The gender differences in the novel are first subtly admitted by Nick, ‘I drove over there to have dinner with the Tom Buchannan’s.’ Nick refers to the Buchannan’s as the ‘Tom Buchannan’s’ subtly acknowledging the fact that Daisy has no control or power within the relationship. She embodies the role of Tom’s simple and self-centered ‘trophy wife’, relating to the idea she is perceived as an object rather than a person. She usually wears white or cream dresses which juxtaposes and highlights her corruption as she begins an affair with Gatsby and ultimately causes his death by running over Myrtle in his car allowing him to be blamed. Fitzgerald fails to describe Daisy with any depth or consideration towards her personality, Fitzgerald appeals …show more content…
Through Fitzgerald’s characterisation of the three main female characters, as well as hiding the possible homosexuality of Nick the narrator due to the novel being written before gay liberation, a time when it was not only condemned socially but it was also actually illegal in the United States, the novel promotes only the traditional gender roles of men and women. The patriarchal agenda is evident in how Daisy and Myrtle are dependent to various degrees upon their male counterparts. Even Jordan Baker, named after two dominant types of sports car at the time has some need for a man as Nick ends up ‘halfway in love’ with her. His admiration of her conventionally masculine traits she is described as ‘athletic’ and ‘muscular’ arguably conveys his attraction towards Jordan is a physical one, reflective of his own sexuality. Nick’s reluctance to enter a relationship with Jordan, and his highly held admiration for Gatsby (‘Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby , who represented everything for which I have an unaffected scorn’) raise further questions about his sexuality, which conflicts with the traditional gender roles of that time. J. A. Stanford, in ‘is Nick Carraway gay?’ states ‘Nick reports, “I was lying half asleep in the cold lower level of the Pennsylvania Station, staring at the morning Tribune and waiting for the four o’clock train” (42). When he’s around men, he’s up late. When he’s around women, he retires early. By itself it doesn’t amount to much, but when all of Nick’s private episodes are pieced together, an undeniable pattern emerges. He is gay. Not bisexual—gay.’ Also close reading reveals another controversial scene to take place at the end of chapter two where Nick Carraway ends up in the bed of Mckee after a night of partying with Tom Buchannan. It is left very ambiguous yet there are several references that
His duplicity continues, as he meets Tom’s mistress, and later arranges Daisy and Gatsby’s meeting, even going as far as to say “don’t bring Tom” (85). These are clear deceptions and violations of trust, which both reveal that Nick is not the honest and forthright man he wants the reader to believe he is; on the contrary, in many ways he is the opposite of honest and forthright. However, Nick’s most clearly professed lie is in protection of Daisy, when Tom insists that Gatsby had killed Myrtle, and Nick remains silent, forgoing telling Tom about the “one unutterable fact,” - that it had not been Gatsby who was driving the car when it had hit Myrtle, but Daisy - in favor of protecting Daisy (178). Once again, Nick mischaracterizes his traits and even fails to recognize his deceptions and violations of trust as being dishonest, failing to evaluate his own traits. By highlighting Nick’s opinions of and interactions with life amongst the rich, F. Scott Fitzgerald crafts Nick into a complex character whose contrasting thoughts and actions create a many leveled, multifaceted character who shows the reader that one’s appraisal of one’s own traits can often be incorrect.
F. Scott Fitzgerald wrote The Great Gatsby which reflects the extravagance of the roaring twenties. Fitzgerald grew up facing adversity, but gained success from his publishings. Just as Gatsby’s reign of wealth and fame came to an end, Fitzgerald soon became an alcoholic. Fitzgerald wrote his third novel, The Great Gatsby, based off his own life experiences. Throughout his life he faced many obstacles that are mirrored in the lives of the characters in the novel. Growing up, he was constantly aware of the lack of privilege and wealth surrounding his family. Nick faces the same struggle to fit in socially because he lacks wealth and social status. Similarly, his relationship with Zelda was tainted by his adultery which he acknowledges as acceptable for men, but not for women. The sexism that Tom’s character exudes shows Tom’s underlying morals. The Great Gatsby resembles a reflection of
In the novel The Great Gatsby by American novelist F. Scott Fitzgerald, Jordan Baker portrays a professional golfer who is both Daisy Buchanan’s friend and a woman with whom Nick Carraway, the narrator, becomes romantically involved. She is poised, blonde, very athletic, and physically appealing. Throughout the story, Baker represents a typical privileged upper class woman of the 1920’s Jazz Age with her cynical, glamorous, and self-centered nature. Despite the fact that she is not the main character, Jordan Baker plays an important role in portraying one of Fitzgerald's themes, the decay of morality, in the novel. When the audience is first introduced to Jordan Baker, it is during a warm evening when Nick Carraway drives to the East Egg to visit with his cousin Daisy Buchanan and her husband Tom.
Set in the Roaring ‘20s, The Great Gatsby focuses mainly on the lives of men as Tom Buchanan and Jay Gatsby. However, it also clearly outlines the lives of several women : Daisy Buchanan, Myrtle Wilson, and Jordan Baker. On the surface, the lives of these women couldn’t be more different. Daisy, a rich debutante, is torn between her husband, Tom, or her first love, Jay Gatsby. Lower on the social ladder is Myrtle, who is having an affair with Tom, hoping to rise above her station in life. Jordan, on the other hand, is unmarried and a successful golfer, who travels the country participating in tournaments. While these women may have seemed independent, they’re still subject to the will of society which sees them as inferior and objects to be controlled by men.
“I hope she’ll be a fool - that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald 20). This quote is as true now as it was when Daisy Buchanan said it about her daughter in The Great Gatsby. Women grow up in a box of expectations. They are told to act a certain way and do certain things. Daisy knew that this was the world that her daughter was going to be growing up in, and that if she grew up to be a fool then she would fit into the world very nicely. If she grew up and became someone who noticed inequality, or who wanted independence, she would struggle in the world. While woman are no longer put in such a black and white box, there are still many expectations and limitations that woman have to face in their
Wanting to be with her true love again, she sneaks visits with him without Tom knowing. Just like Myrtle had, Daisy torn into her own marriage. She loved both men, but as soon as it was found out, the men began fighting for her. “I glanced at Daisy who was staring terrified between Gatsby and her husband…” (Fitzgerald 143). This isn’t what Daisy wanted at all. At some point Daisy loved Tom, and it’s very likely that she still does, regardless of all of his cheating. Living a life of riches for so long has affected her with affluenza, blinding her morals as it did to Tom. When someone already has everything they could ever ask for, they’re still going to want more. Something to work for, or else life becomes boring as Daisy points out many times in the novel. When both men she loves are threatening each other and fighting for her fondness she’s realized what she’s done wrong. She’s fallen into the same trap as Myrtle, being stuck between two men, but she still has feelings for Tom.“I saw them in Santa Barbara when they came back and I thought I’d never seen a girl so mad about her husband. If he left the room for a minute she’d look around uneasily and say ‘Where’s Tom gone?’” (Fitzgerald 83). Gatsby tries to convince Daisy that she loves him and only him, yet Daisy actually loves them both. After Daisy was married she could think about anything except Tom, while Gatsby has spent the five
The twentieth century was filled with many advances which brought a variety of changes to the world. However, these rapid advances brought confusion to almost all realms of life; including gender roles, a topic which was previously untouched became a topic of discourse. Many authors of the time chose to weigh in on the colloquy. In F. Scott Fitzgerald’s The Great Gatsby and Kate Chopin’s The Awakening, gender role confusion, characteristic of modernist literature, is seen in Nick Carraway and Edna Pontillier as they are the focal points in the exploration of what it means to be a man or a woman, their purpose, place, and behavior in society.
The exploring Fitzgerald's use of gender roles in the novel requires a certain amount of scholarly research. Including text searches throughout the book, reading scholarly criticisms about the novel and reading articles that present new ideas about Fitzgerald's work. Gender definition and patriarchal values is the main topic of Bethany Klassen's article entitled, "Under Control: Patriarchal Gender construction in the Great Gatsby." The quotes and ideas in this article are profound and bring on a whole new meaning to events, conversations and actions that take place in the book. For example she notes, " To place Daisy and Myrtle in the passive position necessary to Tom's ego, Fitzgerald employs imagery that denies them their humanity and transforms them into objects defined by their purpose to display Tom's wealth and power"( Klassen ). This passage in the article refers to the way in which Tom puts value on women not by personality or his love but as a material trapping. Not showing emotion towards his wife adds to Tom's persona. The article also includes opinions about the female roles in the novel. Daisy and Myrtle personify the typical female who is basically living to fulfill her husband's needs instead of getting a degree and making a living. The article continues to explain how during that time period, there was even a consequence for not fitting into gender roles. Referring to the tragic car accident, Klassen writes, " Because Daisy's affair with Gatsby places her in the car with him that night and because Myrtle's rebellion against her husband leads her to run into the road, both incidences of female empowerment structurally precipitates the disaster" ( Klassen ). This quote is extremely interesting because it claims that when women try to overcome being trapped by feminine stereo-types, it ends in disaster. This article is obviously beneficial to any person who is exploring gender roles in the novel.
The second character Fitzgerald analyzes is Daisy Buchanan. Daisy is married to Tom Buchanan. Daisy is the definition of a dream girl, she is smart, gorgeous, and just an ideal woman to be around, and the relationship between her and Tom is quite odd (Baker). Daisy and Tom move to the fashionable East Egg from Chigaco (11). Daisy has everything a woman could wish for, a wealthy husband and an immaculate house. Daisy does not know that Tom is having an affair with Myrtle Wilson. Nick Carraway plays a major role in Daisy’s love life in The Great Gatsby. Nick is Daisy’s second cousin and he knew Tom from college (11). Daisy invites Nick over for dinner one evening and that is how she relearns about Jay Gatsby (11-17). Daisy met Gatsby at a dance in Louisville. They used to be madly in love with one another when he was in the army (). They had plans of always being together and being married in Louisville at Daisy’s home (118). Later in the story, Daisy was invited to go have tea at Nick’s house, but what she did not know is that it was all Gatsby’s idea to get them to rekindle their rel...
The Great Gatsby (Fitzgerald F.S, 1925) is a novel which focuses on narrator Nick Carraway after he moves to New York in 1922. Nick is drawn into the world of wealthy and mysterious neighbour Jay Gatsby, and his quest to rekindle his love with Nick’s cousin Daisy Buchanan. This does not quite go to plan, and an unraveling chain of events leads to a fatal hit-and-run with Gatsby’s own death following shortly after. This essay will however be focusing on the women of the novel: Daisy Buchanan; Jordan Baker; and Myrtle Wilson. These three women are all radically different from one another upon first glance, but all are subject to the sexism of the time period. Fitzgerald portrays love as a battle, a “struggle for power in an
After Myrtle dies, Tom shows a side of him that is rarely seen. “And if you think I [don’t] have my share of suffering” (178). It almost seems as if Tom is trying to win Nick’s approval. Similarly, Gatsby makes up lies about himself to make seem more appealing to others. At Tom’s house, Daisy tells Nick about how she wishes her daughter would be “a beautiful little fool” (17) because women are not taken very seriously and are considered trophies that the men compete for.. After saying this, Daisy smirks as if “ she [has] asserted her membership in a rather distinguished secret society to which she and Tom [belong]” (17). Daisy allows Nick to have a glimpse into her glamorous, yet conflicted life. Even Jordan, the woman he has a crush on, reveals to Nick about Tom and Daisy’s complicated relationship. “Tom’s got some woman in New York” (15). Upon hearing this scandalous news, the reader can understand Tom from the way Nick sees
Gender Roles: In some respects, Fitzgerald writes about gender roles in a quite conservative manner. In his novel, men work to earn money for the maintenance of the women. Men are dominant over women, especially in the case of Tom, who asserts his physical strength to subdue them. The only hint of a role reversal is in the pair of Nick and Jordan. Jordan's androgynous name and cool, collected style masculinize her more than any other female character. However, in the end, Nick does exert his dominance over her by ending the relationship. The women in the novel are an interesting group, because they do not divide into the traditional groups of Mary Magdalene and Madonna figures, instead, none of them are pure. Myrtle is the most obviously sensual, but the fact that Jordan and Daisy wear white dresses only highlights their corruption.
Daisy Buchanan is the preeminent female character in the story. Her name, Daisy fits her exceptionally, she is bright and sunny like the flower. Daisy is best represented by the color yellow. She’s the story’s golden girl, the wife of wealthy broker, and the love of the mysterious Gatsby’s life. Grok describes the color yellow as “Deities with glowing halos and golden hair…But it also evokes a few negative responses in associations with dishonesty, cowardice, egoism, betrayal, and caution” (Grok). Daisy is described physically as a blonde, and back then the style along women was the flapper headband, like the glowing halo. In the story Daisy is dishonest, she cheats on her husband with Gatsby. Daisy is also a coward, she couldn’t leave Tom, her husband, who treats her like property for Gatsby, who truly loves and idolizes her. Daisy once tells Nick when telling him about her daughter, “I hope she’ll be a fool. That’s the best thing a girl can be in this world, a beautiful little fool” (1.17). Daisy is immensely obsessed with what people think of her, she likes being the girl who has this beautiful and graceful aura. This quote displays how she want’s her daughter to grow up to be just like her, the image of a weak foolish girl who lets men push her around. Betrayal is the emotion that Nick feels when she skips town instead of attending Gatsby’s funeral. Grok also writes that, “When paired with black, it suggests warning” (Grok). Gatsby is the color black, while Daisy is the color yellow. When the couple reconcile there is a multitude of trouble that eventually leads to the death of Myrtle, George, and Gatsby himself. Daisy isn’t just the bright ray of sunshine; she is also just as troublesome as Grok describes her, which is why th...
When Fitzgerald grew extremely close with Hemingway, Zelda accused the two authors of being in a homosexual relationship. Despite the fact that this happened after Fitzgerald wrote the novel, it discloses the idea that maybe Scott was bisexual. This idea could also be applied to narrator of The Great Gatsby, Nick Carraway. Although Nick has a relationship with Jordan, a girl, he alludes to a homosexual encounter with Mr. McKee. Nick describes Mr. Mckee as, “feminine,” and then later in the night he appears in only his underwear on his bed with Nick at his side (30). Although it is never explicitly said, because of the taboos during this time period, it is safe to assume Nick is not straight and experiences attraction to both sexes. Further evidence for this theory could come from the way Nick lovingly describes Jay Gatsby, with the admiration of a lover. Gatsby fascinates Nick and Nick views him on somewhat of a pedestal, as we see when Nick tells him, “You’re worth the whole damn bunch put together” (154). Nick’s attraction to men could allude to the possibility of Fitzgerald being attracted to men as
During the confrontation between Gatsby and Tom Buchanan about Daisy, she is talked about like she is a possession to be won over. During the argument Nick “glances at Daisy who was staring terrified between Gatsby and her husband” (Fitzgerald, page 143). Gatsby and Buchanan tell Daisy what to say instead of allowing her to tell her own truths, and if she does start to speak up for herself she is quickly quieted down. Daisy states at the beginning of the novel while talking about finding out the sex of her child that, “I’m glad it’s a girl. And I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald, page 16). Daisy is the only female character in the novel who understands that no matter what a woman accomplishes, she will always be downcasted based on her gender. This outlook is what allows her to be controlled by Gatsby and Buchanan, because she doesn’t believe that anything she can do will make her more of a human to them. Myrtle on the other hand, while still a married woman, isn’t able to see her powerlessness. She feels powerful enough to stand up to Tom and chant Daisy’s name over and over again until he breaks her nose (Fitzgerald, page 37). This scene demonstrates the way that men handled women if they ever did feel confident enough to speak for themselves. One final scene from the novel that really