Firstly, Celie’s growth in the novel cannot be done without the abusive men in her life. They behave deplorably; acting in an aggressive, often brutal way. They show little understanding of women, treating them as slaves, menial workers or sex objects. They seem also to have no solidarity, unlike the females, who band together to support and console one another. The men in this novel seem to be incapable of bonding with one another and show little evidence of communicating on anything other than a very basic, crude level. Perhaps the least attractive of the men is Celie’s stepfather, Alfonso. He violates Celie at the age of fourteen, makes her pregnant twice and then sets out to do the same to Nettie, prevented only by Celie's determination …show more content…
He only values women for sex and their ability to take care of his home. Alfonso remains an abuser until his death. From these early diary entries, we see that Celie is wary of men in general, even scared of them, not just of her father. She is so distressed by the idea of men that she cannot see them in a potentially martial way. When Celie first marries Albert, she reacts in a similarly passive manner with the abuse she received. Albert initially treats Celie as no more than an object. He beats her like an animal and shows no human connection, even during sex. She is not even open enough with him to use his given name and he makes little effort to get to know her at all until their mutual attraction to Shug Avery which forces them to acknowledge their tolerance for one another. In the early days of the marriage, Albert is callous and exploitative; carrying on his affair with Shug Avery under the same roof and making no attempt to treat Celie as anything other than a household chattel. Sexist for the majority of the book, Albert saw women as stupid, in need of beatings and constant direction from men, and useful only as sexual objects and …show more content…
He felt inferior to Sofia because of her strong personality. Harpo grew up watching his father beat Celie and learned that women had no value other than obeying their husband's commands. The hyper- masculinity portrayed in the book shows how emotionally weak the men in the novel are. The abuse in her life effected Celie’s judgement of men. Considering the time period and Celie’s position in the social hierarchy, Celie feels as through the abuse she receives is normal and fair. However, once she finds out that all the letters her sister has been writing her has been hidden from her by Albert, this is the first instant she feels angry, and for the first time, not with herself. This has been a major scene for Celie’s character development. She feels hate towards Albert for taking away something so private and personal from her. This begins her first experience with raw anger, which culminates in her angry denunciation of Albert in front of the others at dinner. Yet, Celie begins not to blame so much on Albert, she just started to realize that he wasn't always such a bad person and wasn't brought help to be this way. It wasn't completely his choice to act the way he
Celie is a victim of mistreatment and isolation in a world that considers women inferior to men. To instill fear and obedience in women, men conduct themselves in a hostile manner towards women. They manage women similar to slaves and sexually dominate them. When Celie is barely fourteen her stepfather, causing her to become pregnant twice, violates her multiple times. In a letter to God, Celie writes “I cry. He start to choke me, saying You better shut up and git used to it” (Walker 11). Intended merely to satisfy Pa, Celie...
Similarly, Emily doesn’t fully understand the love that she shares with her father, and it leads her to dangerous encounters. In the Cabral and de Leon families, violent love is the only love they know. Abelard, who was an extremely intelligent man, wasn’t smart enough to avoid the tragedy of love and violence. Beginning with Abelard and ending with Oscar, the only love the family could relate to was one that included violence. In Abelard’s case, he was protecting his daughters out of the love he had for them.
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
Cleofilas grew up in a male dominant household of six brother and father, and without a mother, she no woman figure to guide her, give advice on life, or how to love a man. Cleofilas turned to telenovelas for a woman’s guidance on love and appearance, and she began to imagine her ideal life through the television series. Once Cleofilas was married she moved away into a home with her husband, were she pictured everything to be like the couples on the telenovelas, but she soon starts to realize life isn 't exactly like how they view it in the telenovelas. In the story Sandra make the statement ‘From what see can tell, from the times during her first year when still a newlywed she is invited and accompanies her husband, sits mute besides their conversations, waits and sips a beer until it grows warm, twists a paper napkin into a knot, then another into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments, leans against her husband’s sleeve, tugs at his elbow, and finally becomes good at predicting where the talk will lead, from this Cleofilas
With Shug being a famous singer, Celie had admired her from before they had even met. When she entered Celie’s life, she then became the most inspirational person to Celie. Throughout the novel, Shug taught Celie how to become a person who explores her spirituality and help recover her family history. This all leads to Celie getting a sense of self identity. An important part in the book is when Shug tells Celie that she has never been sexually pleased. “Here, take this mirror and go look at yourself down there…” (Walker, 77). This for Celie is similar to an infant looking at themselves in the mirror for the first time. In Celie’s case, she is able to claim her body as hers for the first time in her life, (Lister, 67). In some ways, Shug was also a mother figure to Celie. She gave Celie love and affection in ways that she had never gotten before. “Us sleep like sisters, me and Shug.” (Walker, 146) The affe...
The opening line of the story starts with “You better not never tell nobody but God” which Celie’s stepfather tells her after he rapes and abuses her at the age of 14.She was a downtrodden,objectified young girl who was robbed of her freedom. Notwithstanding throughout the novel we witness her character growing and changing as a result of finding uplift and comfort from making pants. This activity with the help of Shug and her sister Sophia influences here life drastically. For Celie pants symbolises independence.
...ny psychological reasons, but it also makes her believe that all she has to offer in a relationship is her body. Due to her internalized racism, she believes she would never be as good as Megan, Drew’s wife. Clemencia understands her skin color to be the reason why Drew did not leave his wife. It is a deluded thought because a man of authority showed inappropriate interest to a young developing girl. Her parents’ relationship and her affair drastically altered the view of herself and the world around her. She had become so obsessed with Drew that she formed a relationship with his son. Cisneros’ story, although sad for the reader, is an example of how women are represented within society. She does not follow this atypical story of how a woman should act, yet is not any less of a woman. This is a woman’s experience that is so often forgotten, but is still a valid life.
The antagonistic nature of man verses woman is illustrated through Allende’s description and reactions of Clara and Esteban. Men and women are at the opposite ends of the spectrum of human nature, women know that men like to think they are in charge, because it gives them power, so women give into this little whim for the peace of mind and happiness that are essential in any relationship. Their instincts make their influence much more threatening and rebellious than the rage of one man who does not get his way. The women of Allende’s world are vibrant, spiritual, sensible and loving, the men are volatile, strong, and passionate, while they may be stereotypical, they help portray the true nature of man verses woman. Women may be physically weaker than men but they can match wits and daring with them any time.
Throughout history, time has created and shaped the ideal type of men, while society chooses what it means to be a real man..The ideal real men needed to be strong, provider of his family, decision maker, economically, educationally, physically, and politically dominant (Myers). The difference between the masculinity of the 20th century and the 21st has changed significantly. The ideal men status in 1900’s was rich, educated, powerful, and successful. In today’s perspectives, men needs to be strong, tall, handsome, capable, and unemotional. The contrast of these two centuries are mostly about men’s social status and appearances. Before, it was all about what a man is capable of doing and how powerful he could be compared to today’s ideal,
The relationship between Celie and Albert went through many changes throughout this novel. Albert, or Mr._________, was a man who seem to be a person who was very angry, powerful and hateful. His father was a man who believed that love was not the point while trying to find a good wife, obedience was. The woman didn't have to be attractive, rich or one who was in love, all she had to do was cook, clean and tend to the children. Albert was taught that this was the way to an successful life. Albert feel in love with Shug, they did not marry. Mr.____ was controlled by his father even as an adult. His father wouldn't allow his son to marry Shug. His father didn't want him to actually love, because he never loved himself. Albert married a woman his father approved of, and he treated her how his father taught him to. Margret cooked, cleaned and tended to the children. After his father took shug away from him, he hated his father, but was so controlled by him that he could never stand up to his father. She later died and left behind a house to be cleaned, cooking to be done and children who needed to be tended to. He fell in love again with Nettie, but she was not allowed to marry him. Albert was forced to find a quick replacement for Margret. So instead he married Celie. He beat her not only because of the angry towards his father, but also because she was neither Shug nor Nettie. In the marriage of Celie and Albert there was no love or devotion. They were just stuck with the other. Celie married Albert because her step father told her too and Albert married because he wanted a full time maid. They just went one day to the next with Albert giving the orders and Celie carrying out these orders. It was like boss and employ, except Celie was anything but rewarded for carrying out the orders.
There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and family, she is able to overcome her obstacles and grow into a stronger, more self-assured individual. While there are numerous themes transpiring throughout the course of the novel, the symbolism is one of the strongest prospects for instigating the plot. In The Color Purple by Alice Walker, numerous symbols influence and drive the plot of the novel.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
Celie also endures other forms of both physical and mental abuse. “He beat me for dressing trampy but he do it to me anyway” (Walker 8). Abuse was very common in those times. It was used for control and ultimately complete domination. Celie could not run from her stepfather because she had nowhere else to go. Alphonso later forces Celie to marry the Reverend Mr.______. This is not that bad for Celie because she no longer...
For the majority of the novel, Celie was never told she was or could be beautiful by men, she was told how much of nothing she was to them. Beauty was something Celie learned was for women who enjoyed having sex, something for women who had confidence, which was something she could never feel for herself. She was constantly mis treated and told what to do by men like her father and Albert. The book opens with her being raped by her father. He tells her to tell nobody but God, and she begins to be scared of saying “no” to men, she feels she needs to take the abuse, Celie would “be wood” because wood does not feel pain. Her father dominates and makes Celie feel like she was bad, like she did something to deserve this. She felt she was worth little because she should allow her father to do thing like this to her. She felt controlled, dominated and therefore subordinate to men. Her self worth had gone from little down to nothing, and she was told by her father how ugly she was.
If we analyse the story instead of the narrative perspective can we see that the main reason of Celie's insecurity is caused by the way she is treated by men. She is sexually abus...