Martha Graham Research Paper

Martha Graham, a standout amongst the most praised trend-setters of modern dance, is less known for her unique commitment to modern interpretation of Greek Myth and Greek Tragedy. Martha was born in Allegheny, Pennsylvania, on May 11, 1894. Her father was a doctor that specialized in nervous disorders, he utilized physical development to improve or even cure this disorder, which influenced Graham as a child and brought an interest of dance at a very young age. Graham’s family decided to move to California where she pursued her studies. From the beginning her parents didn’t feel comfortable with Martha making dance her career, but after seeing Ruth Denis’s dance performance, they realized the passion she had for dance. She had tried convincing

It was interesting to find out that she was the first modern dancer in the United States to break standards (Graham, 2015). During the time when ladies were battling for the privilege to vote in the United States, Martha Graham focused on her studies as she was getting into her 20s. In spite of the fact that she was shorter and less seasoned than different artists, she utilized her body in an athletic and cutting edge way that was against each guideline female artists had been taught. Whatever was left of her life was spent as a supporter for expressions of the human experience. As her focused on individuality and an expressive style, notwithstanding, she grew to be one of the main figures in contemporary dance. After she opened her own dance company, she started to teach young dancers at her company, adding to a system in the American advanced modern dance. Her dance incorporated the withdrawal and arrival of diverse parts of the body; close connection of breathing to feeling and development; grim, precise body line; and close contact with her ground. It is important to understand that from the late 1920s through around 1935, she reclassified her picture as that of a radical pioneer. Amid this time of starkness, when her perspectives compared to an astonishing degree to those of dynamic planners, she introduced herself and her female organization in serious, stripped-down moves that disconnected social and passionate states and formed them as far as an activity and pressure. Graham's first dance was performed on an exposed stage with different outfits and lights. The artists' countenances were tight, their hands solid, and their ensembles short. Later she included more view and diverse ensembles for impact. The music was cutting edge and normally created only for the move. Isadora Duncan the first cutting edge artist, had utilized music to rouse her works, however Graham utilized music to make