What make the statue of Nike of Samothrace unique is that the sculpture has the appearance of weightlessness and flying. “The sculpture probably celebrates the naval victories-nike means “victory” of Eudamos, an Admiral in command of the fleet at Rhodes, over Antiochos the Great and the Seleucid forces in 190 BCE” (Davies 159). A better description of this is as followed “The Nike is designed to seem as if she is just landing in a fierce headwind, her great wings still aloft. The body twists slightly as if to maintain its balance, while the sheer chiton, heavy with sea spray, both clings and billows dramatically” (Nike of Samothrace).
The image of Nike is well known throughout Greece due to its history with victory in war and in athletics. The purpose of the sculpture most likely celebrates “the naval victories of Eudamos” (Davies 159). Another description of the statue is “Her presence invoked a spirit of celebration and commemorated the arête (physical and moral excellence) of gods and men” (Nike of Samothrace). Nike represents the expressive Hellenistic style in its draping of cloth, twisting pose, dramatic setting and use of
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Arches, barrels and groin vaults were based on Greek architecture. The arch’s purpose was to “frame” an entrance although it could be a free standing monument. The arches consisted of man parts including the spandrels, voussoirs, jambs, intrados and extrados as can be seen on the diagram. A barrel vault is “a tunnel-like, semi-cylindrical extension of an arch, which may be thought of as an unbroken series of arches pressed together, one behind the other (Parts of an Arch). Barrel vaults are used primarily in underground tombs. Groin vaults are formed when barrel vaults are combined at right angles and are a very efficient form of vaulting (Parts of an Arch). Groin vaults allow for lighting on all sides of the
The Nike Adjusting Her Sandal was added to the Temple of Athena Nike in 410 BCE after the completion of the the entire Acropolis. The intricate carvings and elaborate nature of this piece illustrate a tremendous amount of skill on behalf of the unknown artist. In this sense, even though Pericles had died by the time the relief was carved, the sculpture was still a continuation his desire to show Athens’ power, strength, and wealth through elaborate construction and ornamentation. However, the Nike Adjusting Her Sandal’s historical significance goes beyond a desire to show skill. The relief was carved during the Athenian’s battle against Sparta in the Peloponnesian War. Athens had already suffered several defeats which placed the fate of their empire in jeopardy. Thusly, the low relief carvings on the parapet of The Temple of Athena Nike was a sort of political propaganda. The parapet’s various depictions of Nike symbolized victory, and thusly, served as a method of reminding the Athenians of their past victories along with the fact that the goddess of victory was on their side—lifting their spirits and encouraging them to fight on. The second aspect of the Nike Adjusting Her Sandal that makes the piece so significant in the world of art history, is the fact that it hints at the presence of a new artistic era. The Acropolis’ reconstruction was in the height of the Classical Period in Greece. During this time, the Greek believed that mathematics manifested itself in beauty. Thusly, all the art produced was obsessed with idealizing bodies through the canon of proportion. A perfect example of this is Polykleitos’ Doryphoros, which set the standard for Greek art in the era due to its perfection of the human form and serene appearance through a relaxed
In Ancient Greek and Roman times, Romans often made replicas of Greek statues. The Greek were extremely good at art and the Romans wanted to possess the art themselves and thus, created copies of the most famous and beautiful Greek sculptures. However, it seems to be for the better since most Greek statues were created in bronze and were later repurposed for war. The Roman duplicates of these statues remained, due to their stone medium. What there is to ponder, however, is if there are any differences between a Greek and a Roman statue. “The Seated Boxer” is a famous work of Greek sculpture that remained preserved so that we might be able to view it
The author, Andrew Stewart, begins with the male figure of Doryphoros. He focuses on the intent of the statue, establishing the knowledge that it was to set a new standard of the perfect male body to guide the future. The proportions of the body of Doryphoros were made according to a specific formula, with meticulous attention to detail. Each muscle and limb was specifically placed next to relaxed ones, creating visual hierarchy of the forms to be more appealing to the eye and mind. The figure is a copy and not originally named, but is most likely said to be of a warrior or athlete, possibly Achilles or Penthesilenia. This statue was to show a culture of people who were expected to take up arms and set a new standard for masculinity. Naked “spearbearers” were uncommon and most often reserved for athletes. The gaze of the sculpture is off in the distance, looking at the competitor, with a solid stance between macho arrogance and meek youth. The unhurried movement, self-contained pose foursquar...
Viewing the Lansdowne Hermes with a naked eye and what you will see is a larger than life-size statue depicting a man with an ideal body leaning with the majority of his weight on his right foot. His right arm is resting on his right buttock in an almost effortless pose. The left side of his body tells a different story. His left foot has barely any weight on it, and his left arm is supporting a pretty large portion of cloth wrapped so it perfectly wraps around the shoulder and rests just above the wrist. It appears that he was at one time holding some sort of sword or stick. To the naked eye that is what this sculpture seems to be, accepting a sculpture as a piece of art. Glancing at the Lansdowne Hermes you can appreciate beauty of art for beauty of art. However the sculptor had much more in mind when he created this figure from a large unscathed piece of marble.
And just like the Greek the statue are both big and almost human size. A great example of this is the “Augustus of Primaporta, 1st century C.E. (Vatican Museums).” It truly shows the evolution of art sculpting. It is a full size very detailed sculpture of Augustus. It very detailed from his hair showing every curl and split to the small details in his armor that also depicts a story as well is shows the god of the sky looking down on him and the goddess of the earth looking up towards him as they watch the Parthians surrender to him and returning the standards shows the great power that Augustus has, and not just that but also the sculpture itself is a symbol for how Augustus wanted everyone to see him as, as god like. And it even has a little small cupid on the side which is also detailed which shows that Augusts is decedent from a
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
In this essay, I will specifically be discussing the use of movement and characterisation in the two pediments of the Temple of Zeus, and how they enhance the narrative of the two stories depicted. I will also explore how the sculpture on these pediments represent the ‘flourishing’ period of Classical Greece - a period when the Greeks were celebratory of their defeat of the Persians, and when new ideas were starting to emerge from sculptors adapting concepts from Greek drama and philosophical ideas.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
In the world today, there are many spectacular sculptures and artworks. The statue of Zeus at Olympia was possibly the most famous statue in the ancient world. It is known to be one of the seven wonders of the ancient world. The Greek sculptor Phidias made it about 435 BC, and dedicated to Zeus the king of gods. The statue of Zeus was the greatest statue to be built in Greece. The artists of this statue captured the royalty of the king by seating Zeus on a throne to inspire tremendous awe in all that witnessed this statue.
Lastly, the next statue to line the marathon course would be the statue of Zeus (or Poseidon). This statue provides the look of power because it is an open statue, ready to throw a lightning bolt, or a trident. Again, the facial expression is blank, and the weight shift is extreme to show that the body is in motion.
The first step in Nike obtaining ethos, is due to Nike being the largest athletic company in the world, which establishes their credibility through their well-established selling and persuading techniques used to convince others to buy their products. Although they have more competitors than ever in today’s society, they have over twice the brand value of the next leading competitor in athletic-wear sales (Parker). In addition to Nike already being the largest company in the world, Nike continues to grow each and every day. Nike continues to grow by sponsoring some of the most famous soccer players in the world, many of which appear in the commercial. In the commercial, Cristiano Ronaldo, arguably the greatest soccer player to ever live helps Nike to grow as a company, by wearing Nike in the hopes his fans will support Nike along with him. Showing that they are able to sponsor a player of that magnitude shows that Nike’s credibility as a company. Vital to possessing ethos, Nike uses their success as the largest athletic company to persuade the
Nike of Samothrace is a beautiful winged sculpture also referred to as the Winged Victory of Samothrace is estimated to have been created between 200-190 BC. The BC marble sculpture of the Greek goddess Nike who was also known as Victoria (Victory) was not discovered until 1863. The sculpture was created to honor the Greek goddess and the sea battles of that time. On the other hand, the fearsome looking sculpture called the Coatlicue was created 1300-1500 in Tenochtitlan, Mexico. The Coatlicue was once buried because of the way it looks and Christians thought that images of the Aztec Gods were of the devil. The Christian were also afraid that if the Indian people were to see the stone images then they would start to worship them and abandon
It’s because when I sport the Nike swoosh, I feel as if I representing the Nike brand and the beautiful, driven, fit women I see in their advertisements. Feeling this way gives me the inspiration and confidence to play my best. I feel as if I identify with the women in the advertisements by wearing Nike. “The relationship between persons and the product remains one of the most crucial signifiers within advertisements. Persons in advertisements supply the consumer with a certain identification frame—whether the person is presented as a user or is presented within a lifestyle setting, the viewer is invited to identify him/herself with the presented person.” 202 Brand Culture. The Nike brand does a great job at doing this to their consumers to create brand loyalty. Nike brand users, just like myself, see the athletes using the brands and feel a certain connection to them. Brand loyalty should not only be a goal for brands because of the benefit of having their logo advertised on consumers who fit within their target market, but also for PRICE SOMETHING ECONOMY
The sculpture Kroisos demonstrates many good examples of how the ancient Greeks used Idealism in their works. Kroisos is a statue of a young warrior, by the same name, who died heroically in battle. The sculpture depicts the warrior standing up straight, shoulders broad with pride, with arms at his side suggesting military might, and his left foot forward with an authoritative gait. Much attention was given to the sheer size and definition of his muscles, specifically his thigh and calf muscles, further leading the viewer to the conclusion that Kroisos was a mighty
This project concentrates on the Nike Sports shoe; Nike is one of most significant shoe manufacturing company worldwide. Sportswear manufactured by Nike is known for quality and is most liked brand of athletes. (Daniel, 2011)