during his transformation from a human to a creature. They act as if it was something common like, a flu or something. The fact that Gregor initially greets his metamorphosis with a chilling calm suggests that he previously saw himself as vermin like. In the same sense even when he knew he was a bug all he could think about was not being late for work. And even though Gregor was not the best salesmen he made going to work a priority because he wanted to provide for his family, Gregor never missed
From the very opening of The Metamorphosis, Gregor is portrayed as a pathetic main character. He works so hard for his family, paying for everything in a job that he hates and receives absolutely nothing in return, not even a thank you. He always puts everyone before himself, and wants the best for his family and wants their love and encouragement. Even after he’s transformed into a cockroach, Gregor still thinks of way that he can go to work and pay for the bills. When his family sees him as a cockroach and throws him in his room alone, in the dark he is unable to live with the pain that they don’t see him as family anymore. He realizes their true colors and d...
...haracter, Gregor, transforms into a cockroach in the beginning. Throughout the story, Gregor is portrayed as a “helpless bug” and is treated unfairly and poorly by his own family. His parents are more astonished than pitiful when they first see Gregor. Later on, his mother faints at the sight of him. His father throws apples at him because his mother fainted from the way he looks. Grete, in the beginning of the transformation, is nice and takes care of him. Later, she changes her mind about Gregor, quits taking care of him, and comes up with the idea to get rid of it. ‘If it was Gregor, he would have long ago seen that it’s impossible for human beings to live together with an animal like that,’ (139). Kafka, throughout the story, tries to get the reader to feel sympathy towards Gregor in many scenes, and it works because his family doesn’t show sympathy towards him.
Kafka uses impractical symbolism in order to stress that Gregor being authentic as a bug still is dissatisfying as his inauthentic state as a human. The reason his family continually is discontented with Gregor is, the reason he never meets the expectations that they he should pay off the family debt and stabilize the family with his hard work; the fact that his bug form enables him to support his family they no longer deem him a burden. No matter what Gregor does to get his family’s approval, it either leaves him depressed because he isn’t being authentic or his family is upset that he doesn’t support them. Either way Gregor sways, authentic or inauthentic, Gregor and his family are displeased.
He didn’t feel that he was wanted in or around work, his family, his friends, or anyone/place that he ever associated with. Gregor, in the first chapter, had been confronted by his boss to see if he was going to be in for work. He was fired after his boss learned that he won’t be and that his condition keeps him from working. His father had treated Gregor as an enemy. His sister was the only one that cared for him for the majority of the novela. He had been feared by most of his family. Even when his sister was playing the violin, Gregor had wanted to come out and see her. He did come out and was greeted with screaming and disgust. His own father went on a rampage and threw apples at Gregor. One stuck in the back of his shell for the rest of the book. Gregor had been shunned by his community, he had lost his position in his family as a human, a provider, a brother, and a son. Now, he is now an unwanted pet. His sense of belonging had been crushed, and he feels that others don’t desire his
There are many different meanings related to this story but I think the most significant is the careless critique of how we run our lives meaninglessly. Gregor’s transformation into a giant bug symbolizes how he felt as a human, alienated and separated from society. He has a job he doesn’t like, a boss he doesn’t care for, and family who he doesn’t bond with at all. In Gregors case, being a bug was an outward manifestation and transformation of a situation that had already existed. Throughout the story we are introduced to many different forms of symbolism. I think the transformation into an insect was a symbol of the relationship Gregor and his father had. Before his transformation Gregor had already felt small and trapped, just as he did after he was locked in his room.
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis. Gregor was apparently rather fond of his sister and had hoped to finance her education in a conservatory. He was also rather mesmerized with her violin playing. His inability to follow through with these planned acts of kindness may have led to a faster deterioration of Grete’s maintenance of Gregor’s room. Although she could never get used to Gregor’s new freakish appearance, she was his sole provider throughout his life after the metamorphosis:
When Grete comes to bring food to Gregor, Gregor notices how she can not bear the sight of him and is always scared by his appearance. This causes Gregor to carry “a sheet on his back on the sofa...and arrange it there in such a way as to hid[e] him completely” (Kafka 99). Even though this course of action is taken, there’s still the choice of Grete to uncover the sheet if she wished to. However, Grete never did, which further alienates Gregor in his house. With less thought on Gregor’s past human self, all they can remember is this unclean vermin who dwells in their house. Later on his family doesn’t even refer to him as a person, but rather a thing. According to Tonkin, it was especially prominent when “Grete...bursts out to their father that “we must get rid of it You just have to put from your mind any thought that it's Gregor”.”. Instead of saying Gregor or brother, she calls him a creature. This really dehumanizes Gregor as a character. Both Kafka and Tonkin suggest the gradual change in the family’s perspective towards Gregor and how they eventually don’t even see him as a human being anymore. It is rather inhumane to say “get rid of it”. By spending more time in isolation, Gregor is losing communication with his family, and, in turn, causes his family to view him as a creature and a pest to get rid of, rather than their child or brother. This signals