This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
An Exploration of Honour in Othello
In Othello, the titular character is a visible minority who holds a high position in the army but falls victim to manipulation by his seemingly trustworthy ensign and friend. While the theme of jealousy remains the main reason for the eventual death of both Emilia and Desdemona, the preservation of honour and reputation also fuel the characters’ actions toward the women. Therefore, the men in the play act cruelly and unjustly in order to defend their honour. While the conflicts between the Othello and Iago seem to be due to jealousy, the play suggests that the men are scared of the women and their power to destroy their honour and reputation.
The play “Othello, The Moor of Venice ” by William Shakespeare, tells the story of the tragic downfall of Othello. In this play, love, loyalty, and honesty are the most important emotions that keep the world prospering, and when those are questioned or lost, chaos takes over. Othello has been tricked to believe the worst about his wife, Desdemona. Then Othello becomes corrupted by jealousy, and he takes that emotion to the extreme. The truth is revealed too late, and because of Othello’s actions the only way he can restore his honor is by his own death. The revenge and jealousy displayed “Othello” lead to this tragic ending, but when the truth comes out and Othello realizes he murdered Desdemona for something she didn’t do, He dies to regain his honor, but he also can’t handle the fact that he just killed his innocent wife. His redemption in the end of the play restores most of his honor, but his actions do not compare to the deed Desdemona has done, when all she has been is good to Othello.
Within the drama, “The Tragedy of Othello”, Othello maintains a vital role in the plot within Shakespeare’s writing. Othello held a prominent role in society as a general for Venice and was both physically and psychologically respected in his community. However, during the drama Othello makes an important decision by choosing to murder Desdemona even with no clear proof; this action would affect Othello greatly as the drama transpired. Throughout Shakespeare’s script, Othello is continuously manipulated by Iago which ultimately results in not only the death of Desdemona but also the death of Othello himself. All of his actions would play a part in the overall analyzation of Othello; a tragic hero.
Othello’s personality was shaped largely by war and his pride as a capable soldier. He was intelligent and strong enough to live through countless battles and lead troops into war with successful results. Even Iago, who hates Othello for passing him over for the lieutenant position, can not deny Othello’s noble yet naïve nature, which he explains to Roderigo, “The Moor is of a free and open nature” (Act 1 Scene 3 390). However, as Iago continually hints to Othello that his wife Desdemona is cheating on him with Cassio, more of his negative personality traits begin to show up. Doubt, mistrust, jealousy and rage all grew with Iago’s hints and led him to believe that his wife had damaged his reputation by being unfaithful to him. In the beginning of Othello, Othello betted on his life that Desdemona loved him and would never betray him and by the end of Shakespeare’s story, he suffocates and kills his wife out of honor in order to preserve his reputation and sense of self. He killed her not only out of a sense of duty, but also because of how hurt and betrayed he felt about her perceived infidelity. Therefore, Othello represents the good and the bad side of human nature by being intelligent, loving, open, and honorable and the bad by doubting his wife, exhibiting jealousy, anger and
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.
...erent character, more Iago like than Iago himself. He has no regret for what he has just done, and no respect to his innocent wife Desdemona, whose obedience and naivety led to her untimely downfall as well. Othello is a victim in the sense that he was puppeted by Iago, but also a villain in the sense that he is controlled the strings all along. He goes along with Iago’s judgement instead of his own, refuses to shed light on the situation by simply asking the two involved if they were actually involved, and even as his wife pleaded that he recognise she was innocent of any infidelity, he was already in too deep in his own jealousy to stop himself from himself. It is important that we remember both sides of Othello, and that we learn to distinguish this transformation of him as a character, for the thing that makes one a victim can also be one’s own tragic flaw.
Throughout Othello the Moor of Venice we experience a rather uplifting story that seems to somehow come crashing down on not only the characters in the story but the reader also. Author William Shakespeare does a tremendous job at connecting us with the characters in the play. Othello, the protagonist in the play, falls slowly into the pit of destruction where jealousy takes control. He along with many other characters in the play are manipulated by Iago and slowly taken down from a peaceful, love filled, and triumphant place in their lives to one that is dark and revengeful. Many are led to their deaths because of the terrible deeds done by Iago, some of which include Othello himself who commits suicide only after murdering his new wife over nothing but the mindset of jealousy and hate. Shakespeare explores a vast amount of literary content here some of which delve into Jealousy. Jealousy alongside intense deceitful manipulation can introduce a person to another sinister side of themselves they never knew to existed. Iago 's ultimate goal in the play is not yet clearly laid out; there is much to
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare. The story is about Othello, who is a general in the Venetian army and is convinced by his trusted ensign, Iago that his wife is cheating on him. Eventually Othello kills his wife and when he finds out the truth he then kills himself. Most of the conflict in the play stems from Othello’s value assumption that women are not equal to men, which leads to dramatic and value irony. Othello’s relationship with Desdemona, his trust in Iago and Othello’s jealousy indicates Othello’s belief that women are not equal to men.
Othello is the tragedy, and, incidentally, the name of a Moor who serves as a general in the Italian military. He spends the first act of Shakespeare’s play in Venice, but is ordered shortly to Cyprus to fight the Turkish invasion. His journey isn’t officially noticeable at all in the play. One moment he’s defending himself in the Senate of Venice, the next he’s in Cyprus, taking credit for being victorious in a battle the storms fought for him against the Turks. The story unravels from there. His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate.