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Women roles in a midsummer nights dream
women's role in society during renaissance
women's role in society during renaissance
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Lack of Rights in A Midsummer's Night Dream
Do men and women not shed the same blood? Of course they do, so why is it that women are treated so unfairly? Women for hundreds of years have been degraded to something less than man when all along they should have been treated equally. The women of the Renaissance period were mistreated by being denied the right to chose whom they wished to marry.
In the play A Midsummer Night's Dream Theseus talks about how the power lay with the father to choose who may marry his daughter. Theseus talks about the law with Hermia and Egeus because Hermia contests the law. Theseus also talks about how she may be put to death if she does not comply with the law.
Hermia is contesting the law because she has two people pursuing her. One that her father has chosen for her to marry and another that has won her heart over. Hermia wants to marry Lysander the one that has won her heart, but since her father does not approve of him she is being forced to marry Demetrius.
By the end of the play Theseus feels differently towards Hermia's claim specially after the children run off into the woods. He turns in the favor of Hermia's claim which is for her to be able to choose whom she wishes to marry.
Helena has a different experience than Hermia and she speaks of it to Demetrius:
Your wrongs do set a scandal on my sex.
We cannot fight for love, as men may do;
We should be wooed, and were not made to woo. (537)
Helena states here how she is pursuing Demetrius when it should be Demetrius pursuing her. Helena tries to make herself more appealing to Demetrius so he will like her, but everything she does discourages him even more. It was not until the fairies intervened that Demetrius fell in love with Helena. The fairies gave Demetrius love potion without him knowing, and that was the only thing that made Demetrius love Helena. Puck knew that if he were to remove the pedals from Demetrius's eyes that he would not like Helena anymore. That is why he left the pedals on Demetrius's eyes after he had already removed them from the others.
A Midsummer Night’s Dream, penned by the acclaimed author William Shakespeare, demonstrates erratic relationships in the form of a romantic comedy. The play takes place in ancient Athens where Theseus, duke of Athens, and his fiancé, Hippolyta, prepare for their grand wedding. During the preparations, Theseus must settle a dispute between a man named Eugeus and his daughter, Hermia. Hermia desires to marry a charming young man by the name of Lysander, however, her father forces her to wed Demetrius. Throughout the story, Hermia and many other women, battle with their love affairs. Through these chaotic love affairs, the predominant female characters show their strengths as well as their weaknesses through various events in the play. Two
Shakespeare’s literature exemplifies creativeness and powerful word use to create bodies of work with strong attributes that grab the reader’s attention. Midsummer’s night dream is an example of some of Shakespeare’s best work. The thesis of this essay is Hermia’s father, Esues wants his daughter to marry someone that he approves of and more importantly he wants someone for her that is respected by the rest of society to admire. This play has love, drama and characters that follow their hearts. Hermia is told she is not allowed to love or marry Lysander by her father. Her father Esues wants her to marry Demetrius. The setting of the play is taken in Athens. Athens is a place of order and royalty and a place where people are supposed to marry
In the first scene of the play you are introduced to the duke of Athens, Theseus, who lays down the law for Hermia. Hermia, the daughter of Egeus, desires to go against her father’s wishes of marrying Demetrius, and instead marry Lysander. Theseus firmly states to Hermia, “Either to die the death or to abjure forever the society of men”; which simply put, Theseus gives Hermia the option to die or to no longer enjoy the company of men (Crowther). Furthermore he means to send her to a nunnery. This exemplifies the first variation of love within this play: arranged love, i.e. arranged marriage. Theseus then gives the order to Hermia that she must have her decision by his own wedding day with Hippolyta, thus giving her four days to decide her fate.
Staying true to one's love is so very important when one believes in their true love with every fibre of their being. Hermia and Lysander are so in love that nothing else seems to matter. They want to be together at all costs and they will not let anything get in their way, this is true especially for Hermia. In this example she is defending her true love and standing up for herself, “I do entreat Your Grace to pardon me./ I know not by what power I am made bold,/ Nor how it may concern my modesty/ In such a presence here to plead my thoughts;/ But I beseech Your Grace that I may know/ The worst that may befall me in this case/ If I refuse to wed Demetrius” (Shakespeare 1.1: 58-64). This shows that although she has no way of controlling what happens to her future she still wants to let others know of her convictions. No woman in that time period would ever attempt to defy the command of her father and the law, but in this case Hermia's true love has taken over. She wants the world to know that her and Lysander share this same true love. She is willing to sacrifice her life and become a nun or even face the ultimate finale of death in order to get what she wants at this point. Lysander also came up with an idea to temporarily get them out of this situation, “A good persuasion. Therefore, hear me, H...
As in virtually every love story, Lysander and Hermia’s love story has a twist to it: Hermia's father demands Hermia to marry Demetrious. This is a very classical situation. In the past, parents had the rights to arrange their daughter’s marriage to whoever they please. Usually they would exercise their rights which is the very case in Hermia’s life. This creates a big problem and cause a tremendous pressure for Hermia and Lysander, as they love each other. In addition, the Athenian rule that governs father's right to choose groom for his daughter promotes the duke to warn Hermia to make a decision in very short period of four days that either she wants to be a nun for life or marry Demetrious.
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
In A Midsummer Night’s Dream control is unpredictable. In act two scene two Oberon tells Puck to put the flower nectar in Demetrius’s eyes and he messes up and puts it in Lysander's eyes. In the stage directions it says “ He anoints Lysander’s eyes with nectar.” (2.2.85). This shows that Puck messes up Oberon’s directions and this leads to a love triangle between Lysander, Helena , and Demetrius.
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are to be ‘a form in wax’ (I.i.49), meaning that women are to exist without existing. Women were not allowed to gain an education, or have jobs of importance. This shows that Thesus (Duke of Athens) doesn’t believe that women show have power. However, in the forest, Hermia exerts her dominance over Lysander as she insists that he ‘lie further off’ (II.ii.43) so she can keep her virginity as she is less likely to be tempted into having sex with him. At the time a woman who had lost her virginity before she was married, especially to someone whom she was not betrothed, was a social sinner
The time period and setting in which this play is written causes the characters to crave control that affects the fate of others. Shakespeare writes this play during the time period of the mid-1500s to the early 1600s. The hierarchy of power during this time favors men more than women. Similarly, women are strictly valued as property rather than equal counterparts to men. England’s societal pyramid during this time period is evident in A Midsummer’s Night Dream as Egeus threatens to end his daughter’s life unless she complies with his wishes to marry a man she does not love:
In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text. Shakespeare's works had few females because women were not allowed to act in London in the late 1500s and early 1600s. Disregarding the standards imposed on women of his time, Shakespeare created many female characters that were strong-willed, intelligent, and daring. Hermia of A Midsummer Night's Dream is one such character. She disobeys her father, her king, and the Athenian law so that she might marry the love of her life. She discards all the luxuries of her familiar and comfortable existence for the uncertainties of a distant land in exchange for the freedom to love Lysander. The only complaint against Hermia by feminist critics stems from her willingness to defy one set of confinements derived and maintained by men-her father, the king, and the male authors of Athenian law-to become the subordinate of yet another man. However, even though she rebels away from the limitations she ultimately runs towards, she is much more indep...
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius? infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says ?and, Lysander, yield thy crazed title to my certain right?
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
Throughout A Midsummer Night’s Dream the theme of conflict with authority is apparent and is the cause of the problems that befall the characters. It also is used to set the mood of the play. The passage below spoken by Theseus in the opening of the play clearly states this theme.
Shakespeare writes for a public who views marriage unsentimentally. At all levels of society, from king to commoner, marriage is entered into for commercial and dynastic reasons. People marry to increase their property and to secure its inheritance. Wise parents, who may dispose of their children in marriage, will of course try to avoid matches which the contracting parties find intolerable, but there are limits to this. On the other hand, children have a duty of obedience. And the husband Egeus proposes for Hermia is by no means unattractive; his chief defect is that he is not Lysander, whom Hermia loves, perhaps intemperately.