HBO’s eerie science fiction series Westworld, cinematic language is manipulated to emphasise Dr. Robert Ford’s god-like disposition as the mastermind behind the brilliant, technological medium that is Westworld. In this particular scene, Ford is sitting with Theresa Cullen, the operations manager of the Westworld theme park. She is attempting to stop Ford in creating his new storyline for the park as it seems to be creating unscripted chaos in the park and, in result, worrying the stakeholders of the operation. The visual contingency of this scene can be attributed to the classical “shot-reverse-shot” that works to make transitions appear smooth and continuous to the audience, developing a scene that makes sense logically, chronologically, …show more content…
The camera than cuts to elsewhere in the space, where more host workers in the cafe appear to be frozen, in which the camera then cuts back to Ford and he declares “in here we were Gods.” This particular instance of Ford’s control of the park is frightening. How, Ford is able to manufacture a believable life-like scenario and then stop it at his own whim. When Cullen was dictating the direction of the conversation the host workers were breathing a moving around her, When Ford decided he wanted to direct the conversation, he literally stops the world around him. Due to this pause, the glass of red wine being poured by the host worker overfills, causing a dramatic spill that is captured beautifully by the camera. Cullen’s eyes dart away from Ford and to the cup, noticing the spillage. Although, Ford continues to speak and the glass continues to overfill, making a dramatic mess on the table. This action by Ford demonstrates his absolute control of the situation, how he can manipulate this entire world to do his bidding. A glass of wine also symbolises the idea of distinguished civility, an ornament of wealthy and
Henry (Harrison Ford) suffered injuries to his brain after being shot in the head when he went to go buy cigarettes from a local shop. When he was shot, the bullet went into his right frontal lobe; the part of the brain that is responsible for decision making and language. Henry was also shot in his subclavian artery, which brought him into cardiac arrest and eventually anoxia. Due to the bullet to the head, Henry’s loss of memory has affected his social behavior by causing him to act less educated than he used to as well as by making him feel uncomfortable around people that he knew before the accident. His work life and family life were changed due to him not being able to remember his own family, co-workers, or what to do at his own job.
In Edward Scissorhands, a close-up is used on both Edward and Kim’s faces after Edward mistakenly drops a steak in Kim’s lap. This close-up allows for facial expressions to be seen clearly, in turn adding to the emotion of the scene. (In this case Edward’s apologetic embarrassment, and Kim’s annoyance.) As the characters display an obvious emotion, the mood syncs up with the emotions they feel. Similarly, in The Corpse Bride the camera tilts, sways, and bounces as Victor runs from Emily in the world of the dead. This creates a chaotic feel to the scene as tilted shots put the audience in Victor’s shoes as he panics. Finally, in Charlie and the Chocolate Factory a view is used to show Wonka and his tour group, as well as dancing Oompa Loompas while Augustus is stuck in the chocolate tube. Being able to see several different events taking place from above creates a chaotic atmosphere. Juxtaposed, however, by the “unprepared” order of the dance routine taking place below. These aspects work together to help create a suspicious, and chaotic mood to the
The films, The Thin Blue Line and Cloverfield are both alike and dissimilar in different film aesthetics. The aesthetics that are presented to the film’s viewers vary in many ways, ranging from the type of camera used to the lighting in the films. Despite the differences, both films present truths about the world using aesthetics. I think these certain aspects help the audience give a full, undivided attention to what is currently happening in the movie. When the movie has our full attention, that is when we fully understand the truths that are being presented to us from the two films, The Thin Blue Line and Cloverfield.
. The greed of money has overtaken Freeman and he has no sense of compassion or being kind.
Alcohol also shows that the Birlin... ... middle of paper ... ... he Birling family had the same-blinded view on social classes. Ignorance and pettiness got in the way of fairness and blindness. Alcohol also played a part in representing the Birlings for who they are and their social status.
During the opening six minutes of Nicholas Roeg’s film Don’t Look Now, the viewer experiences a dynamic mixture of film techniques that form the first part of the narrative. Using metaphor and imagery, Roeg constructs a vivid and unique portrayal of his parallel storyline. The opening six minutes help set up a distinct stylistic premise. In contrast to a novel or play, the sequence in Don’t Look Now is only accessible through cinema because it allows the viewer to interact with the medium and follow along with the different camera angles. The cinematography and music also guide the viewer along, and help project the characters’ emotions onto the audience because they change frequently. The film techniques and choppy editing style used in Don’t Look Now convey a sense of control of the director over the audience and put us entirely at his mercy, because we have to experience time and space as he wants us to as opposed to in an entirely serial manner.
The film Wendy and Lucy, directed by Kelly Reichardt, presents a sparse narrative. The film has been criticised for its lack of background story, and as a short film, much of the story is left to the viewer to infer from what is presented in the plot. However, Wendy and Lucy is able to depict the intimate relationship between Wendy and her dog as well as reflecting more broadly on the everyday, and commenting on the current economic state of the film’s setting in America. This essay will examine how film form contributes to the viewer’s awareness of the story in Wendy and Lucy and allows a deeper understanding of the themes presented. The aspects of mise-en-scene, shot and editing and sound in the film will be explored.
The character Marlowe Marlowe is known for his constant need of liquor, especially scotch. Throughout the story, there are different times and places that the author, Chandler, makes sure that the reader acknowledges that Marlowe has a bottle at all times when in need of a shot. Frequent alcohol users use alcohol for various
Within the memoir, The Glass Castle, the self destructing addiction of alcohol becomes an apparent theme throughout the literature. Alcoholism is a disease that can cause destruction to families and even ruin lives. This is a common occurrence that effect’s many Americans today. Alcoholism is one of the most common problems in families, it doesn’t always interfere with just the person drinking the alcohol. It also affects the people around the influenced person. Rex’s struggle with alcohol is logged through his daughter Jeannettes struggles as she is finding the balance between respecting daughter and a strong individual. It is through her accounts that the reader is able to see the truly damaging effects of this disease.
Director Max Ophüls is known for his distinctive smooth camera movements (Liang, 2011, p. 2). Frame mobility keeps the audience focused on the subject (Bordwell and Thompson, 2008, p. 203), and this can be seen in this shot. Due to the camera tracking Lisa and Lieutenant Leopold after they enter the frame, the audience’s attention stays focused on Lisa and Lieutenant Leopold, even thoug...
In terms of drinking, the author uses it a means of showing just how much the two were not keen on having a meaningful discussion of their problems and how to solve them. Throughout the story as the two are waiting for the train, the author points out that they are both drinking alcohol as if they are trying to avoid the important discussions that they were having. As soon as the two set their foot in the station, they order large beers with the hope that drinking will take as much of their time as possible and would not give them the chance to communicate. The lack of commitment in the conversation about how to deal with the white elephant or the baby is shown when the girl requests to order more alcohol just to avoid having that discussion. The reader can also get the sense that the two are also drinking to forget about other problems that they seem to have throughout their relationship. This is depicted when the girl points out that the two do not really engage in other activities apart from the tasting out of new alcoholic drinks. One can also get the view that as a result of the drinking and the lack of communication between the two, the future is not that far for them and that they are bound to lead separate ways. This is shown as they separate when the girl is drinking with another
In Streetcar Named Desire, drinking is a way to escape from the lonely void created by her young husband’s death for Blanche Dubois. Drinking is often a way for people to escape from their current circumstances and forget about everything. In Streetcar Named Desire, it also relates to Blanche’s illusional world in the way that she wants to escape her past by being delusional and settling in as if it were reality. Through the motif of drinking, Williams reveals that escaping reality and living in a fantasy world will leave a person blind to the things around them.
One scene in particular stands out as a masterfully edited moment in the movie. In this scene, Wendy and Danny Torrance leave the inside of the hotel to go outside and explore the giant hedge maze. Wendy and Danny both run around in excitement as they delve deeper and deeper into the massive maze. The scene then cuts to a shot of Jack throwing a ball around the lobby of the hotel in boredom. He walks up to a three-dimensional model of the maze that is on a table in the lobby. The camera then cuts to a close-up of the model of the maze, and the audience sees what appears to be miniature versions of Wendy and Danny exploring the many corridors of the hedge maze. The audience can hear Wendy and Danny talking, and this helps assist the allusion of Jack watching the two go through the maze.
Berliner, Todd and Cohen, Dale J. "The Illusion of Continuity: Active Perception and the Classical Editing System." Journal of Film and Video 63.1 (2011): 44-63. Project MUSE. Web. 14 Feb. 2011. .
At the beginning of the story Alice is a little girl who is very curious, but also quite scared of being alone. First of all, she has an inquiring mind that brings her down the rabbit hole and, even if her way of thinking could remind the adult kind of thoughts, she still acts like a child. A clear example of this kind of behavior is when she finds a bottle with the words “DRINK ME” labeled on. Before drinking f...