In the poem Beauty and Variations by Kenny Fries he discusses the topic of beauty, and how the impact of beauty standards causes variations within an individual. To describe to his readers’ the impact that beauty has he uses stanzas to organize his writing to start the reader with a broad meaning to an in depth story between two individuals, with one that is fighting against beauty and variations, and the other person helping the other person to overcome these standards and variations. Fries uses phrases to express a relation of a circumstance called an adverb. The adverbs are used to show the aggressiveness of overcoming beauty standards, and its variations. He also uses the formation of mental images known as imagery to the meaning of his …show more content…
Fries uses imagery to create an image to explain how beauty standards affect how an individual thinks, and how they go through variations to make themselves become what beauty wants them to be. “I want to break your bones. Make them so they look like mine. Force you to walk on twisted legs”(Fries 27-29). This quote uses imagery by creating the image of breaking someone’s bones to show that the individual wants to take someone 's legs that they see fits beauty standards and turn them into theirs. Fries uses imagery in a different way also by showing where the wanting of changing body image comes from. “Your smooth skin is no relief from the danger of your eyes” (Fries 47-50). The imagery of smooth skin shows that even though the individual has gentle skin with no imperfections there is no protection from the damage the eyes will cause when exposed to different beauty standards that will cause the wanting of alternations to be done to the skin to conform to different beauty standards. Without the use of imagery throughout the poem the reader would not be able to truly understand the image of what happens when an individual conforms to beauty standards. Without the use of imagery there would be a lack of understanding that there is no real definition of beauty, because there would be no image to show the reader that what truly matters is what lies on the
Authors use many different types of imagery in order to better portray their point of view to a reader. This imagery can depict many different things and often enhances the reader’s ability to picture what is occurring in a literary work, and therefore is more able to connect to the writing. An example of imagery used to enhance the quality of a story can be found in Leyvik Yehoash’s poem “Lynching.” In this poem, the imagery that repeatably appears is related to the body of the person who was lynched, and the various ways to describe different parts of his person. The repetition of these description serves as a textual echo, and the variation in description over the course of the poem helps to portray the events that occurred and their importance from the author to the reader. The repeated anatomic imagery and vivid description of various body parts is a textual echo used by Leyvik Yehoash and helps make his poem more powerful and effective for the reader and expand on its message about the hardship for African Americans living
Thus the illusion of beauty is still possible and even Gorgeous displays emotion despite knowing this “she adores her work from a distance for such a long time and it makes her cry”. Therefore, the irony in this story still exists for Gorgeous to end up being in a relationship with an artist. The personification of beauty continues as Wels’ remarks “Their relationship is the usual kind in which beauty and appreciation are dancing partners”. As she becomes a ‘model’, again ‘stillness’ is idealised as the trademark of beauty. As a result, the humour in Wels’ story also becomes tragic with Gorgeous’ realisation that beauty is fabricated and that the most beautiful are those that are
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
different styles of imagery and the diction, can change the way the reader interprets the
Some examples of metaphor within the piece are when it says “your laughter’s so melodic it’s a song” and “your creativity’s a compass that leads you to what you love”. An example of evocative language in the piece is “you don’t need any miracle cream to keep your passions smooth, hair free or diet pills to slim your kindness down.” These metaphors and instances of evocative language help emphasise the message that it doesn’t matter what you look like, the most important thing you can love about yourself is ____. Metaphors, evocative language, and repetition are also used to describe the expectations laid upon women by society. One particular phrase that uses both metaphor and evocative language “because the only place we'll ever truly feel safe is curled up inside skin we've been taught to hate by a society that shuns our awful confidence and feeds us our flaws”. Other examples of evocative language include “a reminder that the mirror is meant to be a curse so I confine her in my mind, but when he or she shouts ‘let me out!’ we're allowed to listen.” and “Don't you shatter the illusion you could ever be anything beyond paper fine flesh and flashy teeth and fingernails.” One instance of repetition includes “echoic accusations of not good enough, never good enough”. Another phrase that uses both evocative language and repetition
People are always complaining about how they aren’t as pretty as models on billboards, or how they aren’t as thin as that other girl. Why do we do this to ourselves? It’s benefitting absolutely nobody and it just makes us feel bad about ourselves. The answer is because society has engraved in our minds that we need to be someone we’re not in order to look beautiful. Throughout time, society has shaped our attitudes about appearances, making it perfectly normal and even encouraged, to be five feet ten inches and 95 pounds. People have felt trapped by this ideal. Society has made these beauty standards unattainable, therefore making it self defeating. This is evident in A Doll’s House, where the main character, Nora, feels trapped by Torvald and society’s standard of beauty. The ideal appearance that is prevalent in society is also apparent in the novel, The Samurai’s Garden, where Sachi is embarrassed of the condition of her skin due to leprosy and the stigmas associated with the disease. The burden of having to live up to society’s standard of beauty can affect one psychologically and emotionally, as portrayed in A Doll’s House and The Samurai’s Garden.
First, Connie and her mother focused on outward beauty rather than inward beauty, which can never be tarnished. Connie’s mother was jealous of her daughter’s beauty, because she knew she could no longer attain the beauty that she once possessed. She often scolded her daughter for admiring her own beauty in order to make herself feel more secure inside. Connie did not try in the least bit to make her mother’s struggle any easier, but instead gawked at her own beauty directly in front of her mother, and often compared her own beauty to others.
One of the literary techniques most prominently featured throughout the passage would be that of imagery. The author takes great care to interweave sentences comparing the traits
In the essay “What Meets the Eye”, Daniel Akst explains scientific facts about the beauty of men and women matters to people. He argues that attractive individuals receive attention, great social status, marries, and gets paid more on a job. One can disagree with Akst’s argument because anyone with the skills and knowledge, despite the appearance, can gain a decent relationship and can get paid well. Akst looks at beauty as if it can lead individuals to an amazing and successful life, but he is wrong. Nancy Mairs’ and Alice Walker’s views on beauty are explained internally and through self-confidence. Both women’s and Akst’s arguments on beauty share some similarities and differences in many ways, and an
Imagery is a key part of any poem or literary piece and creates an illustration in the mind of the reader by using descriptive and vivid language. Olds creates a vibrant mental picture of the couple’s surroundings, “the red tiles glinting like bent plates of blood/ the
In poems, imagery is used to help get the writers’ message across in a language that is extremely visual. The poet wants
As stated by ‘The Duchess’, Margaret Wolfe Hungerford’s famous quote “beauty is in the eye of the beholder.” As a result, beauty can describe as an inspiring view present in everything that can be seen. To begin, beauty can be viewed in a building as large and extravagant as the white house to the small hometown market or even in the sight of a single flower to a field filled with a million flowers. Also, beauty can be seen in the sunrise over the peaks of the mountains and also in the sunset glowing across a calm lake surrounded by the bright colors of the fall trees. Furthermore, people have physical beauty, which can be found in a person’s features, figure, or complexion. In the poem “Beauty & Dress” by Robert Herrick he explains the beauty he sees in his wife. Herrick states,
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective
Before addressing any of Stevens’ poems, it must be made clear that this argument is narrowly focusing itself on the visual images within several of Stevens’ poems. To fully examine the sidelines and tangents of a single poem would be impossible, as the poems themselves grow with discovered philosophies, and appeal to innumerable viewpoints and interpretations. Furthermore, because the word image can have a multiplicity of meanings and derivatives, depending on the school of thought the reader has absorbed, I will constrain the definition of image, within this paper, to the stoic “To describe; especially to describe as to call up a mental picture of” (Morris, 657).
To begin, Guest uses both literal and figurative imagery to emphasize the positive spirit in the poem. The literal image “with a lift of his chin and a bit of a grin” (Guest, 13) describes how the character does not let the negativity from others destroy him. The juxtaposition of this literal image next to the defeatist words of the negative character is thought-provoking, allowing an audience to reconsider their outlook on life. Another literal image present in the poem is “but he took