Macbeth, King Lear and Much Ado About No
Shakespeare writes his plays to teach a moral story, of behavior and love. The three plays, King Lear, Much Ado About nothing, and Macbeth, the parents are very stubborn and their views are very narrow toward their children. The children know that they are treated poorly but love their parents although they have many faults in trust and love.
Each play ends with a loving relationship because thoughts about one another is cleared up and they live happily ever after.
King Lear, has many valuable points. Shakespeare emphasizes the importance of love between family members by showing how much harm disloyal or unloving family members can cause. King Lear cruelly abuses his most loving daughter, Cordelia, simply because she admits that her love for her father is limited: "Unhappy that I am, I cannot heave my heart into my mouth. I love your Majesty/ According to my bond, no more nor less." This truthful declaration by Cordelia leads to her disinheritance. However, despite this rejection, Cordelia continues to stand by her father's side and defend him in his time of need against Regan and Goneril. Now that they have their land and power, these disloyal sisters won't care for or even support their father. In fact, the two are now so greedy and disloyal that they wish to have Lear murdered. In effect, Lear, Goneril and Regan are very much alike: their failure to love family members causes great pain, first for themselves and then for others.
Lear treats Cordelia poorly because he does not realize that he has mistrusted his only true daughter. This mistrust comes from the fact that Lear believed Regan and Goneril when both professed their love for him. However, neither is honest. Toward the end of the play, Lear realizes that he has been very unfair to Cordelia, and that the other two sisters have misled him. Cordelia, however, remains true to Lear, as she respects the relationship between them although he does not.
Shakespeare expects family members to be true to one another and have a solid trust in each other. Lear doesn't do what Shakespeare expects: he no longer loves Cordelia after she confesses she loves him only to the extent a daughter should. All of his love is for Regan and Goneril because both of them tell their father what he wants to hear: that they love him more than anyone in the world.
At the beginning of the play King Lear decides to divide his kingdom between his three daughters. He asked which one of them loved him the most. He uses their answer to decide how to divide his kingdom. This shows how uncaring and selfish he is. His two older daughters know their father’s true character and flatter him to get what they want. They know this is what motivates him, flattery that feeds his pride. Eventually his love of praise and flattery will be the reason he is destroyed and then dies. His youngest daughter, Cordelia does not give him the answer he wants so he flies into a rage and then disowns her. He is too blind to realize that she is the one who really loves him. He also doesn’t care that by disowning her, he will make it hard for her to get a husband. King Lear is a ruler who cares only about all the things that come with being the king, especially his title. At the end, he comes to realize that it is Cordelia who really loves him. He would rather go to prison with her than to be the king again.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
In Act 1, Lear has all this land that he needs to get rid of, and he chooses to divide it between his daughters. Cordelia is the youngest daughter, and she is very independent. Regan and Goneril are the older daughters, and they abuse their power in many ways. The daughters have to show their love for him in order to get land. Regan and Goneril suck up to him and tell him that they love him. In reality, they don’t love him at all. They just want more power. Cordelia is very straight forward with him. She tells him that she loves him but not as much as her sisters. Lear gets mad by her response, which shows that the daughters have enough power to make him feel whatever emotion they want. They can easily get under his skin, and strip him of his power. His power was at an all-time high, but over time it gets taken over.
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King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
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I have known from an early age that I’ve wanted to become a doctor. Helping people has always been a passion of mine. When I was younger, I wanted to be a veterinarian. However, after working with young children I have found that I love working with them, and have a connection with children. Currently, I am interested in becoming either a neonatologist or a general pediatrician so I can continue to work with young children.
The setting of King Lear is one spoiled with materialism, and is portrayed clearly within the first scene. King Lear is demanding his daughters proclaim their affections towards, in order to divvy up the land of his kingdom upon his retirement. Upon this forcefulness, Regan and Goneril are willing to falsely profess their love towards Lear, with clearly negative intentions. Their deceit is established early in the play. Cordelia, Lear’s third daughter, refuses to comply immediately. She will not participate because she understands the vanity, although her feelings towards her father are the most genuine; she believes that there are no words to accurately express her love. Lear’s inflamed insecurities cause him to dismiss Cordelia, refusing her an inheritance. Her initial refusal is minimal as a means to convey the depth of concern she has for her father, as she witnesses her sisters fake their admiration for material wealth and power.
Let us first consider King Lear and his relationship with his daughter Cordelia. When King Lear asks Cordelia to profess her love for him she merely answers that she loves him according to her bond, no more. Enraged, the king banishes her without an inheritance or dowry. Cordelia tries to explain that she will not speak of her love for him in order to get fortunes since this would be deceitful. However, Lear refuses to understand and Cordelia leaves imploring her sisters to care for him.
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Lear's sins as a father are quite unique and therefore difficult to analyse. First he asks his three daughters to announce their great love for him so he can reward them with shares of his kingdom, Cordellia is brutally honest with her reply and states "[I love you] according to my bond; no more no less." Lear subsequently banishes Cordellia, and so starts Lear's suffering. He then splits his kingdom between Regan and Goneril which in itself was a foolish thing to do as the responsibility and power suddenly given to these two sisters could easily corrupt them. Next he arrives at his daughter's houses with a large group of unruly k...
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Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Shakespeare's comedies can be recognized in terms of plot, structure and characters. We can see that Shakespearean comedies follow the same structural pattern, a basic plot on which the play is based. For example, a key feature of all comedies is that they depend upon the resolution of their plots. However, Shakespeare's comedies are distinguishable, as some are classed as comic dramas and others as romantic comedies. In comic drama, there is usually a motif of a place where reality and the unreal merge, the roles of characters are reversed and identities are mistaken or lost. This place may take on the form of a feast or celebration, or it may be presented as a place segregated from the normal society, such as the wood in A Midsummer Night's Dream. When scenes are set in this place, the ordinary rules of life and society do not apply. There is always an experience of chaos, which must be resolved in order for the play to become a true comedy.