Joyful and Triumphant combines the unity of a single day's activity with the sweep of 40 years of the Bishop family's- and New Zealand's- history. Discuss New Zealand's changing social patterns revealed in Lord's play.
In the play Joyful and Triumphant Robert Lord uses the characters to reveal the changing social patterns in New Zealand from the late 1940's to the 1980's. The character of Raewyn Bishop particularly shows this as she starts off the play as a rebellious child and grows into an independent young woman that represents New Zealand and its increasing independency. This could be due to the changes happening in New Zealand at the time such as the introduction of Rock'n'Roll music and more liberated public opinions. Rose Bishop is another character who show these changes as she struggles to overcome her conservative lifestyle in a more open and liberal New Zealand society.
Raewyn Bishop is the eldest child of Ted and Brenda Bishop and is born around 1944 which means she is growing up in a country that is undergoing many post-war developments. She is a headstrong and opinionated character and this is reflected in her actions. In the 1950's when Rock'n'Roll music is introduced into New Zealand Raewyn is reflected in the rebellious youth culture it promotes. "She knows I'm not going to let her go platinum blonde. Not at thirteen. She won't look anything like Marilyn Monroe." She continues to push the boundaries set by her parents who take advice from her grandparents who represent the more conservative and mainstream views of the public at this time as New Zealand is still somewhat attached to Britain and its societal constraints. This is demonstrated when Raewyn begins dating and at seventeen years of age this is deemed too young. "Boyfriend? What boyfriend? She's just a baby." This is made worse when they discover that Raewyn is pregnant and the father is Maori. Although Raewyn's parents claim that "it's not that the boy's a Maori" they clearly are not happy with it as "these mixed marriages never work." This shows that although New Zealanders were not openly racist they had subtle reservations when it came to dealing with people from other cultures.
Raewyn also shows other changes in New Zealand's social pattern. New Zealand was initially quite a conservative country that took its origins form Britain. Around the 1970's divorce became a more popular option for New Zealand couples as it used to be almost socially unacceptable for a couple to divorce without a legitimate reason.
Atkinson, Rick. An Army at Dawn: The War in North Africa, 1942-1943, Volume 1 of the "Liberation Trilogy." New York: Henry Holt, 2002.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Where Men Win Glory is an ironic euphemism for war. The title is ironic because there is nothing glorious about war or the way it ended Pat Tillman’s beautiful life. Jon Krakauer orchestrates this masterpiece with his diligently, articulated descriptions and with a timeline sewn together from the threads of two worlds. The author’s style can best be characterized by his challenging, precise diction and his ability to fluently intervene pertinent quotes and facts that further persuade the reader toward his cause. Throughout the book, the author’s tone harnesses resentment towards the militant hierarchy; for through its ingenuousness, deceit, and manipulation, the military uses Pat’s death as propaganda to bolster the war’s support. Furthermore, the military covers up the fact that Tillman was a victim of fratricide, and it deceives the nation into believing Tillman’s end was a valiant fight against insurgents. When the truth is exposed and pursued by Dannie - Pat’s mother - the army destroys evidence and pleads guilty to ignorance as a rebuttal. This book is molded by three prodigious aspects that help to illustrate Pat’s life story. The carelessness of war, importance of family, and enhancement through change were all important ingredients that created a virtuous life. Each theme, in addition, challenges me personally to reassess the facts I have been fed and the reality that I have been presented. By doing so, I can achieve a sound base of knowledge and an intellectual prowess capable of challenging all facts presented.
Magical, poetic, and awe-aspiring. This is what mere words at its best can accomplish when trying to capture the essence of the painting, The Glory of the Light Within, by the renowned artist, Dale Terbush. This specific masterpiece is representative of Terbush’s art and reveals much about his outlook towards nature. Viewers are presented with a breathtaking scenery and a natural beauty depicted in all its glory in this panoramic view (the painting is 4x5 feet). Indeed, because the well-defined foreground, distinct middle ground, and dim background compose characteristics of a magical scenery, this vista is transformed into an ideal utopia.
Every individual has two lives, the life we live, and the life we live after that. Nobody is perfect, but if one works hard enough, he or she can stay away from failure. The Natural is a novel written by Bernard Malamud. It is Malamud’s first novel that initially received mixed reactions but afterwards, it was regarded as an outstanding piece of literature. It is a story about Roy Hobbs who after making mistakes in his life, he returns the bribery money and is left with self-hatred for mistakes he has done. Hobbs was a baseball player who aspired to be famous, but because of his carnal and materialistic desire, his quest for heroism failed, as he was left with nothing. In the modern world, the quest for heroism is a difficult struggle, and this can be seen through the protagonist in The Natural.
People push being happy on society as a total must in life; sadness is not an option. However, the research that has conducted to the study of happiness speaks otherwise. In this essay Sharon Begley's article "Happiness: Enough Already" critiques and analyzes societies need to be happy and the motivational affects it has on life. Begley believes that individuals do not always have to be happy, and being sad is okay and even good for us. She brings in the research of other professionals to build her claim that extreme constant happiness is not good for people. I strongly agree that we need to experience sadness to build motivation in life and character all around.
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for a healthy couple identity; however, the more the Wheelers hide behind their desired roles, the more they lose sense of their true selves as individuals and as a pair.
The painting Light of Hope is a realistic painting of a light house on the coast of an American shore done by contemporary artist Thomas Kinkade. Thomas Kinkade started his career with his first lithograph, and after some time he realized he was inspired to paint not for the money but from his heart. His main goal became glorifying God and spreading His light. Kinkade grew up in Placerville, California and growing up to be a big family man. Often in his paintings he leaves little symbols representing his wife and children. Over the years he has donated his earned money to different charities and is al crediting God for his ability to paint. His purpose as a painter has been and will continue to share of the light of God (Thomaskinkade).
John Dower's "Embracing Defeat" truly conveys the Japanese experience of American occupation from within by focusing on the social, cultural, and philosophical aspects of a country devastated by World War II. His capturing of the Japanese peoples' voice let us, as readers, empathize with those who had to start over in a "new nation."
The poem America by Claude McKay is on its surface a poem combining what America should be and what this country stands for, with what it actually is, and the attitude it projects amongst the people. Mckay uses the form of poetry to express how he, as a Jamaican immigrant, feels about America. He characterizes the bittersweet relationship between striving for the American dream, and being denied that dream due to racism. While the America we are meant to see is a beautiful land of opportunity, McKay see’s as an ugly, flawed, system that crushes the hopes and dreams of the African-American people.
Throughout the ages, men and women have been at the heart of myths and legends, evolving into tragic heroes in large part due to the embellishment bestowed upon them over the ages. From Odysseus and Achilles to Brutus, Hamlet, and King Lear, epic poems have revolved around the tragic hero. Pat Tillman was a man of many aptitudes and virtues, never satisfied by the mediocre, striving for more adventure, more meaning, in his tragically short time on Earth, and personifying the phrase carpe diem. Even Pat Tillman had tragic flaws; his unwillingness to be typical, his undying loyalty to family and country, and his curiously concrete set of morals amalgamated to set in motion Tillman’s eventual death. These, whatever the outcome might have been, are not by any means, the archetypical tragic flaws. They are, as Jon Krakauer later described, “tragic virtues.” Where Men Win Glory is not solely a tribute to Pat Tillman. What makes it truly unique is its exhaustively comprehensive history preceding Tillman’s death, and equally essential, the events that transpired following his death, including the cover-ups, scandals, corruption, falsified documents, indignities, and lies that facilitated, also, in emphasizing the core themes, of which Tillman was the epitome. Tillman’s fidelity and devotion to the people whom he loved, the use of misinformation and cants surrounding his death, and others’ responses to what Tillman considered paramount in his life all played a key role in the tragedy of a man who won glory.
After a basketball game, four kids, Andrew Jackson, Tyrone Mills, Robert Washington and B.J. Carson, celebrate a win by going out drinking and driving. Andrew lost control of his car and crashed into a retaining wall on I-75. Andy, Tyrone, and B.J. escaped from the four-door Chevy right after the accident. Teen basketball star and Hazelwood high team captain was sitting in the passenger's side with his feet on the dashboard. When the crash happened, his feet went through the windshield and he was unable to escape. The gas tank then exploded and burned Robbie to death while the three unharmed kids tried to save him.
In the poem pride, Dahlia Ravikovitch uses many poetic devices. She uses an analogy for the poem as a whole, and a few metaphors inside it, such as, “the rock has an open wound.” Ravikovitch also uses personification multiple times, for example: “Years pass over them as they wait.” and, “the seaweed whips around, the sea bursts forth and rolls back--” Ravikovitch also uses inclusive language such as when she says: “I’m telling you,” and “I told you.” She uses these phrases to make the reader feel apart of the poem, and to draw the reader in. She also uses repetition, for example, repetition of the word years.
Cheyne, C., O’Brien, M., Belgrave, M. (2008). Social Policy: In Aotearoa New Zealand (4th ed). Australia and New Zealand: Oxford University Press
The writer describes Robyn in opposition to her lover, Charles. He stays at home while she is out with her work. There is a discrepancy between the Victorian and Modernist doctrines, in the latter it seems that the roles of the woman and male are reversed. “Charles led a more subdued and private life. He kept the flat tidy while Robyn was out doing