Authentic Lessons within Fictional Stories: Macbeth’s Nature Versus Nurture
Many of the greatest literary works include unlikely or impractical characters and situations that serve as a mirroring image, although slightly distorted, of the audience who reads them. The celebrated playwright Shakespeare often did so in his literary works. In his notoriously tragic play Macbeth, Shakespeare writes about some rather unlikely events and characters that, essentially, are rooted in authentic emotions and conflicts that are characteristic of the average human. In Macbeth, these unrealistic situations include witchery, drunken tirades, and murderous rampages. The main character, Macbeth, although seemingly reasonable at the start of the play, proves
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At the start of the play, Macbeth has just returned from war and, unbeknownst to him, has been deemed thane of Cawdor for his valiant efforts. This newly appointed power is revealed to readers through a minor character’s attest to Macbeth’s greatness which is significant because it shows how Macbeth’s constituents revere him in the beginning of the story, a major contrast to how they regard him in the end. This sets the context for the introduction of the three weird sisters in Act 1, Scene 3. They are an allusion which Shakespeare utilizes in order to first bring in the idea of fate, as the weird sisters’ characters allude to the fate sisters in Greek Mythology. Not only do the readers meet the weird sisters in this scene, Macbeth and Banquo do as well. The witches prematurely yet purposefully inform Macbeth of what is to come for him, which includes the titles as thane of Cawdor and King. The witches reveal this to both Macbeth and the readers cryptically; they offer no context of how Macbeth will become these things. In fact, the only way that the audience and Macbeth know that they are referring to Macbeth specifically is that they say “All hail, Macbeth! Thane of Glamis. All hail, Macbeth! Thane
In the beginning of the book, the main character Macbeth is a honorable man that stumbles upon 3 wicked witches that corrupt his mind. When Macbeth and the witches first meet, the witches tell him that he will be Thane of Cawdor, Thane of Glamis, and king, “All hail, Macbeth! Hail to thee, Thane of Glamis.”(17) The witch’s corrupt Macbeth’s mind with the fact that he can obtain these titles by doing certain things like killing Banquo to progress farther in his ranks. Toward the end of the book, Macbeth isn’t a bystander anymore, but an enemy to many to where he will be slain by a man who was not of woman born. During a battle, a man named Macduff comes and kills Macbeth, “And let the angel whom thou still hast served tell thee Macduff was from his mother’s womb untimely ripped.”(185) Macbeth became the evil that he stood by from in the beginning.
“The weird sisters are a "supernatural soliciting" that act like a catalyst. They do not plant in Macbeth a desire for the crown. (1)” This statement, while credible and true, holds flaws in the statement of the witches role and purpose at setting the tone and course of the story. The three witches also known as “the weird sisters”, in an act of manipulation, bestow upon Macbeth a prophecy, which gives Macbeth the hope that he could receive power and eventually rule. With this abuse of power the witches create a chain of events for their own amusement which sets a course of travesty for the tragic hero Macbeth. The witches were not only a catalyst, also the planters of the seed that caused Macbeth’s desire for the crown, without the witches Macbeth would have never taken the initiative to gain the throne and he would have remained Thane of Cawdor and Thane of Glamis. Luisa Murano justifies this speculation in her statement, “Macbeth, returning victorious from the battlefield where he has risked his life for his king, encounters three witches who inspire in him the idea of taking over the king 's place.(2)” In fact, no inclination is given of Macbeth’s thoughts or intentions of ever overthrowing Duncan until the witches’ prophecy is read. In regards to the statement about the witches being a catalyst that is true in the context of the play. Throughout the play
Banquo and Macbeth meet three witches after defending Scotland against a rebellion. These witches represent evil and they are messengers of the devil. They are one of the factors that affect Macbeth and cause him to enter into a life of evil. They had fought nobly and were very excited. They could not believe their eyes and ask if they had "eaten from the insane root" and were having hallucinations. The witches prophesize that Macbeth, Thane of Fife will soon earn the title, Thane of Cawdor and after that become king of Scotland. Macbeth is "wrapt" in thought about this. At first he wonders if this oracle has any merit. But the true thought of it makes him wonder and starts his early thoughts of conspiracy. He expresses these thoughts to his wife, Lady Macbeth, in a letter.
The witches caused much confusion throughout the play, to Macbeth and anyone associated with them. For instance, when the witches spoke to Banquo and Macbeth they said, Hail thee, thane of Glamis/ Hail thee, thee of Cawdor/ that shalt be king hereafter.” This statement was directed to Macbeth, but it very much confused him, as he was thane of Glamis, but not thane of Cawdor or certainly not king. Moments later he was to be crowned thane of Cawdor by King Duncan. The actions of King Duncan led Macbeth to believe he was going to become king. Lady Macbeth, when reading about Macbeth’s encounter with the witches, automatically devised a plan for Macbeth to become king. This plan involved killing the king, but to convince Macbeth that it was supposed to happen, she extremely criticized him and put him down on all thoughts. Her emasculation of him subjected him into thinking, killing the king was the only way to gain
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
In the play Macbeth by William Shakespeare, the author tries to show the true nature of man by using the play’s main character, Macbeth, as an example. He is overly ambitious, courageous, and self-doubting. Throughout the play, Shakespeare displays these characteristics to the audience through Macbeth to show the true nature of man. At the end of the play, these characteristics ultimately lead to Macbeth’s downfall.
In the play, the Weird Sisters were the first influence on Macbeth’s downfall due to the prophecies they told him of the future. At the beginning of the play, the Weird Witches say, “Fair is foul and foul is fair. Hover through the frog and filthy air” (I.i.11-12). They mention that in this world it is difficult to tell what is truly fair and what is indeed foul, which sets a dark and mysterious setting for the rest of the play. In addition, the Weird Sisters overwhelmed Macbeth with the prophecies of his future. The Weird Sisters mention, “All hail, Macbeth, hail to thee, Thane of Glamis!…” (I.iii.49-53). This enlightened yet tricked Macbeth of all the good that is to come. If the prophecies were not told to Macbeth, he would not have to worry of obtaining his future quickly, and would instead remain sane and honourable. Unfortunately, the prophecies told by the Weird Sisters greatly affect Macbeth, and lead him into his next influence leading to his
In the beginning of Act I, Macbeth is regarded by King Duncan and many others as a noble man, more specifically a “valiant cousin” and a “worthy gentlemen” due to his loyalty to the crown and courage in battle. As a reward for his courage and allegiance, Macbeth is to become the Thane of Cawdor in addition to his position as the Thane of Glamis. However, before notified of this “promotion,” Macbeth and Banquo meet with three witches who greet the men with prophecies regarding their futures. At this time, Macbeth is told he is to become Thane of Cawdor and the king of Scotland in the future, but the witches also give Banquo a prophecy that his descendants are also to become kings. In line 78 of scene iii, Macbeth questions their strange knowledge and commands, “Speak, I charge you,” in order to learn more about his future. Catching his attention with news of such value, his natural reaction is to inquire for more information. This can be considered a spark of Macbeth’s tragic flaw because selfishness begins to arise when he demands t...
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
As stated by Frank Kermode in the book Shakespeare for Students, ?Macbeth is a play about the eclipse of civility and manhood, the temporary triumph of evil, when it ends, virtue, and justice are restored.? ?Shakespeare displays a remarkable perception of the human condition by dramatizing not only the way in which evil enters Macbeth?s world, but also the devastating effect it has on those who yield to temptation and sin? (Shakespeare for Students page 238.) Macbeth is merely a victim of his fate. In this case, the weird sisters represent the wrath and cunningness of the various ways fate can play out. Fate has so much power that it can take over a person and leave them feeling almost possessed. If Macbeth were immortal and could understand his fate, he might have saved himself, but because he is mortal he is tricked, and subsequently, destroyed by fate.
These actions highlight the women of the play as the greatest influences on the development of the plot and Macbeth’s demise. The three witches essentially lay out the foundation of the plot of the play in the prophecy that they present to Macbeth. Before their meeting with him, they already know how the Scottish civil war is progressing and how it will conclude. Because of their witchcraft, they know that Macbeth will soon become Thane of Cawdor, and also know how they can use this event to plant a desire for greater power in him, a desire for the throne.
The most prophetic statement in the work is given by none other than the witches. As Macbeth approaches the hags, they great him by saying, “All hail, Macbeth! hail to thee, thane of Glamis! / All hail, Macbeth, hail to thee, thane of Cawdor! / All hail, Macbeth, thou shalt be king hereafter!” (I.iii. 47-50). The wicked women state the first two correctly; he is the thane of Glamis and the newly appointed thane of Cawdor. The third is correctly stated, yet the audience is unsure of this truth. Macbeth is not the current King, but fittingly all will “Hail him King”. This profound prediction lays the bedrock for the argument of fate. Once again, the witches have a control over Macbeth and merely suggest the possibility and leave the rest up to Macbeth.
Before Duncan had the time to reach Macbeth with the good news, the three witches approach him and Banquo. The greet Macbeth with three different titles: Thane of Glamis, Thane of Cawdor and King Hereafter, but this confuses Macbeth. Not only do the witches tell Macbeth his future, they also tell Banquo that although he will never be King, his children will be… and then they vanish once again.
One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained King of Scotland after murdering the venerable Duncan. Thus, Macbeth has a rather ghastly way of advancing in life.
Macbeth’s choice to put his trust in the witches, rather than take heed like Banquo, leads to his own destruction. Macbeth first encounters the three witches after his victory over the Norwegians. When Macbeth passes the three witches on the road, the greet him with, “All hail, Macbeth! Hail to thee, thane of Cawdor!” All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, that shalt be king hereafter!” (I,iii,49-51). Macbeth doubts these claims until Ross and Angus soon tell him of his newly acquired title, the Thane of Cawdor. He starts to believe the sisters to be true and that he just might become king. Macbeth jumps to the conclusion that the three sisters are of the supernatural and decides to trust them. He does so despite Banquo’s warning, “ But ’tis strange. And oftentimes, to win us to our harm, the instruments of darkness tell us truths, win us with honest trifles, to betray ’s in deepest consequence...