Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Shakespeare treatment of love in midsummer night dream
Theme of love in Shakespeare's midsummer night's dream
Theme of love in Shakespeare's midsummer night's dream
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Casting Actors to Play Helena and Hermia from William Shakespeare's A Midsummer Night's Dream
A Midsummer Night’s Dream examines the theme of love in all its
aspects. When Act one scene One opens we are at the court of Duke
Theseus and he is swearing his undying love for Hippolyta so at the
very start we are introduced to love and its deep emotional impact.
The declaration of love between the Ducal pair is shortened by the
arrival of Egeus with his disobedient daughter Hermia. The mood
immediately changes and we discover that Hermia rather than being
filled with filial love is determined to marry Lysander rather than
her father’s choice for her. And so the love theme is made more
complex as we have the wrathful love of her father confronted by the
love of her daughter for the man who is not her fathers’ choice. The
love theme is further complicated by the arrival of Helena. Here we
see the platonic love of two friends. Undermined by sexual attraction
when we discover that Helena is in love with Demetrius, the suitor
that Egeus has chosen for his daughter Hermia to marry. All these
complexities of the love theme I will have to reveal both as a
director and in the performance of the two young women, Hermia and
Helena.
Hermias’ costume is quite simplistic but very feminine. It is pink
Elizabethan linen with purple lining and a gold rim at the bottom. It
has puffy sleeves and it cuts across her shoulders with gold lace also
around the rim. She wears a headdress with a band around her forehead
with a diamond attached to it and jewellery to reflect her wealth.
She also wears elegant purple slippers. The whole costume portrays...
... middle of paper ...
...uke pronounces that Athenian law calls for the death
sentence, Hermia bravely decides to die rather than yield to man whom
she does not love. When Lysander suggests that the two of them run
away and get married, she does not hesitate to accept his offer. In
the first scene of the play, we are also introduced to Helena's
problem, which is that she desperately loves Demetrius, but he is in
love with her friend Hermia. Both Lysander and Helena herself reveal
that Demetrius was at one time involved with Helena. Lysander tells
Theseus that Demetrius "Made love to … Helena, And won her soul.”
Helena says that before Demetrius looked upon Hermia, "He hail'd down
oaths that he was only mine.” In an attempt to win back some of
Demetrius's affection, Helena tells him of Hermia's plan to meet in
the wood and elope with Lysander.
Night's Dream, one will notice an immense difference in the way that a noble woman compared
Love, lust and infatuation all beguile the senses of the characters in this dreamy and whimsical work of Shakespeare, and leads them to act in outlandish ways, which throughly amuses the reader. True love does prevail in the end for Hermia and Lysander, and the initial charm of infatuation ends up proving to have happy consequence for Helena and Demetrius as well. Even when at first the reader thinks that, in theory, the effects the potion will wear off and Lysander will once again reject Helena, Oberon places a blessings on all the couples that they should live happily ever after.
This is evident in the quote where Lysander says, “Athenian law cannot pursue us.” This would not of been a trial for them, but fate had something else in store. “Content with Hermia? No, I do repent The tedious minutes I with her have spent. Not Hermia, but Helena I love” (II.i ll. 118-12). Puck, a fairy, put cupid’s love juice into Lysander’s eyes. This is evident in the quote, “Night and silence! Who is here? Weeds of Athens he doth wear. This is he my master said, despised the Athenian maid, and here the maiden, sleeping on the ground. Pretty soul, she durst not lie near this lack-love, this kill-courtesy. Churl, upon thy eyes I throw all the power of this charm doth owe” (II.i ll. 76-85). As it states in the quote, it made him fall in love with the first person he saw, which happened to be Helena. This is proven when Lysander said, “but Helena I love”. Lysander told Hermia he was in love with Helena, not her, so the elopement was off. This is evident when he says, “I repent the minutes I spent with her.” This is difficult for Hermia because she is confused, and does not know what is going on, or why Lysander was acting this way. This is evident when she takes her
In act two scene two Lysander continues to insult Hermia. For example in the book it states “ Content with Hermia? No, I do repent…” (2.2.118-120). This shows that Lysander wants Helena’s love, but he is trying to hard to get it. In act three scene two Helena finds that both Lysander and Demetrius are “mocking” her. For example in the book it states “ ...I pray you,though you mock me, gentlemen.” (3.2.314). This shows that Helena doesn’t believe that Demetrius and Lysander “love” her. Oberon and Lysander find it impossible to control love.
As the story unrolls Helena, and Demetrius love each other, while Hermia and Lysander feel the same way about one another. Theseus realizes that all is well and against Egeus’s will he letts the lovers remain with each other. Here are his own words, “Egeus, i will overbear your will; for in this temple, by and by, with us these couples shall eternally be knit” (4.1.174-176). This part of the play brings them out of “the wild” and back to the castle where all is excellent. The story shows a considerable difference in the transition from wilderness to the court yard. While in the wilderness everything seemed to go wrong. They always seemed lost, confused, and taken away from the truth. The truth being the law of the land. Then once they enter the courtyard everything changes and nothing but truth and love come out of the four lovers.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
Theseus and Oberon are both compassionate and understanding towards the young lovers, Hermia and Lysander, and Helena and Demetrius. They are involved in a love triangle that encompasses matters of the law and love. Demetrius intends to marry Hermia, although, she shares a mutual love with Lysander; Helena loves Demetrius, although, he no longer loves her. Theseus, as the Duke of Athens, maintains the laws and standards of Athenian society. He acknowledges “the Ancient privilege of Athens” (I.1.41) that allows Egeus to “dispose of” (I.1.42) Hermia. This law permits Egeus to give his daughter to Demetrius or “to death, according to [the] law” (I.1.44). However, Theseus takes pity on Hermia and gives he...
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
Hermia’s feelings are greatly ignored in the play by various characters, especially by her father, Egeus. Her genuine love for Lysander is ignored based on her father’s desires and preference of Demetrius. Women in the play are depicted as prizes for men, and their feelings are often ignored. That statement is not limited to Hermia either: it relates to Hippolyta’s relationship with Theseus, as he claimed her heart by “wooing her with my sword” (1.1. 16), or simply beating her in battle. Hermia’s genuine desire to be with Lysander and displeasure towards Demetrius should be evident by the fact that she is willing to become a nun over marrying Demetrius; if she cannot be with her true love, then anyone else is simply not acceptable.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
In the play,Hermia and Helena are the main female protagonists and 2 of the four lovers. They have some similarities in their personalities as they are both girls that are headstrong people that want things to go their way and won’t give up until it happens. Even though it is inevitable that they share some common personality traits that are interchangeable between them,However, that is not true. While they both do some similar personalities,they actually have very different personalities.
Presented with many obstacles and complications to overcome, we know that Hermia is the protagonist in the play. She has relations with almost all the characters in the play. The first and most important relationship is her love, Lysander. From the very beginning we see that Hermia loves Lysander with all her heart and soul and he loved her the same. The only tragic flaw in their relationship was when Puck put the magic juice in Lysander's eyes and he fell in love with Helena. Hermia felt sad and rejected when that happened. But when Puck finally realized that he had made a mistake and corrected it, Hermia and Lysander were in their heavenly bliss of love once again.
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.