The individual is herein shown as lord and master of the world, of his own and unique world. A world that is at his disposal even until the final moment. The last verse, «I bequeath nothingness to no one», which works as testament (not from that who runs, not from that who abandons, but from that who destroys), goes beyond all of this, maximizing –or even better–making the coherence explicit: If he achieves his aim, there would not be nothing to be bequeathed nor anybody whom to bequeath. Because, in line with the metaphysics of the first person singular, for this individual and his world there have not ever been other than himself. If what it is is what it is for each one, thereby, what it is to be done is what each one believes that …show more content…
This seems to announce something that could be wrongly understood as a mere matter of literary style. As each one of us do Asterion looks at the world from its own perspective. The House of Asterion tries to recover it. The shape of the story is significant: unlike every author that preceded him, Borges writes the story –how could it be any different? – in the first person. That who tells the story is the individual itself, Asterion, who just like each one of us is unique. «The fact is that I am unique» (1993a, p.569), precisely declares. The only other, the only you is another self imitated by Asterion himself, another self that is not another self but himself: «…but of the games I play, the one I prefer is pretending there is another Asterion. I pretend that he has come to visit me and I show him around the house» (p.570). Asterion will say that his house «is the size of the world; better said, it is the world» (p.570) and is also unique: «here one will find a house like no other on the face of the Earth. (They who declare that in Egypt exists another similar are lying)» (p.569). …show more content…
There are different types of gods, so to speak. In order to better determine the differences of effectiveness among deified human individuals some advantage could be taken from the Hegelian distinction between Realität and Wirklichkeit –however, let´s leave its explanation for another time. In addition, another issue dig into according to the aforementioned presumption would be the relationship between the deification of human individuals with the efforts (conducted precisely by individuals) to deify certain cultures when, as accurately mentioned, “culture” is said in the plural form. Both famous and paradigmatic is, or was, the effort of Francis Fukuyama´s The End of History and the Last Man. Maybe that poem from Mario Benedetti «Lo dice Fukuyama» is enough to demystify that concrete and futile attempt of the former American Secretary of State and his followers, even though it could be also enough to demystify others that have appeared and are likely to appear. Maybe it is enough with the last five verses, and not just because (in its original version) they
The first passage, “A Riddle unto Itself” talks about the idea that I human being is like a riddle. However, as we know, riddles are meant to be solved, but if a human being is a riddle, “that it would thus be a contradiction if it solved its own puzzle because it would not longer be this enigma” (60). Because the human by itself cannot solve its own riddle, then someone has to solve or give the answers to that human, but who would this someone be. I would say that this is the
The Tragedy of Othello by William Shakespeare is a great work by a great author. Shakespeare was correct in titling it The Tragedy of Othello because Othello lost so much. In the literary sense, a tragedy is the downfall of a character through that character's own flaws. The way most people see a tragedy is a story where there is much suffering and loss, and a not so happy ending. No matter way one looks at it, literary or public sense, this was a correct title. The main character, Othello, brought his own downfall upon him through his flaws, caused the suffering of many people, and he himself loss very much. All of these factors pile up to equal a big tragedy.
Desdemona is a stunning, youthful, white, Venetian debutante. She is her father's pride and joy, but she refuses to marry any of the rich, handsome Venetian men that her surroundings expects her to spend the rest of her life with. Instead, she elopes with Othello – an older black man, an outsider to Venetian society. Turns out, this is a pretty intrepid move – Desdemona not only defies her father's expectations (that she marry a white man of his choosing), she also thumbs her nose at a society that largely disapproves of interracial marriages. In this way, Desdemona's relationship with Othello speaks to the play's concerns with Sixteenth Century attitudes about sex, gender, and race. Desdemona withholds many attributes to the play Othello by Shakespeare. She leads on a perfect life, as the perfect woman, but will it last forever?
Shakespeare’s Hamlet explores the motif of madness through the portrayal of Prince Hamlet and Ophelia; Shakespeare portrays the madness as originating from King Hamlet and Polonius, the two overbearing fathers within the story. The two fathers can be seen as the catalysts for their children’s madness, whether the madness be feigned or not. Ophelia and Hamlet have in them residing a love that they must hold at bay due to the requests by their separate fathers; one father sends his child on a mission of vengeance that leaves no time for love and the other father fears for his child’s reputation so requests that they stay away from their beloved. This love deprivation acts as only one example for the causes of the tragic events taking place thus leading to this conclusion: these fathers bring about madness, which in return secretes tragedy from its wake, rendering every tragic act that takes place on the actions and decisions of King Hamlet and Polonius.
In the play Hamlet, by William Shakespeare, we observe Hamlet as an incredibly complex and bewildering character that upon first glance, seems to undergo a plethora of predicaments. Upon identification of such obstacles, we begin to wonder about whether his entirely fictitious existence in the play classifies him as sane while the world around him is in a way, insane or vise-versa. In addition, one of the main problems that superficially seems to be at the root of his conflicts is his melancholy. This is a condition that has always identified with him throughout the entire play, even still presenting itself up until the very end of Act V. In conclusion, the cause of his affliction is generally simplistic but drawn-out, serving to impact his actions significantly.
is far from insane, but rather, "playing mad" for a purpose of his own. Madness
Shakespeare has been around for centuries and will continue to be around for many more centuries to come. With the current day and age, Shakespeare is still relevant in today’s time. It is especially more relevant to young adults in this age of time. Shakespeare’s plays are a classic that can be interpreted in many ways. The human nature and human behavior has not changed, but only the motivating factors and conditions through time.
Analysis of Othello by William Shakespeare Shakespeare sets the play in Venice when it was one of the most powerful and civilised states of Christian Europe. It was one of the most sophisticated trading places in the world. Shakespeare paints a picture of Venice as a racist place and so the colour of someone’s. skin was definitely looked upon as important. Venice held power in the Eastern Mediterranean and the Turks were threatening to attack areas in the Eastern Mediterranean such as Cyprus.
William Shakespeare, poet and playwright, utilized humor and irony as he developed specific language for his plays, thereby influencing literature forever. “Shakespeare became popular in the eighteenth century” (Epstein 8). He was the best all around. “Shakespeare was a classic” (8). William Shakespeare is a very known and popular man that has many works, techniques and ways. Shakespeare is the writer of many famous works of literature. His comedies include humor while his plays and poems include irony. Shakespeare sets himself apart by using his own language and word choice. Shakespeare uses certain types of allusions that people always remember, as in the phrase from Romeo and Juliet, “star-crossed lovers”.
As You Like It will be for many of you a rather difficult play to appreciate and interpret simply on the basis of a reading. The reasons for this are not difficult to ascertain. The play is, as I have observed, a pastoral comedy, that is, a comedy which involves a traditional literary style of moving sophisticated urban courtiers out into the countryside, where they have to deal with life in a very different manner from that of the aristocratic court. This play, like others in the Pastoral tradition, freely departs from naturalism, and in As You Like It (certainly by comparison with the History plays) there is little attempt to maintain any consistently naturalistic style.
After conducting a thorough literary analysis of William Shakespeare 's “ Hamlet”, one can conclude Hamlet Jr, the Prince of Denmark and main character was sane. A multitude of evidence in the book through dialect, interactions, and thoughts of the characters proves that Hamlet is in his right mind. People tend to stray from their typical character when they are grieving the loss of a loved one: this theory explains Prince Hamlet’s atypical behavior. The Prince is deeply hurt to the core from his father’s abrupt death, and there is no one there with whom he can share this pain with; his mother only amplifies the agony that suffocates young Hamlet by marrying her brother in law one month after her husband died. Hamlet recognizes that he must bear his grief alone, and his mother and stepfather have forbade him from obtaining closure with regards to his father’s passing. In scene 2, Hamlet says “ But break, my heart, for I must hold my tongue”(160) which explains why Hamlet’s thoughts are dismal and somewhat suicidal. Hamlet does have a rational mind; however, in an effort to avenge his father’s death and
Hamlet, Prince of Denmark is a dramatic play, written by author William Shakespeare in the period between 1599 and 1601. The play has three acts and it is packed full of drama, betrayal, incest, revenge and demise. It is well written, and it best presented in live stage form. In the early 1600’s, elaborate theaters and stages were built for stories like Hamlet to unfold upon, and the audiences were not disappointed. Many writers wrote dramatic plays during this era, but Hamlet was different. Shakespeare’s Hamlet is a complicated, twisted story of some of the worst things that can happen and how those behaviors lead to difficulty in relationships, love and life.
essays of King Lear do make note of the class struggle within the play; however,
William Shakespere 's tragedy of Hamlet is a story of revenge and distress involving Hamlet Jr, the prince of Denmark. The plot of the play focuses on Hamlet 's quest to avenge his father 's death. Hamlet learns that his father did not die accidentally, as the public believed, and that his Uncle Claudius is the one who murdered his father. Claudius then hastily married Hamlet 's mother and became king. Hamlet is an archetypical example of a tragic hero. He starts out as a noble and virtuous character and then confronts challenges that expose his tragic flaws which lead to his downfall. Hamlet 's tragic flaws are making rash decisions as well as being overly contemplative.
During the sixteenth century, the Globe Theater was a magnificent structure that housed the most famous plays. For a writer to have his work performed at the Globe was considered an incredible accomplishment. Shakespeare’s originality set him apart from others during his time and led him to the Globe Theater, where he came upon a tremendous amount of success. As with the rest of England, the Globe Theater flourished during the Elizabethan era, also known as the “Golden Age” representing ideals such as prestige, fame, and achievement. From this time period, notable politicians, orators, tacticians, and musicians evolved into more prominent figures of society. William Shakespeare has influenced the literary world today, although he lived many centuries ago. Much of Shakespeare’s life is unknown, but he developed his success in London, England where he became an actor and playwright. Through the Globe Theater Shakespeare was able to show some of his greatest works and make himself a household name. (William Shakespeare 1).