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Hamlet and ophelia on suicide
Analyze Hamlet's treatment of ophelia
Analyze Hamlet's treatment of ophelia
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Shakespeare’s Hamlet shows many causes of teen suicide, all the way from the loss of a parent or family member to depression caused by the rejection of another. All of these aspects seem to have directly impacted one of the leading ladies in the tale Hamlet’s love interest, Ophelia. Through her father’s murder and Hamlet’s rejection of her love, Ophelia spiraled into a whirlwind of confusion and misguidance, in return throwing her into a state of madness. Through episodes of mindless singing and explaining the meaning behind violets and pansies, Ophelia’s mind deteriorates faster and faster until there’s nothing left. Then, she essentially commits suicide. The feelings of loneliness and abandonment she felt along her journey to death are what …show more content…
She was very obedient towards her father and brother, assuming she doesn’t have a female figure/role model to guide her. She must’ve spent the majority of her life being told what to do and what not to do by her family, so she became accustomed to pleasing others and being told how to live her life. So, when she loses bother her father and Hamlet’s love, she is left ungrounded (Lester). Without having a dependent person telling her what to do, she is left alone, like a boat drifting without an anchor. Her feelings of loss and depression translate …show more content…
Teens are ridiculed and taunted quite commonly through early life all the way to adolescence, similarly to how Ophelia is bullied into certain situations, and is pressured to do what others wish for her to do. Her father accuses her of being a whore, and her brother tells her that she will never be anything more than a “plaything” to Hamlet. Hamlet tells her to join a nunnery out of the rage he feels towards his mother. She is even described as mermaid-like as she drowned in the river; “mermaid” was a slang term for a prostitute (Lester). Considering Ophelia is a very incomplete character (Briggs), she accepts all of the criticisms placed upon her and doesn’t express any rejection to their
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
With Hamlet having to emotionally deal with his fathers’ death and the stigma of incest in his family, could be his undoing. Hamlet shares how dispirited he genuinely is. Hamlet expounds his heart-ache, but it is virtually like he does not want to kill himself. Towards the cessation of the passage Hamlet seems homogeneous to he has verbalized himself out of committing suicide. Ophelia and the love he has for her seems to be the only thing that is keeping Hamlet from killing himself.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Ophelia is a perfect example of how the poison of revenge of the kingdom of Elsinore does not only affect the person committing these acts, and as the victim, but the innocent bystanders as well. Originally Ophelia had nothing to do with King Hamlet’s unjust death, but her relationship and involvement with Hamlet, her father, and Claudius and Gertrude is enough to make her a lunatic and at last her deplorable death. Shakespeare shows Ophelia’s heartbreaking downfall in her speeches after her father’s passing “There’s/ rue for you, and here’s some for me.../Oh, you must wear your rue with a difference.—There’s a daisy. I would/ give you some violets, but they withered all when/ my father died. They say he made a good end” (Hamlet: IV.v.51). It is clear that the corruption in the kingdom causes Ophelia to become insane. She cannot cope with or overcome her father’s unfortunate death because it was committed by her love, Hamlet. As Ophelia becomes insane due to her father’s death, she is also affected by Hamlet’s treatment of her. Ophelia wants to trust Hamlet and does not understand his antic disposition, but still tries to be loyal to him. However, the way Hamlet treats Ophelias contributes to her insanity and is arguably the most recognizable cause of her misfortune “Get thee to a nunnery,/...Or, if thou wilt needs marry,/ marry a fool,
Today, Ophelia would be referred to as your typical confused and stressed pregnant teenager. However, because of the circumstances in her life, her teen pregnancy ultimately drives her to suicide. In order to prove this is Ophelia’s primary reason for suicide, it must first be proven that Ophelia and Hamlet have the opportunity to have sexual intercourse and take advantage of this opportunity. It must further be proven that Hamlet knows about Ophelia’s pregnancy and abandons her. Only then can it be stated that Ophelia’s suicide was attributable to her conceiving Hamlet’s child.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Sweet and innocent, faithful and obedient, Ophelia is the truly tragic figure in William Shakespeare's Hamlet. "Her nature invites us to pity her misfortune caused not by any of her own self-initiated deeds or strategies"(Lidz 138). Laertes tells us convincingly how young and vulnerable Ophelia is, (act I. iii.10) likening her budding womanhood's destruction from Hamlet to a process as "the canker galls the infants of the spring,/ Too oft before their buttons be disclosed, /And in the morn and liquid dew of youth / Contagious blastments are most imminent". "He advises her to stay away and she lovingly banters back, typically like a young teen, reminding him to act as he advises" (Campbell 104). We then learn more of how pure and innocent she is as her father counsels her (Act I.iii.90). Telling her that she is a "green girl" and to think of herself as "a baby" in this matter, he insists that she must stop seeing him.
Ophelia loves Hamlet; her emotions drive her to perform her actions. Some would say that Ophelia’s emotions could have actually been what ended her young
In Hamlet suicide is an issue of controversy and question. Hamlet is a confused man from everything that he has experienced in such a short period of time. And even though Hamlet contemplates suicide he is not the one who suffers from it. Ophelia is actually is the victim of the actual act of suicide. His morality, religion, and philosophical views on suicide keep him from committing the dreaded act.
Hamlet's reason for suicide is the death of his father, the late King Hamlet - or at least this is what he tells the world. He claims his father's death as the reason in his first soliloquy (1.2.133-164), but we are led towards other reasons by the evidence he gives. In the famous "to be or not to be" soliloquy, he says: "For who would bear... the pangs of despised love... when he himself might his quietus make/with a bare bodkin?" (3.1.78-84). The word "despised" is glossed as "unrequited" - and thus we are led to speculation that Ophelia, not the late King, is the true cause of his suicidal urges. The claim that he is mourning his father seems to me to be at best an excuse - in the public eye as he is, Hamlet cannot sink so low as to be moved to kill himself by a woman.