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    Final Paper Modern dance flourished in the twentieth century embodying a tradition of theatrical dance unique to classic ballet. Unlike in classic ballet, modern dance did not represent expression, but rather an obsession with modern art itself. By analyzing the contrasting cultural elements of dance from both ballet and modern dance it will reveal the hybridity of dance culture. Early modern day American dancers Isadora Duncan and Ruth St. Denis symbolized the breakaway from the classical ballet

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    Modern dance and ballet are often considered to be opposites of each other. In fact, modern dance was originally created as a rebellion of ballet. Although the two forms of dance have many differences, they also share similarities that are often overlooked. Classical ballet, which originated in Renaissance Italy, is one of the strictest forms of dance. Its technique, which involves specific movements that are performed in set ways, is highly developed, very particular and demanding. Classical ballet

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    centuries, modern dance emerged as a genre of dance in the States and Germany that many have believed it to be a rebellion of ballet. Originating from Europe, the U.S. was where the dance experimentation took place. Ballet was the center of dance in America and Europe, and is famously known for its strict requirements in posture, precise movements, and nearly extreme formalized gestures. Modern dance on the other hand advocates for more free movements, and freedom of expression through dance. There is

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    diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider variety of content that had otherwise

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    theatre, movies and television goes by the name of Jerome Robbins. Robbins brought light to contemporary ballet and modern dance, he redefined theatre dance and incorporated different components of creativity and dramatic theatrical elements. (DanceHeritage.org) Making a great impact in the American Ballet Theatre and was affiliated with this company for 8 years. (Learning About Dance) After getting invited to join the company of City Ballet by its artistic director, George Balanchine known as being

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    Modern dance is a form of a dance that employs a special technique for the developing the use of the entire body in movements expression of abstract ideas. Modern dance is a dance that has. a particular style and form. It was primarily originated in Germany and in the United States in the late 19th and early 20th centuries. Modern dance does not have strict rules as classical ballet but instead it is focus on expressing the inner feelings. Modern dance came to America in the 20th century. A number

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    though dance first originated back in the 20th century when dancer Isadora Duncan broke away from the strict rules of ballet to create her own more natural form of dance. Through time and experimentation, many genres of dance has surfaced - whether from oppression or for theatrical purposes, each one has captured the eyes of it 's audience. From flashy, sequined clothes to light and flowy dresses; each form of dance has it 's own representation. As well as representation, each genre of dance has powerful

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    mother of modern dance’. She was born 1894, in Pittsburgh USA. Graham has influenced modern dance through her technique, performance, and choreography. As a prime revolutionary in the arts of this century and She was a prime revolutionary in the arts of this century and the American dancer and choreographer whose name became synonymous with modern dance (NYtimes, 1991). Throughout her career of more than 50 years, she created remarkable 180 works from solo to group people. She has given modern dance

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    her ballet movements. Instead of pursuing traditional ballet, she choreographed ballets that incorporated African-American movements. Because of this, she has always been referred to as one of the “modern dance pioneers” (Cass 303). Even through struggles, she continued to strive to focus more on the dance traditions of other cultures and slowly help work towards the end of oppression towards particular races. Firstly, she began her career in her hometown of Chicago, Illinois. Her talent did not take

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    two contemporary modern dance pioneers, Alvin Ailey and Katherine Dunham. I will pay particular attention to the era 1935-1980 and focus on socio elements of this time period, using relevant literature to support my findings. The twentieth century dramatically changed the way people viewed and perceived dance and gave us contemporary modern dance as we know it. Modern dance allowed movement that was representative of expressive emotion and lifted the restriction identified in dance styles such as:

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