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Recommended: Film analysis
Throughout the entire film, Brandon stays on the right of the frame, meaning he has power over the others, but when Rupert comes back after the party, the set up changes. An extreme close up of Brandon loading a gun is shown when Rupert’s comes back, and a door way is in the back ground, showing the stability that is still present before Rupert comes in. The camera switches to a one person medium reaction shot, and then back to a three person medium shot. When they walk back into the living room, the heads form a non-physical triangle foreshadowing the conflict that will occur. Additionally, for the first time Brandon is on the left and slightly lower in frame. Then, a switch to an extreme close up to Rupert hiding the cigarette case is made. Afterwards, the camera pans to an a …show more content…
At this time there is a two person medium shot, and Rupert is still right but lower in frame. When the conversation gets intense, there is an extreme close up of Brandon with his hand and gun in his pocket, and Rupert is once again at a close up. The camera moves back to a two person medium shot. Then, the camera pans and follows to an invisible man, explaining how Brandon had killed David. Once again, there is an extreme close up of Brandon’s pocket and then a one person low angle medium shot. As the conversation continues, a three person medium shot is shown but with a diagonal line between them showing the separation there is between the tow and the books in the background form diagonal lines, intensifying the scene. Phillip is cropped out again and Brandon remains on the left of the frame. A one person medium shot is shown as Brandon talks to him and then a zoom in is made showing an extreme close up of the rope and murder weapon. Immediately, there is a close up Phillip in horror, and then a three person long shot with the form of a triangle is made. However, Brandon is now right of Rupert and Phillip meaning that Brandon is not afraid of
He burned the two photographs.... ... middle of paper ... ... The reasoning for this is made apparent when Kathleen cannot understand her father’s experiences and can only be mystified by the smells and exotic foreignism of the land.
the scene. Moving to the different shot types used in this ending scene, the recovery
Dreyer frequently shows actions by shadows cast by the characters we already know. This fits with the film's style of indirection with plot by inference rather than by direct narrative. The film is filled with memorable images: a skull turning to watch; a shadow walking over to join its subject sitting in repose; point-of-view filming from inside a glass-topped coffin as the lid is nailed down and then carried out to the churchyard for burial.
Anthropology is the study of the development of humankind within their different cultures. When one looks inside a culture, they can see the true aspects and meanings behind a societies behavior and traits. By following the principle that is cultural relativism, one can also determine that no culture truly surpasses another culture, and that each society has key differences that are important to its culture and location. This is a method that can also be seen in many intriguing films from this semester, one in particular being The Emerald Forest. Throughout this essay, this film will be analyzed around one character who greatly represents what it means to truly immerse oneself into a different culture to gain a new perspective, and many key terms in anthropology will be explored through 4 different films from the semester.
In the sequence, Wells uses low angles to showcase his characters and their status in the film, especially the shots with Mr.Carter and Kane. These shots are filmed at a low angle to depict how powerful Kane really is, with these shots they portray him towering over Carter, making it appear that he is capable of taking out whoever stands in his way. The low angles in this film are meant to isolate Kane and those who are around him to express that he is the king. Low angles shot are also seen when Leland confronts Kane about his egocentric personality after losing the election. This shot creates dramatic tension, but it still does not fail to make the shot about Kane because of the streamers and posters that surround them, which are a reminder of Kane and his loss. Though conflict arises from this scene, it is easy to see that even if Kane is being criticized, he still holds dominance.
The Ainu people, primarily inhabiting the country of Japan, are a key component to anthropology for the sole reason that they are just one of many indigenous peoples who anthropologists’ study and analyze in order to learn more about the diversity and variation around the world. Only being recently recognized, anthropologists study the Ainu, specifically located in both the islands of Hokkaido and Sakhalin by traveling to various regions of Japan where they are primarily living and first-handedly experiencing the main aspects being, their culture, economic activities, sociopolitical organizations, outside influences, and settlement patterns (Ohnuki-Tierney 297). Many anthropologists have studied this group of individuals, specifically the physical, or biological, anthropologists, as they sought to uncover the cultural background of the Ainu and how their culture had since evolved over the thousands of years they lived and were undisclosed. In the early 20th century, the Ainu people grabbed the attention of many anthropologists when it was publicized that they shared physical and skeletal features with Caucasian individuals (Miner, 2009). This enormous detail found enthralled anthropologists, revealing that they had much similarity to those of another “race” than those in their own country. Another reason anthropologists chose to study the Ainu is because the Ainu people inhabited regions of Japan but had differences in their culture, language, customs, and physical appearance than the Japanese. As a result, anthropologists’ wanted to find out just why those differences came about and how they remained so strongly bounded by their own distinct culture while living within a country so rich in Japanese customs.
Laurie and Tommy share mutual feeling toward the “Bogeyman.” The night starts off well, but then Lynda continuously called Annie to let her know she along with her boyfriend Bob were going to stop by Lindsay’s house. After calling multiple times Lynda and Bob arrive to an empty house. Lynda didn’t seem to worry too much as her and Bob sat down for a minute, then proceeded to the bedroom and remained there for a good portion of the night. After a while Bob returns downstairs to grab a few beers. Bob has the beer in hand then out of nowhere Michael a.k.a the “Boogeyman” jumps out and stabs Bob to death. Lynda didn’t notice right away and really never did as after killing Bob the “Boogeyman” heads up to the bedroom and kills Lynda. Laurie doesn’t hear from Annie and Lynda for a while so after staying inside most of the night she decides to walk across the street to check in. As soon as Annie descends on the house she notices multiple dead bodies on the ground. In a panic Laurie looks around the house for a minute and to her surprise Michael appears. Laure has a little bit of luck and dodges a death attempt from Michael while in Lindsey’s house. Laurie then dashes
During the beginning of the film “Sherlock Jr”, there are multiple cut shots when he is trying to buy a portrait from the store lady.This scene shows continuity due to the fact that this is an eyeline match shot between Sherlock and the portrait. This scene establishes the setting Sherlock and the other characters occupy. The portrait also indicates that there is a graphic match towards the store lady and the portrait in the next upcoming shots. This also contributes to continuity because they both share the same pose, facial expression indicating the resemblance and establish that there is not a change between time and space.This scene also presents rhythmic relation that connects the shots together. This is to link the shots together in a format that relates to Sherlock’s hopes and coordinates with the music tempo. The shots decrease in time in order to represent the anticipation of the outcome, still contributing to the continuity.
The people being held captive are shown for a quick second jumping in fear. The suspenseful music begins to become more noticeable as the tension grows. Omar is seen in a medium shot holding his gun towards the door. It then goes back to the same shot of a FBI agent. In this shot the agent is telling Omar to put his gun down. A close up of the phone is shown letting the viewer know that the call had not been ended. Kate is shown saying “Omar” into the phone. In the same shot you can hear the FBI agent in the background letting the viewer know that Kate can hear the conversation going on between him and Omar. It cuts to a shot of FBI agent stating that he has people on the way and they would not hesitate to kill him, and then quickly cuts back to a close up of Kate gasping as she hears him say this. The same medium shot of Omar is then shown with his gun still pointed at the FBI agent. Here Omar states that the hostages should be let go. A shot of the hostages is then shown as Omar says “it’s an accident.” Again the FBI agent is shown in a medium shot saying that he believes Omar. Omar is then shown moving closer to the FBI agent. The FBI agent is then shown again in a medium shot, putting his hands up saying he believes Omar. He says he is going to put down his gun. It quickly cuts to Omar in the same medium shot, and then back to the agent putting away his gun. Omar is then seen in a medium-long shot moving
The Telegraph. (2015). Barack Obama touches bones of humankind's ancient ancestor 'Lucy'. Retrieved from www.telegraph.co.uk/news/worldnews/barackobama/11766721/Barack-Obama-touches-bones-of-humankinds-ancient-ancestor-Lucy.html
This semester abroad in Santa Fe offers various opportunities to examine the southwest through different lenses: as a woman, as a tourist, as an amateur anthropologist, as a modern Pueblo person, and as an ancestral Native American. The four courses—Native American Literature, Health and Wellness of Native Women, Anthropology and Ethnology of Southwestern Indians, and Contemporary Issues in Native American Studies—complemented by numerous field trips highlight specific issues that Native Americans face: poverty, loss of land and the tension between traditional values and the “American Dream.” The combination of the classes and trips provide the knowledge of a place and then the experience. The pamphlet for the abroad program states, “[The]
In this movie, much emphasis is placed on simplicity, spontaneity and directness, so we can focus on the true story without being distracted from the normal every day routines these characters have. A degree of realism is achieved in this movie, because the fact remains that Ben is an alcoholic, although he does drink in extremes where the normal human being would be unconscious, and Sera is a prostitute, so the intense situations and decisions in this movie are reasonably depicted. One of the first scenes is an extreme long shot of the city of Las Vegas, because this sinful city was very carefully chosen as the setting of the story to preserve realism. Full shots are often used to show the protagonists on their daily routine, such as when Ben goes shopping at the supermarket for liquor. Figgis mainly used multiple shots to emphasize the two protagonist’s interactions with each other. The two shot and the over-the-shoulder shot were used often to build a sit...
also films that could have been seen for a small price, but if one has the time
In Bruges employs a medium close-up while the two main characters are being introduced. As they float down a canal in Bruges, the camera executes a shot and a reverse shot between Ken and Ray. This scene is one of the very first interactions the audience sees, and it occurs within the first five minutes of the movie. The exposition period is critical because it