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Othello essay on venice
Comment on the theme of jealousy
Othello essay on venice
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Have you ever thought someone could use your own emotions against you? In The Tragedy Of Othello: The Moor Of Venice, by William Shakespeare, the emotions the characters feel are used against them. This happens to both Othello and Cassio. Othello is the moor of Venice. He is also the general of the Venetian Army. Cassio is the Lieutenant of the Venetian Army. Iago utilizes Cassio’s hatred of drinking against him to make him act impulsively. He also uses Othello’s strong belief of Desdemona’s loyalty against him to persuade him to act impulsively. Iago transforms characters from being composed to impulsive by utilizing their emotions against them, making them do something they normally would not do. Iago influences Casio from being composed …show more content…
At first Othello is confident about his belief that Desdemona would never lie or cheat. This allows him to appear composed when the topic is even brought up. When Brabantio says, “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (1.3.288-289), he says, “My life upon her faith” (1.3.290). Othello believes that Desdemona would never lie to him, even though she had lied to her father. Also, he did not act or appear mad when Brabantio says this. As a result, Iago is able to use this confidence of Desdemona not cheating on him against him. At first Iago just gets the idea in his head. He then tries to “Fetch me the handkerchief—my mind misgives” (3.4.80). Othello admits that he is doubting her loyalty. Iago told Othello that she had given the handkerchief to Cassio. At first Othello did not believe him until he realizes she truly does not have it. Once he believed this Iago was able to continue with his lie. He told Othello she has slept with him numerous times. He also tells him that he should kill her due to everything she has done. To this Othello replies, “Ay, let her rot, and perish, and be damned tonight; for she shall not live. No, my heart is turned to stone; I strike it, and it hurts my hand” (Shakespeare 4.1.183-185). Othello admits that he believes she should be killed. Iago then induced him that he should be the one to kill her. Othello
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
Iago talks about jealousy and deception in this same scene, but never gives any proof or direct descriptions of Desdemona's betrayal. Yet we know that Othello's perception has been sufficiently influenced to make him angry and sick by the end of this conversation. He tells Desdemona he has a headache, but he refuses any help from her. When she puts her handkerchief to his head, he pushes it away saying, "your napkin is too little" (3.3.285). This takes on more significance later on in the play when we find out that this handkerchief is the first token of love Othello ever gave to Desdemona.
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
The fact that Othello is wavering between believing Iago and trusting his wife is reflected in the imagery Shakespeare uses in the soliloquy. The first image that is used is that of a falcon. Lines 301-304 read: “If I do prove her haggard, / Though that her jesses were my dear heartstrings, / I’d whistle her off and let her down the wind to prey at fortune.” This shows that Othello is still unsure about Desdemona, and claims that though he is in love with Desdemona, he would drop her if he found out she was cheating. This is quite a strong willed statement, but it is diminished by lines 319-320, which follow the entrance of Desdemona and Emilia into the chamber. Othello says, “If she be false, heaven mocks itself! / I’ll not believe ‘t.” This is an example of how turbulent Othello’s state of mind is. The steadfast determination expressed using the falcon image sort of “melts” when he sees Desdemona, and he immediately professes denial that she could be untrue to him. Yet, just ten lines earlier (l. 308), Othello says, “She’s gone! I am abused!” and proceeds to lament the very institution of marriage: “O cure of marriage, ? That we can call these delicate creatures ours / And not their appetites!” Shakespeare’s placing of these three different conclusions Othello has drawn in such close proximity is an example of antithesis, and a testament to the changing and chaotic state of mind of Othello.
Iago in William Shakespear’s play “Othello” offers a precise explanation; Iago is a hateful, havoc seeking manipulator who holds several motives behind destroying several lives. From the beginning of the play, the reader is captivated by Iago’s character of a villain. In the beginning of the play it is revealed to the reader through the conversation between Iago and Rodriguez that Iago loathes Othello because he was not assigned the position of Lieutenant. However, it seems as the story progresses, more factors come into play regarding his hate towards Othello. He reveals another motive in a soliloquy; that he despises Othello because he slept with his wife. Furthermore, Iago 's hate towards Othello could also be attributed to Othello 's African
Throughout the novel, up until his insanity, Othello is described as a temperate man whose honor does not allow him to believe assumptions unless he has been shown proof. Firstly, when the men of Brabantio, Desdemona’s father, confront Othello’s men, Othello calmly says, “Keep up your bright swords, for the dew will rust them.” (10). Othello is confronted on the matter of his elopement with Desdemona with force and with words. Not only is he very cool about his dealings with violence, but also when he is asked to tell the story of how he had Desdemona fall in love with him he states the truth, and he doesn’t leave out any details of how he accomplished it. He openly admits that had any other man told his story, that man also would have won her heart. Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially.
Shakespeare is not only one of the most important genius in literature, but also a great phycologist who perfectly understands many human behaviors and its consequences. He was a genius reading and comprehending our nature. His perceptions towards people and our emotions, can fit in any time and space such as he pictures represents jealousy, envy, manipulations and lies in Othello’s tragedy, and no better antagonist to represent it than the greatest evil in the universal literature, Iago.
Othello believes every lie Iago is telling him which makes Desdemona look really bad. Othello doesn't ever go up to Desdemona and ask her about the handkerchief or about her recent, secretive relationship with Cassio. Othello just assumes that Iago is right about it all and doesn’t even bother to talk to Desdemona or Cassio. “Sweet soul, take heed, take heed of perjury. Thou art on thy deathbed.”
All Iago had to do was hint at Desdemona being unfaithful and Othello’s becomes very bothered it and eventually starts believing it. The author of an essay does an analysis on Iago and says “He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.“ (Shakespeare’s Othello – Honest Iago). So Iago would hint at something going between Desdemona and Cassio so that Othello would become bothered and ask him what he means by that, it was like a game that Iago was playing, he would drop a little hint and then expect Othello to pick up on it and start questioning it and become more even suspicious. Brabantio tells Othello “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (I.ii.286-287), So In this scene Brabantio warns Othello that Desdemona has already fooled him and she might fool him too, so be careful, and it turns out, Othello believed in him after all and that’s part of the reason of why he thinks that Desdemona is being unfaithful to him. It leads him to start questioning Desdemona in a very suspicious way. At one point he even hits her in front of a nobleman and that was very shocking to the nobleman because he believed him to be a very calm and collected gentleman but obviously he was a changed man. The nobleman even expresses his shock by saying that “My lord, this would not be believed in Venice, though I should swear I saw’t. ‘Tis very much make her amends; she weeps” (IV .i.217-219). This negative thinking and insecurity was one of the main reasons to Othello’s change in a negative way. A lot of this was Iago’s doing but it was also Othello’s fault to fall for Iago’s
However, Iago works diligently to damage her reputation. She is devoted to her loved ones with her loyalty ultimately being her downfall. Her father, Brabantio, plants the initial seed of doubt by warning Othello, “She has deceived her father, and may thee” (Act I, Scene 3). It is later revealed that Desdemona adores Cassio and is willing to continuously beg Othello to assist him—her stubbornness leads Othello to believe that Desdemona is in love with Cassio, though she was only trying to help her friend. Desdemona’s initial portrayal of how she truly is and how she appears to be is correct; her character is later misconstrued to appear manipulative and cunning, verifying Brabantio and Iago’s slander.
Iago's True Motives for His Animosity toward Othello Throughout the experience of Othello, a plethora of characters manage to hold the spotlight, evoke aspects of the nature of man, and entwine tremendous emotions into knots. An analysis of the different characters in Othello portrays Iago as a character worthy of a deeper analysis as a reprehensible and enigmatic puppeteer responsible for the tragic fall of the hero, Othello. The character is depicted to be the most notorious villain in the play. Regarding this, it becomes even more challenging to determine the real motives which lead to the development of an animosity attitude towards Othello.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
“The Tragedy of Othello Written by William Shakespeare" highlights a variation of ways in which males and females reacted to intense situations.” Previously in Act 4, Iago furthered his influence on Othello making him more gullible than in Act 3. Iago suggested that Othello should go and kill Desdemona and that Roderigo should go kill Cassio. Iago says “If Roderigo lives, he'll demand all the jewels and gifts he gave to me, intended for Desdemona.” He was also thinking “If Cassio lives, his goodness will only remind everyone that, by contrast, Iago is really evil.”
All of the trouble and headache Iago has caused throughout the play has led to this very event. Iago believes that he will be able to fill Othello's head full of false information, tricking him into believing that Desdemona feels lust towards Cassio, all while Cassio is trying to plead his case to Desdemona. Iago believes that after putting phony, misleading information in the back of Othello's mind, he will think that Desdemona talking to him, trying to get him to understand Cassio's case will cause Othello to think that Desdemona has lustful thoughts and feelings towards Cassio, causing an uproar between all three of