As I look at the colorful walls of Beni Hasan tomb painting in the article, I am intrigue by these beautiful paintings. Egyptians are known for many breathtaking art monuments. The article explained images in the painting, interpretations and abuses of Beni Hasan painting. Comparing the differences from this article to our textbook and Wikipedia sites, the article did a great job on presenting correct information to the readers. Wikipedia sites were more detailed orientated on the tomb paintings than the others.
Interpretative Uses and Abuses of the Beni Hasan by Susan Cohen focused on the description, interpretations and abuses of the Beni Hasan tomb painting. Beni Hasan was in Middle Egypt during the Middle Kingdom. Tomb paintings started in the Old Kingdom and continued into the Middle Kingdom. Beni Hasan painting was one of the largest tomb paintings. The tomb was located along the Nile River on the Upper Egyptian Nome also referred to as Oryx
It doesn’t go into specifics details on tomb paintings in Egypt. There is a great deal focused on the temple and the burials during that civilization. The book explains how the temples are built and the symbolism behind them. The Egyptian art that is discussed is pottery vessels, Narmer Palette, tombs and temples. The Narmer palette has animal, ruler, and weapons and color on the palette similar to tomb paintings. The palette symbolizes the upper and lower Egypt the necks of the animals twisting around each other (Scarre and Fagan 2008, 117). All of Egyptian pieces of art each had specific meaning behind it. This one of the reasons why Egyptian art is so special. A tomb painting that had an imaged in the textbook is from Deir el Medina, Thebes (Scarre and Fagan 2008, 143). It told us the importance and meaning of the tombs during that time. Tomb painting were very useful for find out information on the
Information from the textbook and Hays’s article help illuminate the events depicted and their significance in culture and art of the New Kingdom, and how the style ties into the art of the time.
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
The statue of King Menkaure and his Queen exhibits with clarity the Egyptian devotion of art to a cannon of proportions. Its strictly frontal view point, the rigid poses of the figures, and a faithful accordance to rules and established customs can be interpreted as manifesting the nature of the Pharaoh’s authority over his subjects while at the same time exemplifying the highly regulated, hierarchical structure of ancient Egyptian society. The measured grid of verticals and counterbalancing horizontals, the stiff artificial postures and the overall idealized anatomical shapes of the bodies combined with naturalism is indicative of Egyptian taste for art and a representation of the character of Egyptian culture.
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
In the following essay, I will be comparing the Hagia Sophia in the City of Istanbul, and the Suleymaniye Mosque of Istanbul. Both of these pieces of art are very significant to the in modern-day Turkey. The art pieces will be covered in more detail further on in this comparative essay, and finally, I will be judging the pieces at the end of this essay
Bihzad has placed strong emphasis on the complexity of the palace’s architecture which he has adorned with colorful ornaments and emblazoned with gold. Each room is decorated with rugs and tiles featuring complex floral and asymmetrical patterns that cover each chamber from floor to ceiling. The palace appears to be three stories tall and features a balcony on the left and a zigzagging staircase on the right. The asymmetrical style of these two architectural features gives the impression of the work being 3-dimensional ...
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
The Valley of the Kings is a burial site, the “royal cemetery” for most of the Egyptian Kings of the New Kingdom. The Valley of the Kings served as the royal cemetery for over 400 years; the cemetery grew to house at least 62 tombs in this time period. As time went on throughout the 400 years of service as a burial site, the designs of the tombs became more elaborate, complex, and colossal (Manley 108).
Many humans have been interested in different forms of art throughout all of history. Countless people have spent endless hours researching, studying, and learning about different pieces of art. Although each piece of art is unique to in own appearance, time, and meaning, many similarities can be found. Stonehenge and the Great Pyramid are two historical works of art that can be studied via comparison. Looking at the two pieces, many differences and similarities can be observed.
The Egyptian culture was a culture that lasted about 3,000 years and was located near the Nile River. The Nile River provided most of the resources for the Egyptians; therefore, a lot of the artwork was based on representing these bountiful resources. Another major influence of the artwork that was created was the kings and gods that were held at such high standards (Stokstad and Cothren, 50). There is one king in particular that was known in history for his great accomplishments, this king was King Narmer. The Egyptian’s expressed their respect for this king through a palette known as The Palette of Narmer. This piece is one of the firsts of Egyptian times that sets the morals for Egyptian artwork; it was created in the Early Dynastic time period. The Palette of Narmer tells a vast political story of the history of Egypt and the king, King Narmer.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
Over the history of man, there have been many prosperous empires that ruled in different parts of the world. Babylon and Egypt are two of these empires that ruled almost 500 years apart, but had one thing in common, great artistic works. Wall paintings such as the Babylonian work Investiture of Zimrilim, and the Egyptian Queen Neferati Making an Offering to Isis are examples of the great works of their times. Both pieces are rich in meaning and background, share many similarities, but differences can be seen in their style due to the time periods.
Something I noticed after viewing several pieces of ancient Egyptian art is that a great deal of it is religious. It only takes a basic knowledge and understanding of the ancient Egyptians’ religion to know that they have numerous gods and goddesses. They are not exclusive in this way, as there are many other cultures and faiths which have multiple deities. However, the manner in which they portray their many gods through their art is very distinguishable and well-known. This could also be because of the style they use. The use of animals is one of the features that make a...
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
Although the main narrative of a work of art may not immediately jump out and engrain it’s reasoning in your mind, in a way all art works are interconnected through the topic of authority. For example, the French impressionist artist Claude Monet painted hundreds of works centered around gardens; one way that it interconnects with the idea of authority is that French gardens were originally used by the royal and rich to showcase something of high presentation but were nearly fruitless. In this short essay I will discuss three different works all relating to authority in reference to their cultural significance and how all three are interconnected. First, we can project ourselves back into the grey area between the Egyptian Predynastic period and the amalgamation of Upper and Lower Egypt.