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LA County Museum of Art (LACMA) The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods. History and Origin of LACMA Artworks The museums Asian art collection, preferably from China and Korea, are exhibited in the Pavilion for Japanese Art (Basch and Poole 541), whereas the Latin American art collection: comprising pre-Columbian magnum opuses to works by Diego Rivera, Clemento Orozco, Frida Kahlo, and such like, are exhibited in the Latin American Art galleries (Compton 165). In addition to its American, Latin American and Asian artworks, the museum has also some of the renowned Islamic and African art collections. The Latin American collection harbors pre-Columbian and Spanish art galleries and other recent and contemporary works of art. But despite its predominance in the LACMA museum, these pieces of art may not rival the Arabian or Islamic art in beauty and magnificence. Benedetti claims LACMA harbors over 1,700 different Islamic artworks (4). Most of them are collected from the ... ... middle of paper ... ...pids, MI: Scarecrow Press, 2007. Print. Compton, Jeffrey. Arts America: Enjoying the Best Art Museums, Theater, Classical Music, Opera, Jazz, Dance, Films, and Summer Festivals in America. Las Vegas, NV: Huntington Press. 2009. Print. Doak, Robin. Empire of the Islamic World. Rev. ed. West 31st Street, NY: Chelsea House, 2009. Print. Fitzpatrick, Virginia. Art history: a contextual inquiry course. University of Virginia, VA: National Art Education Association, 1992. Print. Gilbert, Jonathan P and Rachel Mills. Michelin Green Guide California.7 ed. Dothan, AL: Michelin Apa Publications, 2010. Print. Moon, Bruce. Existential Art Therapy: The Canvas Mirror. Springfield, IL: Charles Thomas Publishers, 2009. Print. Necipoglu, Gulru. Muqarnas, Vol 25: Frontiers of Islamic Art and Architecture. Danvers, MA: Koninklijke Brill Hotei Publishers. 2008. Print.
Ansary, Mir Tamim. Destiny Disrupted: A History of the World through Islamic Eyes. New York: PublicAffairs, 2009. Print.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
Cobb, Paul. "Introduction." Ibn Munqidh, Usama. Book of Contemplation Islam and the Crusades. New York: Penguin Books, 2008. xv-xlii.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
In addition to the notably simplistic design, the collection itself provides access to a remarkable breadth and depth of both classic and contempora...
The article “The Life of An Artifact” by Michael Shanks discusses archaeological points of view and how the presence of the artifact relates to the social issues. An artifact may undergo through aging, decay or physical changes, but it should not be forgotten with the past. Similarly, Japanese artist Takashi Murakami created a new life-cycle for the 727 painting by combining different art styles and cultures. The painting follows the “Superflat” movement and applies the techniques learned from both American and Japanese art. The 727 painting became a unique art style that creates a new
The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
Ansary, Tamim. Destiny Disrupted: A History of the World through Islamic Eyes. New York: PublicAffairs, 2009.
Burns, Thomas J. "Islam." Religion and Society. OU Campus' Dale Hall, Norman. 14 Apr. 2014. Lecture.
Rippin A. 1990, Muslims, Their Religious Beliefs and Practices Volume 1: The Formative Period, Routledge, London and New York.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
During my visit to the Pérez Art Museum Miami, I did more than just observing beautiful artworks. With the guidelines provided I could appreciate and study also the hidden meaning of some of the pieces I had in front of me. Some of them were easier than other ones, due to previous knowledge I had, but all of them made me examine them in a critic way that enriched my cultural heritage.
When walking around a city, you may notice that the architecture and art look similar to other works. Many of these designs have changed along the course of history and time whilst others have not. The designs that many people still see in society and day to day living is from two of the many cultures of the old civilizations, Roman and Islamic. The art and architecture forms from the Islamic and Roman cultures have many comparisons and contrasts between them. They, the Islamic and Roman nations, have both adopted from other cultures and have made their own discoveries in the art and architecture worlds. The Roman and Islamic architecture and art vary drastically from each other and yet have varying comparisons between the two.