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Critical analysis of othello's character
Gender issues in othello
Critical analysis of othello's character
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The Setting of Venice in Othello
Othello is a fundamentally different character to all others in the play [1]. He is an outsider to Venice and therefore an outsider to the customs and society of Venice. In one way this is good for him. He is a renowned strong general who is much in demand from the Venetians. Rather than fight the war against the Turks for themselves, they hire Othello to do so, indicating that he is respected by the Venetians but not considered, as a civilized Venetian would be, above having to fight wars barbarically. This lack of cultural acceptance is indicated by the way Brabantio is willing to Îloveâ, invite to his house and ask him to tell battle stories. However, when there is the possibility of Desdemona marrying Othello, Brabantio is vehemently opposed, exclaiming;
"Destruction on my head".[2]
Venice is a haven of civilization, on the border with the land of heathenism and disputes. When Brabantio is told he has been robbed, he answers inconsistently;
"What tellâst thou me of robbing? This is Venice; My house is not a grange."
This not only shows that Venice is a quiet, civilized, uneventful place, but that its inhabitants (or at least Brabantioâs generation) believe it to be themselves.[ LINK TO 3] They live by a code of behavior and upbringing which views someone like Othello as barbarous, uncivilized, and almost amusing in a superior cultural kind of way. Every time a character calls Othello "the Moor" a sense of derision and superiority is conveyed and all the other feelings of distance inherent in Venetians.[4]
Iago says that Desdemona is a "supersubtle Venetian"[5] as if the calculatedness of her thoughts and deeds were not too a feature of himself, which they certainly are. The implication is that civilised people are conniving and scheming people, and are in that sense understood to one another while this adds to the irony of the constant reference to Iago as "honest Iago". It also contrasts the Venetian way of social dealing with the open nature of Othello. Othello is clever, as his style and military prowess show but is to content of Venice he is na•ve. He is too trusting and misunderstands the subtleties of Venetian society it is the combination of his openness and decisiveness, pride and trustfulness that allows super subtle Iago to destroy him, powerful as Othello is.
Appearances can be deceiving as often what appears to be real is in truth an illusion. This notion is presented in Othello as it explores how appearances and societal perceptions are often fraudulent in comparison to true. This is evident when the antagonist, Iago employs dramatic irony stating that, “Men should be what they seem”. Here, Iago is hypocritical as he is perceived to be honest by the Venetians. However, this social façade is only masking his duplicitous nature. Iago’s character is further revealed through the use of metaphor, “The Moor has already changed with my poison”. In this instance Iago is attempting to conjure up the insecurities of Othello, such as Desdemona’s fidelity and devotion to
Braces date back to even ancient times, they are not a modern day concept. Archaeologists have found mummies with metal bands hugging certain teeth, which were around 400-500 BC. The first documented ligature wire was found in a Roman tomb in Egypt. In a more modern and known time such as when George Washington had his wooden teeth dentist were thinking about bad bites and how they could correct it. Roughly around the 1800s a man named Delabarre marked the start of contemporary orthodontics with the introduction of the wire crib. The wire crib is the wire put in the brackets. As we know braces than and braces now differ quite a bit. In the 1900’s braces were out of gold, platinum, silver, steel, gum rubber, and even wood. The wire was made out of gold! That had a lot of setbacks due to the fact it is a very soft material so constant adjustments were needed. Now, towards the mid 1970’s was the end of the wrap around metal, they had finally come up with a bonding agent to glue brackets on the tooth surface (S, 2002). We may have thought braces were barely invented but, as we have seen they have been around since even 4...
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Hurricane Katrina was one of the most interesting and deadly hurricane to ever hit the United States. This hurricane devastated New Orleans and all of its inhabitants. This hurricane was especially devastating as New Orleans is 13 feet(3.9624 metres) below sea level. The government wasn’t prepared for the damage of New Orleans, and neither were the Levees. The Levee crash was one of the major causes of the flooding in New Orleans. The deaths and damages cost billions. After this storm many people didn’t want to move back to their home, New
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
In 1943, with World War 2 in full throttle, Ayn Rand’s novel “The Fountainhead” was published. Written during a chaotic period in history, this book appeals to the reader's emotions by promoting individual rights, capitalism, and romantic realism. Rand advocated reason along with ethical and rational egoism and opposed collectivism. The main protagonist in the book is named “Howard Roark”. Howard Roark has a love interest named “Dominique Francon”. Dominique is in love with Roark yet she still wants to destroy him because Dominique thinks that Roark’s greatness is going to go unappreciated.
Desdemona acts contrary to these plans by choosing to marry Othello who is a Moor, not a Venetian, which automatically lowers his stature. He is also an army general; he does not have a lot of money, only some prestige. In addition, he is old - he could be Desdemona's father nearly; in fact, he is Brabantio's friend. Army life would keep him (and her) out of Venice, and prevent Brabantio from seeing his daughter, or future grandchildren. Consequently, Brabantio is extremely upset when he learns that they have eloped.
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Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
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The Othello of the Fourth Act is Othello in his fall. His fall is never complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the following scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation. But in the Fourth Act "Chaos has come". A slight interval of time may be admitted here. It is but slight; for it was necessary for Iago to hurry on, and terribly dangerous to leave a chance for a meeting of Cassio with Othello; and his insight into Othello's nature taught him that his plan was to deliver blow on blow, and never to allow his victim to recover from the confusion of the first shock. Still there is a slight interval; and when Othello reappears we see at a glance that he is a changed man. He is physically exhausted, and his mind is dazed. He sees everything blurred through a mist of blood and tears. He has actually forgotten the incident of the handkerchief, and has to be reminded of it. When Iago, perceiving that he can now risk almost any lie, tells him that Cassio has confessed his guilt, Othello, the hero who has seemed to us only second to Coriolanus in physical power, trembles all over; he mutters disjointed words; a blackness suddenly intervenes between his eyes and the world; he takes it for the shuddering testimony of nature to the horror he has just heard, [Endnote 6] and he falls senseless to the ground. When he recovers it is to watch Cassio, as he imagines, laughing over his shame. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before. But he is safe now. The sight only adds to the confusion of intellect the madness of rage; and a ravenous thirst for revenge, contending with motions of infinite longing and regret, conquers them. The delay till night-fall is torture to him. His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. He is so lost to all sense of reality that he never asks himself what will follow the deaths of Cassio and his wife.
“Walter Elias Disney was born December 5, 1901, in Chicago, Illinois, to Elias and Flora Disney…Walt’s parents …decided to move closer to family on a farm outside of Marceline, Missouri, in 1906…It was here that he began to draw animals and indulge his imagination. Walt’s exposure to rural life influenced him throughout his career.” (Jolley) When reading about Walt’s early history, it’s noticeable that he came from very humble circumstances. The places he lived, and the experiences he had, shaped his life dramatically. He was an imaginative and hardworking person from the start. “ Walt was only nine years old when he had to get up at 3:30 a.m., seven days a week, to fold and deliver papers for two hours before attending…school” (Jolley) By working at such a young age, life lessons of perseverance and dedication was instilled into his values at a very early.
Whether or not the Roswell incident truly involved a UFO remains unclear. How ever, the military cover-up only served to fuel the fire of our imaginations. Interest continues to grow, as questions remain unanswered. Even Bill Clinton has been quoted as saying “…If the United States Air Force did recover alien bodies, they didn’t tell me about it either, and I want to know”(qtd. in Wright 105).
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.