‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
...motional poetry, much of which is biased and embittered. Much of her poetry is insensitive – but not ineffective. ‘Shooting Stars’ seems to be set in a concentration camp (something I doubt Duffy has any experience of), and her use of indefinite, fragmented verse & scarce rhyme to convey the perpetual threat & faceless fear in the camp is powerful. The lasting anonymity of the narrator’s voice gives the verse poignancy as well as the tragic futile monologue, combined with the harrowing use of a metaphorical sunset – she is to die – this will be the last sunset, the onset of eternal darkness – There is no doubting the weight this poem carries. Duffy does not go as far as to be abstract or even observant here but she simply calms down a little, which lets a lyrical quality surface within her verse, which is not apparent in her other brash, misandry-fuelled works.
Bullets flying through the air right over me, my knees are shaking, and my feet are numb. I see familiar faces all around me dodging the explosives illuminating the air like lightning. Unfortunately, numerous familiar faces seem to disappear into the trenches. I try to run from the noise, but my mind keeps causing me to re-illustrate the painful memories left behind.
Throughout the times war has effected people immensely both physically and mentally. All people deal with their circumstances differently to help cope with what they dealing with. Whether it’s a fatality in the family, or post traumatic stress disorder most people find a way to heal from injury or emotional damage. In Brian Turners poem, “Phantom Noise,” he writes about the constant ringing he hears from the war he served in. The poem expresses that Turner seems to deal with his emotional damage by writing poetry about what he feels, hears, and sees during the time he spent in war and in civilian life. Even though Turner is no longer in war it still effects him greatly each day. The overall tone of the poem is very solemn and makes the reader
Images can manipulate many scenarios but it’s tactic used to show the realities of our world. Despite what we see, picture taken of the war and events occurring in the war doesn’t mean they aren’t real. We all live in a messy world and history is constantly repeating itself. Pictures are taken to spread awareness and empathy. It is a reason DeGhett argued that the Iraq brunt solider photograph taken by Kenneth Jarecke should have been posted in order for the public to get a sense that the war occurring at the moment is nothing like in the movies. Images are powerful and we must learn to always look closely and
War has always been inevitable throughout the history of the world. The outcomes can differ greatly; it’s usually either a win or a loss. Wins or losses are just definite statements, but photos can represent these statements. Alfred Eisenstaedt’s “V-J Day in Times Square” shows an American sailor kissing a young woman right in the middle of Times Square, despite their surroundings. This iconic photo was taken after the U.S. declared victory over Japan in World War II, and was published in Life magazine a week later. John Gap’s (III) photo shows a young girl being consoled at a soldier’s funeral in a local high school gymnasium, later to be buried at Arlington National Cemetery. This humble photo was taken during the war still raging in Afghanistan, showing that these types of losses happen quite often, as there are no iconic photos for Afghanistan compared to the photo shot after the win over World War II. Unlike its counterpart, this photo was published only at a local level on a website. Both these photos show a soldier being dismissed to go home from war. Although the two photos share that common factor, the scenario in which the soldier comes home differs greatly. Through these photos, Albert Eisenstaedt and John Gaps III help evoke pathos and give the observer a sense of the pride and the devastation felt of a home coming from war using photographic elements such as framing, focus, and angles.
Photographers in World War II often got to embark within the military to get coverage of the war. This gave these photographers a chance for a first-hand experience into the the trecherous battlefields of the war. Robert Capa, a photographer, tells of his experience with the soldiers in the Normandy Landing, “ 'Some of the boys were politely puking into paper bags and I saw that this was a civilized invasion,' Capa recalled, “We waited for the [special assault teams] to go in and then I saw the first landing boats coming back and the black coxswain of one boat [was] holding his thumb in the air and it looked like a pushover. We heard popping around our boat, but nobody paid any attention” (Kershaw 28). Seeing such things as a photographer must have been a harrowing experience and this gives a clear example of what exactly these photographers would have to experience in their line of work.
It was not until the 19th century that a very powerful tool was examine in depth by different viewers, photographic images. In the depression years, war was not seen by others as what war really is, and or what war can do. Some perceived war as an act of heroic action, and were not really aware of the pain that war brought to others remotely. Photographs were and continue to be visual representations of current and history events. In Regarding the Pain of Others, written by Susan Sontang. She analysis many factors in how war is perceived in images/photos by different viewers. Susan Sontang also reacts to a key point word that Woolf ’refers to as “we” when it comes to relating to the pain of others and there experience of this subject.
The men, also known as “specials,” faced death from war, sickness, and starvation, all to paint the battle scenes that people on the homestead craved. Specials and their works of art were vital for journalists to portray the horrors of war to the American public in a time where photography was not advanced enough to be effective. Katz’s use of ethos, logos, and pathos helps the reader understand the purpose of specials and the hardships they faced, but his most effective argument was his appeal to ethos through the use of direct quotes and stories..
However, some believe the decision to not release Jarecke’s photo was less about protecting the readers than preserving the “dominant narrative” of a good, clean war. According to Stella Kramer, freelance photo editor for Life, “As far as Americans are concerned, nobody ever died” (DeGhett 81). Photographs tell stories and Jarecke’s told a story about the effects of combat, and allied air strikes. I believe that photos such as these should be published, if we are fighting in a war we should be able to face the effects of it. War is something that should not be taken lightly, therefore we need to face the devastating effects. These photographs serve as a reminder to those who may not understand the severity of war that people die fighting each day so that we can live in a world of